notataion meaning for dasara padagalu/uga boga

gangar2758@vsnl.net · Post by **gangar2758@vsnl.net** » 21 Feb 2009, 13:04

UgabhOga:
Aneyu karadare AdimUla bandante ajAmiLanu karadare nArAyaNa bandante
ADaviyalli dhryvarAya karadare vAsudEva bandante sabhayalli draupadi karadare shrI krSNa bandante ninna dAsa dAsa nA karadarE enna pAlisa bEku purandara viThalA

pls tell me where to find other uaga bogas

Lakshman · Post by **Lakshman** » 21 Feb 2009, 17:32

Here are some that I have:

1: hariyembode lagnabalavu hariyembode sudinabalavu hariyembode tArAbalavu
hariyembode candrabalavu hariyembode vidyAbalavu hariyembode dravyabalavu
hariyembode lakSmIpati purandara viTTalane balavayya sarva sujanarige

2: hADidare ennoDeyana hADuve bEDidarennoDeyana bEDuve oDeyage oDalanu tOruta enna
baDatana binnaha mADuve oDeya shrI purandara viTTalarAyana aDigaLanu badukuve sEri badukuve

3: udaya astamAnavembo eraDu koLagaviTTu Ayassu embo rAsi aLedu hOgada munna hariya bhajisa
bEku manamuTTi bhajisidare tana kAryavu ghaTTi hAgalladiddare tApatraya bennaTTi vidhiyoLu
geivAga hOgadayya kaTTi purandara viTTalana karuNA drSTi avana mEliddare avajagajaTTi

4: hAruvanna heTTabEku hAruvanna kuTTabEku hAruvanna kaNDare cmpe mEle hoDeya bEku hAruvanu
bharatana vananAgi UravoLage Aru madi hAruvAru maidAra hAradante mADu enna purandara viTTala

5: santati AhOdu rAmAyaNava kELalu sakala pApaharavu bhArata kELalu tantumAtra viSNu purANava
kELalu tatva vivEkavu bAhOdu antaravaritu bhAgavata kELalu AhOdagryanA bhakti vairAgyavu
santata purandara viTTalana sankIrtane pADalu sakalavu bAhOdu sAyujyavu

6: tappu sAsiragaLa oppi kAyO krpALu muppuravanaLidantha munIndra vandya apramEyane ninna amrta mahimegaLa
appu nidhiyali puTTidavaLariyaLu kappu mEgha kAntiyoppuva timmappa aprAkrta rUpa puarandara viTTala

7: ninnane pADuve ninnane pogaLuve ninnane bEDi bEsarisuve ninna kAlanu piDive ninna hAraisuve ninna
toNDarige kai koDuve ninnante sAkaballa dEvarinnuNTe ghanna purandara viTTala dEvara dEva

8: malagi pADidare kuLitu kELuvanu kuLitu pADidare nintu kELuvanu nintu
pADidare nalidu kELuvanu nalidu pADidare svarga sure biTTanemba purandara viTTla

9: tambUri mITidava bhavAbdhi dATidava tALava taTTidava suraroLu sEridava gejjeya kaTTidava kharaLede
meTTIdava gAyana pADidava harimUruti nODiddav purandara viTTalana nODidava vaikuNThakke Odidva

10: Ayassu iddare annakke koratilla jIvakke endendigu tanugaLu koratilla hAvu huTTu embo sahaja lOkadoLage
kAla kAladi hari kalyANa guNagaLa kELadavana janma vyartha purandara viTTala

11: daridrarenna bahude haridAsara sirivantarena bahude hari drOhigaLa haridAsara mElidda
karuNavu siridEvi mElillavO purandara viTTalana AlugaLige ellihudai mAnAbhimAna jagadi

12: mana cancaladi tapava mADalu ashakyavu ghana ajnAnadi kelavu karmavu hattavu dhanavu
shuddhiyillade dAnavu vrthAyuvu initadarinda purandara viTTala I yugadalli smaraNalEsanda

13: prAdah kAlada nidre pariharisi hariya smarisi nAtha gOvindage pradakSiNe mADi prItiyoLatidi
pUjegeidu purANa shAstrava kELi nAtha shrI purandara viTTalage namO ennu

14: hari nInolivante mADu olidare tiruvante mADu tiridare dAru nIDadante mADu dAru nIDidare poTTe
tumbadante mADu poTTe tumbidare baTTe doreyadante mADu baTTe doredare imbudoreyadante
mADu imbu doreyadiddare ranga ninna pAdAravindadalli imbiTTu salaho purandara viTTala

15: baDavaroLage ennindAru baDavarilla koDuvaroLage ninnindAru koDuvarilla
drDha bhakti ninnalli enage kalpisi biDade salaho shrI purandara viTTala

16: aNuvige aNuvAgi ghanake ghanavAgi guNatraya tatvake mIrida doreyAgi trNa modalAgi mEru
pariyanta iruvva nInAgi guNnidhi purandara viTTala ninna mahime eNige mADuvaru yArO ennappane

17: manashuddhiyilladavage mantrada phalavEnu tanu shuddhiyilladavage tIrtta phalavEnu
mindalli phalavEnu mInu mosaLeyante nindalli phalavEnu shrI shailada kAgeyante horage mindu
oLage mIyadavara kaNDu beragAgi nagutidda purandara viTTala

sadAcara nIti

18: (kalikAla)
kalikAlake sama yugavu illavillavayya kaluSahara kaivalyavu karasthavayya
jalajalOcana namma purandara viTTalanna balakoNDu sIgisi bALuvudake

19: (prAtah smaraNa)
harE gOvindA endELu hattavatAra pELu mUDaladesege naDe gO-vipra tuLasige eragi bandu
nairutyadalli truNvaniTTu mala mUtrangaLa biTTu guru parampareyendu purandara vIttalanennu

20: (prAtah smaraNa)
hattaidu gaLigeya mEle mattaidu baraleddu cittajanayyana cittadi dhEnisi
attalu dayakke gaLige eraDalli eddu nitya snAnava mADi AdityagarghyavanIye
uttama janakella mettada pApagaLannu uttarisuvenenta purandara viTTala

21: (prAtah smaraNa)
prAtah kAlada nidre pariharisi hriya smarisi nAtha gOvindanige pradakSiNe
prItiyoLatithiya pUjisi purAN shAstrava kELi nAtha purandara viTTalane namO enni

22: (mala mUtra visarjanam)
mala mUtra mADuvAga karadalli jalavire malake samAna adu shuddhavalla
vilasita karmavAcarisi hariya neneya oliva purandara viTTala

23: (mrttikA snAna)
nuDive linga shaucakkomme gudakke mUru nellikAyiyaSTu maNNa hacci
nIroLu toLedu balada kaigai aidu maNNu eDada kaige Elu maNNu
jODu pADakke aidaidu maNNu aidu kaDeyaliTTu purandara viTTala ennu

24: (hallu shuddhi)
hallu beLaguvalli jambu phalaKsapatre nellanillu mahAlaya puNya divasadi ballida EkAdashi
parvaNi amAvAsyeyali ravi shashi grahaNadali salladayya dantakASTa malinagaLige gallisi
nIra mukkuLise hanneraDu balla budharige purandara viTTala oliva idanAcarise

25: (snAna)
eraDu gaLige beLage iralu grhastage snAna karava mugidu mADu sankalpavEda
parama puNya brAhmaNa dharmavendu purandara viTTalannu mecci pAlisuva

26: (gOpIcandana mahime)
kUpadalliyAdaru koLadalliyAdaru pApiyalliyAdaru A patniya neradiddaru
gOpIcandanada samparkaviddare ade sandhyAkAlavendu purandara viTTala pELda

27: (mana shuddhi)
hrdayada malavennu toLeyalariyade tAvu udayadalettu mindu gadagada naDaguvaru
adarindEnu phala adaginta udayAstamAna nIroLagitta mudikappe mADida tappEnayya
purandara viTTalana nAmava neneyade dinage innUru bAri muLugidarEnayya phalavu

28: (vastra)
nIla vasravAgadu nAriyara shaleyAgadu kAla mUru karmadali
kAla vastravAgadu Ardra vastravAgadu Agjnye shrI purandara viTTalana

29: (snAna)
andavillada ashaktanige ondE ariveyinda maidoLedu maDiyanuTTu nAmagaLiTTu
cendadali sandhyAvanadane mADe phalavahudu ninde hingalendu mADida manujange
indra hadinAlku manu nrakavendu andu purandara viTTala pELidanendu siddha

30: (sandhyAvandane)
nakSartagaLa kaNDa naranige uttama sandheya nakSatra onderaDu kaNDa naranige madhyama sandheya
nakSatra ondanU kANada naranige Atma sandeya nakSatra biTTa narananu nArAyaNa purandara viTTala biDuva

31: (sandhyAvandane)
kaNDa sUryage sandhye kANada sUryage sandhye bhUmaNDaladi mADadirralu
mArtANDa nUru hatyA mADida pApa shruti sArutide puNDakAra narake
naraka tappadu endu aNDajapati purandara viTTala pELda

32: (Acamana)
AkaLa kivige eNe angai haLLavAgira bEku uddu munuguvande irabEku
nIru sAkAgade heccu kaDame sAkembSTu kuDidare sAkAra purandara viTTala madyasama mADuva

33: (Acamana)
halavu karmagaLIge haNavi eraDAcamana mala mUtra visarjanake mADu mUru nalidu uNDa
mEle nAlku lalaneya sangakke hanneraDu allindolivanu purandara viTTala Acamanavanu mADe

34: (Acamana)
ApOshana abhayagjnya Acamana mADalu tannaDe kaiyinda tAne vastiralu
A puruSange Ada putraru maDivaru Apattu tandu biDuva purandara viTTala

35: (arkya)
ramme ramaNa tAnu bommdigaLigella summanasadOLu sUryagarghyavanittu
nimma pApagaLella cimmi kaLeyirendu bomma mUruti tAnu gammane pELalu
summane keDdiri nimma ajnAnake siluki nimmanu shikSisuva purandara viTTala

36: (japa)
biDu manujA I japavu siddhige bAradu toDeya keLage kai hinde munde kai cAci
biDuta mantrArtha nODadale aDigaDige japava mADe daityarige Ahudayya
oDeya purandara viTTalananolisa bEkAdare hiDiyo I pari hELida vacana tatvagaLa

37: (japa)
anAmikA madhyada eraDaneya gere Adi indiu madhyAngulikonegere kUDisi
manumUrti parimANa anguSTadindali eNisu tarjani mUla pariyantara
ghana hattu gere japa purandara viTTalage manadi arpisuta gAyatri japava

38: (japa)
madhyAngulIya mEle maNisaraviTTu baddha anguTaveNisa bEku tiddi nguli panca
bokkisi ira bEku bhadravAgi nilsisi nIru sOrade gAyatriya buddhi pUrvakadinda kaiyutalira
bEku muddu mUruti namma purandara viTTalanna eddeddu nODuva bage kANalu bEku

39: (abhiSEka mahime)
aparAdha hattake abhiSEka udaka aparAdha nUrake kSira harige aparAdha sahasrake hAlu mosaru kANo
aparAdha lakSake jEnu ghrta aparAdha hattu lakSake balu pari kSIra aparAdha heccikke hattu tengina hAlu
aparAdha kOTige acca jala aparAdha annta kSamege gandhOdaka upame rahita namma
purandara viTTalage tApasOttamana olume vAkya

40: (guru)
ondakSrava pELidavara urviyoLage bahumAna mADa bEku ondu bAriyAdaru ondiSTu apamAna mADidare
kundade nUru shvAna janma kOTi hole janma purandara viTTalana Agjnyeyajadu

41: (dEva yagjnya, atithi yagjnya)
sahasra kASTada bhAra sadyO krta kumbha nUru mahA mantradinda hOma mADadiddare nirathaka
vAsudEvagarpita annava atithigIyadiddare vairadi purandara viTTala muniva

42: (atithi yagjnya)
anna pAnAdigaLIyo abhayAgata brAhmaNarige anna pAnAdigaLIyo A caNDAla saptarige
anna pAnAdigaLIyo andha dhIna krpaNarige hasivege hAgavannarpiso purandara viTTalage

43: (atithi yagjnya)
cOranAdaru caNDAlanAdaru brahmaghana pitru ghAtakanAdaru
AvanAdaru madhyAhna kAlake atithiyAgi manage bandare tudisi
AnnavaniTTu svAmi purandara viTTalagrpisa bEku

44: (atithi yagjnya)
shatruvAgali cOra caNDAlanAgali pitru ghAtakiyAgali prIti
mADalu bEkuatithiyAgi madhyAhna kAladi ava bandu uNDare
svargavIva purandara viTTala vaikuNThavanIva

45: (pararanna)
pararanna uNDa brAhmaNarige iradu mADida shubhakarma eraDu mUru bhAgaanna-
vittavanigayya udaradali uNDa annadondu bhAgavuLivudu poDeviyalli purandara viTTalanu balla

46: ( jalapAna)
eDada kaiyinda nIra etti balada yailliTTu kuDidare ArAdarApOshanage mattadu madya
eDeyanna gOmAmsavendu shruti sArutide poDaviyalli purandara viTTalAgjnye

47
kundada dIpava nandipanige kUSmANDa oDevaLige endU ApOshanava tanna kaiyindatAne eradu
koNDu kuDivange ivaru mUvarige kula nAshanevendu ande purandara viTTala nirUpisidanariya

48: (mane)
maneyalli vipra pAdOdakada hesarilladiddare maneyalli vEda shAstra dhvani garjisadiddare matte
maneyalli svAhAkAra svathAkAra mADuvudilladdidare A mane smashAnage samavemba purandara viTTala

49: (dAnegaLu)
hattu gOdAna samavu haravAhana vrSOtsarjana hattu vruSagaLige sama hAruva kudureya dAne
hattu kuduregaLige sama hastiya dAna kANiro hattAneya sama kratu hattu kratuvige sama hari
bhaktarige kanyA dAna samavu halavu janake udakadAna hattu udaka dAnake sama hasidavage
anna dAna nitya purandara viTTalana neneyuva puNyakeNeyillavayya

50: (citrAnna dinagaLu)
hiriyara dinadali hesara tovve ataila bhaSya gOdi uddinalli mADadiralu sariyu
kAgeya mAmsakendu shruti sArutide jagadoLu purandara viTTalana ArAru ella kELi

51
indina dinavE shubha dinavu indina vAravE shubhavAra indina tAreye shubha tAre indina yOgave shubha yOga
indina karaNave shubha karaNa indu purandara viTTalarAya sandarushana phalavemagAyitu

rshankar · Post by **rshankar** » 21 Feb 2009, 20:40

Ganga,

Do you need the meanings for these ugabhOgas? Here is my attempt with the first one you posted:

Aneyu karedarE AdimUla bandantE - Just as AdimUla [1] appeared/came (bandantE) when gajEndra (Aneyu) called (karedarE)!
ajamiLanu karedarE nArAyaNa bandantE - Just as nArAyaNa came when ajamiLa called out to his son (who was called nArAyaNA)!
aDaiyalli dhruvarAya karedarE vvAsudEva bandantE - Just as vAsudEva came when the child dhruva cried out to him in the forest (aDavi)!
sabhaiyalli draupadi karedarE SrI krishNa bandantE - Just as krishNa came to the rescue of draupadi when she cried out for help in the kaurava sabha!
vibhIShaNa karedare SrIrAma bandantE - Just as rAma came to the aid of vibhIshaNa when he called out.
ninna dAsara dAsa nA karedarE enna pAlisa bEku purandara viThalA - So too will you have to protect/cherish (pAlisa bEku) me (enna), when I (nA), the slave (dAsa) of your slaves (dAsara) call out (karedarE) to you, my Lord, purandara viThalA!

VK RAMAN · Post by **VK RAMAN** » 21 Feb 2009, 21:41

Out of ignorance I seek to know the meaning - What is ugabhOga? Is there a special occasion it is sung: here is one of the renditions I came across. http://www.esnips.com/doc/22e6711a-e142 ... 01-Track-1

Lakshman · Post by **Lakshman** » 21 Feb 2009, 23:16

Adiyali: rAgA: mOhana.

Adiyali gajamukhana arcisi Arambhisalu Ava bage kAryatati siddhi goLisi
mOdadim salisuva manadiSTava sAdhu janarella kELi sakala suraringe
mAdhavanE nEmisippa I adhikArava Adaradinda avaravaroLu nindu kAryagaLa
bhEda koLisade mALpa purandara viTTala

VK RAMAN · Post by **VK RAMAN** » 21 Feb 2009, 23:55

Lakshman wrote:Adiyali: rAgA: mOhana.

Adiyali gajamukhana arcisi Arambhisalu Ava bage kAryatati siddhi goLisi
mOdadim salisuva manadiSTava sAdhu janarella kELi sakala suraringe
mAdhavanE nEmisippa I adhikArava Adaradinda avaravaroLu nindu kAryagaLa
bhEda koLisade mALpa purandara viTTala

Lakshmanji: Can I have the meaning too for this.

ksrimech · Post by **ksrimech** » 22 Feb 2009, 03:23

rshankar: Very nice explanations. Some additions. The AdimUla (SrImannArAyaNan) who svAmi purandaradAsaru is refering is called as the avatara SrIharI in SrImadbhAgavatham.

Each line here describes each one of the important avatara, especially the one in which He has done sAdhu samrakSanArtam, protecting his beloved bhakthas (sAdhu). The bhakthas also are important ones. Surprising swAmi left out prahlAdhAzhvAn - may be because of the constraint of the chandas of the poetry.

In the first three, SrImannArAyaNan is said to have come to rescue of His bhaktan with out changing his nitya manDala svarUpam (intact as in SrIvaikuNTam). In the next three lines, He is described in 3 modified forms in which He came to rescue his bhaktan.

Smt MLV sings this in sivarajani and follows it with yamanE ni kAnanendu hELabEDA......Beautiful.

murthyhmg · Post by **murthyhmg** » 22 Feb 2009, 19:37

Ugabhogas dont have a fixed raga. Therefore most of them can be sung by anyone. Ugabhogas contain either philosophical ideas or exhortions. Most of them are in simple language.

They are rendered just before the main krti. The idea contained in the ugabhoga need not be in alighnment with the main theme of the krti. Also the ragas can be different.

One unusual use of ugabhogas is during feasts. Lunch or dinner, when food is served formally during marriages, and such functions. Normally a formal lunch goes on for about an hour. After about 10 minutes of start, someone will start reciting an ugabhoga in his own style. Often there are competitons between reciters, and the lunch/dinner gets delayed, thus ensuring that persons waiting to have their turn are kept hungry for some more time. Besides Ugabhogas, some compositions of Aadi ShankarAcharya (like annapUrnAshtakam - nityanandakari varA bhayakari) are also recited. Because of their simple language the ugabhogas also lend themselves to impromptu alterations. Name of the bride or the groom or the owner are sometimes substituted at places.

VK RAMAN · Post by **VK RAMAN** » 22 Feb 2009, 20:37

Thank you murthyhmg

gangar2758@vsnl.net · Post by **gangar2758@vsnl.net** » 23 Feb 2009, 21:16

I profusely thank all who responded. Yes very much wud appreciate the word by word meaning of each Ugabhoga posted here. so that they can be presented to the Music world aptly!!!
THANKS AGAIN

ramakriya · Post by **ramakriya** » 24 Feb 2009, 00:42

rshankar wrote: sabhaiyalli draupadi karedarE SrI krishNa bandantE - Just as krishNa came to the rescue of draupadi when she cried out for help in

Make this *sabheyalli* draupadi karedare...

-Ramakriya

ramakriya · Post by **ramakriya** » 24 Feb 2009, 00:45

murthyhmg wrote:
They are rendered just before the main krti. The idea contained in the ugabhoga need not be in alighnment with the main theme of the krti. Also the ragas can be different.

But then there is no point in singing the ugAbhOga. Right? One can render a ugAbhOga as an independent composition, but when it precedes another composition, I believe that there should be something common between the ugAbhOga, and the composition following it (in theme).

-Ramakriya

rshankar · Post by **rshankar** » 24 Feb 2009, 04:09

ksrimech wrote:rshankar: Very nice explanations. Some additions. The AdimUla (SrImannArAyaNan) who svAmi purandaradAsaru is refering is called as the avatara SrIharI in SrImadbhAgavatham.

Each line here describes each one of the important avatara, especially the one in which He has done sAdhu samrakSanArtam, protecting his beloved bhakthas (sAdhu). The bhakthas also are important ones. Surprising swAmi left out prahlAdhAzhvAn - may be because of the constraint of the chandas of the poetry.

In the first three, SrImannArAyaNan is said to have come to rescue of His bhaktan with out changing his nitya manDala svarUpam (intact as in SrIvaikuNTam). In the next three lines, He is described in 3 modified forms in which He came to rescue his bhaktan.

Smt MLV sings this in sivarajani and follows it with yamanE ni kAnanendu hELabEDA......Beautiful.

Thanks for that explanation Krishna.

ramakriya wrote: Make this *sabheyalli* draupadi karedare...

Yes!! OOps!

And it should be aDaviyalli

mnsriram · Post by **mnsriram** » 24 Feb 2009, 05:47

http://rasikas.org/forums/viewtopic.php? ... hogas.html