W.O.W. What a Dharmavathi, alapana, song selection, diction, neraval and swarms at Krishna Krishna, all top top quality, and even more impressive, that she made me mentally ignore the cat screaming that was the violin and just listen to her. As I said, WOW. That is a track that I would've normally expected from Varsha Ji, as he has this habit of producing anything from 10 seconds to x hours bits that will surprise and stay with [haunt] you for lifeshanks wrote:With all these great examples of great combinations, I could not resist posting an example what is NOT a good combination (an example of what a violinist ought not to do). The excellent rendition by Nagamani is totally mauled by the violinist (no idea who it is).
In spite of the violinist, i listen to this track quite often - Nagamani Srinath has given both the raga and the composition a unique interpretation; even the start of the alapana leaves you wondering where she is going..
https://archive.org/details/NagamaniSrinathDharmavathi

And I did think it was him till I was replying and noticed
