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Purpose of this section

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srkris
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Purpose of this section

Post by srkris » 06 Jun 2013, 05:21

I am trying to develop the wiki (http://rasikas.org/wiki) first to hold sahitya, and then other content.

Although a wiki is supposed to be collaborative, I'm not enabling collaborative editing for the moment, since it quickly becomes difficult to monitor what text gets updated by whom. More planning needs to go into how to develop it before everyone can start editing it.

If there are any suggestions for inputting the sahitya, this is the section to create threads to suggest them.

keerthi
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Re: Purpose of this section

Post by keerthi » 17 Jul 2013, 12:47

Very worthy project.

One thing that can be represented well in a wiki format, is the presence of pAThantaras in the text. If there are two or three variants available in the sahitya, they can all be overlaid in one entry. Unlike the critical apparatus published for books, where variants are listed as copious footnotes, each referring to a different manuscript or source; here the variant readings of the text can easily be layered/hyperlinked into one text; as well as giving each of the source versions as separate layer.

In some cases, textual references are available, and in some, the oral tradition is traceable for a particular version o a composition; and these can be included in the annotation / references.

in many compositions, rasikas members have engaged in some edition/ correction of the lyrics at their discretion, to correct an illegible word, or to explain a phrase that doesn't make sense. It is useful to record such variants, along with the reasons given by the person for changing / emending the lyric.

I have a question too. How could we incorporate/integrate / give links to the transliteration of sAhityam already done on a huge scale by Lakshman,by P.P.Narayanaswami and Vidya Jayaraman, V.Govindan/Govindaswami and Ramacandra Murthy Sistla covering a significant span of composers; with these peoples' permissions?

We could take up specific smaller, doable projects that will eventually grow into bigger ones - like say, all the kSEtrayya padams currently in vogue, as opposed to ALL the kSEtrayya padams found in books and so on.

srkris
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Re: Purpose of this section

Post by srkris » 21 Jul 2013, 02:15

Thanks Keerthi for your suggestions.

1. Yes, patantaras can be captured.
2. Rasikas explanations for particular words can be hyperlinked to the forum as required.
3. This wiki relies on Sri Lakshman's database of compositions only. So the entire lot of compositions is from him, he is the one who has suggested this wiki for kritis. It can be expanded to include other sources with their permission.
4. Yes I'm planning to go composer by composer, started with Dikshitar.
5. Others are welcome to register on the wiki and contribute further data. I'm opening the registrations for the wiki today.

srkris
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Re: Purpose of this section

Post by srkris » 26 Jul 2013, 09:33

Dikshitar's compositions are all in the wiki.

Compare these two formats, and suggest which one is better...
- http://rasikas.org/wiki/Abhayamba_jagadamba_rakshatu
- http://rasikas.org/wiki/Abhayamba_nayaka_harisayaka

vasanthakokilam
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Re: Purpose of this section

Post by vasanthakokilam » 26 Jul 2013, 09:54

The second one is a bit uncluttered and easy on the eyes.

keerthi
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Re: Purpose of this section

Post by keerthi » 27 Jul 2013, 14:48

The latter is definitely less cluttered, but doesn't indicate the madhyamakala sahityam. Also while the first has been arranged in accord with the adi- and anta- prAsa structure, and each line of the text represents one 'line' of the song; the same isn't true for AbhayAmbA nAyaka harisAyaka.


The caranam should go -

nAgalinga... Aspada
Agamadi... yutapada
bhOga... sankara
tyAgarAja... sudhAkara.

This is important not just for visual appeal, but also to have a correct presentation of the song's structure.

vasanthakokilam
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Re: Purpose of this section

Post by vasanthakokilam » 27 Jul 2013, 21:48

Keerthi, quite right.

What made the 2nd format easy on the eyes is the first line of each section starts on a new line and with a blank line between the heading and the text.

srkris can apply that format to the first one, if the first one is organized better in terms of the song structure.

srkris
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Re: Purpose of this section

Post by srkris » 28 Jul 2013, 19:08

Keerthi & VK - thanks, will do the corrections to the structure & insert the madhyamakala references.

You can now create your own account on the wiki if you are interested in directly editing it - http://rasikas.org/wiki/Special:RequestAccount

I prefer the format in Abhayamba Jagadamba since it is in the form of a table, and it separates the information about the song (such as pallavi, anupallavi, charanam markers and "madhyamakala" or other notes from the body of the sahitya itself, and places them in separate columns.

Earlier it looked like this - http://rasikas.org/mw/index.php?title=A ... &oldid=725
Although this was seemingly hard to read, the common "textual" readability of a sahitya in my opinion is less important than the way it is supposed to be rendered. This version showed the long vowels in a bigger font, the aspirated (kha, cha, tha, bha etc) & retroflex (ṣ, ṇ,ṭ etc) consonants and heavier sibilants in bold -- the reason being that as native speakers of dravidian languages (specifically Tamil) these phonemes are the first casualties of carnatic musicians. Feel free to suggest alternatives though that would address this problem yet make it more readable.

srkris
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Re: Purpose of this section

Post by srkris » 21 Aug 2013, 08:26

Syama Sastri's kritis are all in the wiki now.

Next comes Tyagaraja.

RSR
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Re: Purpose of this section

Post by RSR » 21 Oct 2016, 23:00

humble request.
------------------
The Sahithyam should be given in Devanagari script also. besides English transliteration .
Additionally, the kruthi should be given in the script of the language of the song.
For example, if you are giving Dhikshithar kruthi, ' Maaye', you must give a sanskrit version.
For Purandharadasa kruthis, I would appreciate a) kannada lipi version b) devanagari version c) english transcription

If we consider the vast and mind-bogging number of songs , it would be better to limit ourselves to about a dozen famous singers and the keerthans sung by them only. It is not necessary to cover all the kruthis. ..
Just a few days back, I visited sangeethapriya and browsed all the thyagaraja kruthis ( about 700) there. Was pleasantly surprised to note that Thyagaraja sang only one song in 'SuddhaSeemanthiuni ragam ...of my favourite song by D.K.Pattammal, besides rendering by Nagaswaram stalwarts Rajarathnam Pillai and Chinna Molana Sahib! ,
In such cases, if there are kruthis in the same ragam by Shyama Sasthri and Dhikshithar, they can be mentioned. provided any artiste of the golden period ( 1930-1960) had sung them

Lakshman
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Re: Purpose of this section

Post by Lakshman » 13 Nov 2016, 01:18

Here is a song list in shuddhasImantini.:

Are re dasharatha (lng)-Triputa-Govindacharya
Ati kopama-Adi-Muttusvami Kavi
Ayam vandeham-Chapu-Bangalore S.Mukund
Deva deva maheshvara bhavayami (tv)-Adi-Pattamadai Krishna Iyer
Duhkha mayamuga jaga-Adi-Sriramachandra Murti Sistla
Enda velaiyum kanda velaiye (tv)-Adi-K.Muttukumarasvami Varagur
Janaki ramana bhakta parijata pahi sakala loka-Adi-Tyagaraja
Jaya jaya bhasmoddhalita vigraha jaya jaya shri-Adi-Muttiah Bhagavatar
Mahadeva paramashiva mayilapurikkiraiva shri-Adi-Papanasham Shivan
Mohana suruchira rupa-Adi-Rallapalli Anantakrishna Sharma
Mudam dehi devi sharade-?-Bangalore S.Mukund
Mukhana suruchera-Adi-Anantakrishna Sharma
Nenje kalpaka annai irukka kavalai en ni-Adi-Papanasham Shivan
Shirappu inum shelvamum inum (tv)-Adi-Tiruvalluvar (VSG)

Soniajain
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Re: Purpose of this section

Post by Soniajain » 25 Feb 2017, 10:57

Where to get this famous please get some idea about all albums.

Lakshman
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Joined: 10 Feb 2010, 18:52

Re: Purpose of this section

Post by Lakshman » 02 Mar 2017, 03:25

Soniajain: Did not understand what you meant by your post. Please elaborate. Thanks.

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