Bhairavi
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- Posts: 200
- Joined: 15 Aug 2006, 12:11
I uploaded
Manasuna by Smt B Vimala.mp3
Composer_Ogirala Veera Raghava Sarma Rag_Bhairavi Tal: Tisratriputa
Size: 32.7MB
Your download link
http://www.esnips.com/web/deviganasudha
Regards
Vimala
Contact number
Manasuna by Smt B Vimala.mp3
Composer_Ogirala Veera Raghava Sarma Rag_Bhairavi Tal: Tisratriputa
Size: 32.7MB
Your download link
http://www.esnips.com/web/deviganasudha
Regards
Vimala
Contact number
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- Posts: 274
- Joined: 12 Aug 2006, 01:15
thatwamasi
You put me on a wild goose chase here.
initially did not realise that it was impossible to get a rendering other than mdr-chembai-ssi.Very very strange.
http://rapidshare.com/files/9865860/amb ... i.mp3.html
anyway here is a track of voleti singing it without accompanists.
I have added a tailpiece- a grand one from an AIR recital- by Kiranavali on the chitraveena.It has all the majesty of a good male rendering.
my apologies for getting back to rapidshare.rogepost is a bit roguish today.
You put me on a wild goose chase here.
initially did not realise that it was impossible to get a rendering other than mdr-chembai-ssi.Very very strange.
http://rapidshare.com/files/9865860/amb ... i.mp3.html
anyway here is a track of voleti singing it without accompanists.
I have added a tailpiece- a grand one from an AIR recital- by Kiranavali on the chitraveena.It has all the majesty of a good male rendering.
my apologies for getting back to rapidshare.rogepost is a bit roguish today.
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- Posts: 1876
- Joined: 04 Feb 2010, 02:05
Sivakumar Kalyanaraman's website has a recording, where he teaches this swarajati
http://www.ecse.rpi.edu/Homepages/shivk ... dex.html#k
-Ramakriya
http://www.ecse.rpi.edu/Homepages/shivk ... dex.html#k
-Ramakriya
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- Posts: 1317
- Joined: 30 Jun 2006, 03:08
Here's Chembai's version of the swarajati:
http://storeandserve.com/download/67149 ... i.mp3.html
http://storeandserve.com/download/67149 ... i.mp3.html
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- Posts: 274
- Joined: 12 Aug 2006, 01:15
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- Posts: 1876
- Joined: 04 Feb 2010, 02:05
Check this out: A video lec-dem on bhairavi by Sri Ragavan Manian, an eminent vocalist from San Jose Bay area
http://www.calaaonline.com/calaatv/Video27.html
-Ramakriya
http://www.calaaonline.com/calaatv/Video27.html
-Ramakriya
Last edited by ramakriya on 07 Feb 2007, 01:00, edited 1 time in total.
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- Joined: 09 Feb 2006, 00:04
good pick.ramakriya wrote:Check this out: A video lec-dem on bhairavi by Sri Ragavan Manian, an eminent vocalist from San Jose Bay area
http://www.calaaonline.com/calaatv/Video27.html
-Ramakriya
Looks like they may be a series of them.
Kamakshi Amba by MBK @ Udhbhava.com - in this page
http://www.udbhava.com/udbhava/songs.js ... user=15411
Kamakshi Amba by MSM - Sangeethapriya upload by Sri Rageshree
http://www.sangeethapriya.org/Downloads ... airavi.mp3
Kamakshi Amba by MLV - Sangeethapriya upload by Sri TVG
http://www.sangeethapriya.org/~tvg/089. ... %20ADI.mp3
Sangeethamshare Video (130 MB mpeg) upload - Syama Sastrty Aradhana
http://www.sendspace.com/folder/398bf8
http://www.udbhava.com/udbhava/songs.js ... user=15411
Kamakshi Amba by MSM - Sangeethapriya upload by Sri Rageshree
http://www.sangeethapriya.org/Downloads ... airavi.mp3
Kamakshi Amba by MLV - Sangeethapriya upload by Sri TVG
http://www.sangeethapriya.org/~tvg/089. ... %20ADI.mp3
Sangeethamshare Video (130 MB mpeg) upload - Syama Sastrty Aradhana
http://www.sendspace.com/folder/398bf8
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- Posts: 645
- Joined: 05 Sep 2006, 10:09
Bhairavi is one of my favorites as well. KV Narayanaswami's RTP "Govindanadi Mukundanadi yenakku avar sondamadi" is simply awesome! The Ariyakudi school specializes in Tyagaraja's "Koluvaiyunnade" as does the Musiri school in Patnam Subramaniam Iyer's "Neepaadamule". The tamil padams "Velavare," "Inimel avarakkum," and "Muhattaikattiya deham" are in a class by themselves as is the ravishingly beautiful javali "Yelaraada kaamini." Brinda and Mukta's rendition of Kshetrayya's "Rama rama" is veritable feast indeed. Does one know if there are tillanas in this raga?
Nandagopal
Nandagopal
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- Joined: 10 Feb 2010, 18:52
Here is the only one I could find in bhairavi.
takajham tadhIm. rAgA: bhairavi. t/rUpaka tALA. Composer: Vina Sheshanna.
P: takajham tadhIm tadhaNa tAm tataka NakiNa taka tarikiTa takaNaka
tadhimita kundari tadhiri nAdhiri dhittOm taka tillAna tadaratAni
A: jhamtari takiTa tataNa tajhaNu taka dhIm dhIm tattari tajjhaNa taddhimi
takkiTa takaNaka dhumukuDu dharikiTa taka tanadhiri nAdhiri dhiri
C: mahilO nI buddhi nI kIrti nI dhairya sAhasamunalanni panulanu jEsina hubbaLLi
bEhaTTi subbarAya nI pEru galigina dhIra mahanIya ninnu shESagirIsha brOturA
(sholkaTTu)
tAm tAm taka taLAngu takaNaka dhIm dhIm tatakiTa tadhaNa tadhimi rI ga ma pa dha ma pa dha
ni sA* pa dha ni sA* ri* ga* ri* sa* giNatOm tadigiNatOm takatadigiNatOm
takajham tadhIm. rAgA: bhairavi. t/rUpaka tALA. Composer: Vina Sheshanna.
P: takajham tadhIm tadhaNa tAm tataka NakiNa taka tarikiTa takaNaka
tadhimita kundari tadhiri nAdhiri dhittOm taka tillAna tadaratAni
A: jhamtari takiTa tataNa tajhaNu taka dhIm dhIm tattari tajjhaNa taddhimi
takkiTa takaNaka dhumukuDu dharikiTa taka tanadhiri nAdhiri dhiri
C: mahilO nI buddhi nI kIrti nI dhairya sAhasamunalanni panulanu jEsina hubbaLLi
bEhaTTi subbarAya nI pEru galigina dhIra mahanIya ninnu shESagirIsha brOturA
(sholkaTTu)
tAm tAm taka taLAngu takaNaka dhIm dhIm tatakiTa tadhaNa tadhimi rI ga ma pa dha ma pa dha
ni sA* pa dha ni sA* ri* ga* ri* sa* giNatOm tadigiNatOm takatadigiNatOm
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Lakshman Sir,
Could you please e-mail me the notation for Vina Seshanna's tillana, if possible. My ID is knandago2001@yahoo.com
Thank you so much.
Regards,
Nandagopal
Could you please e-mail me the notation for Vina Seshanna's tillana, if possible. My ID is knandago2001@yahoo.com
Thank you so much.
Regards,
Nandagopal
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- Posts: 645
- Joined: 05 Sep 2006, 10:09
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- Posts: 872
- Joined: 20 May 2007, 18:45
Can i have the bhairavi songs be reuploaded? I will add them to my bhairavi folder in sangeethapriyacoolkarni wrote:http://rapidshare.de/files/20817430/bri ... i.mp3.html
http://rapidshare.de/files/20815788/DKJ ... a.mp3.html
http://rapidshare.de/files/20816509/mlv ... m.mp3.html
and the rtp
http://rapidshare.de/files/20812759/TRS ... 1.mp3.html
http://rapidshare.de/files/20814927/TRS ... 2.mp3.html
-hari
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- Posts: 872
- Joined: 20 May 2007, 18:45
Dear Sri Nandagopal - Do you have this recording?knandago2001 wrote:Bhairavi is one of my favorites as well. KV Narayanaswami's RTP "Govindanadi Mukundanadi yenakku avar sondamadi" is simply awesome! The Ariyakudi school specializes in Tyagaraja's "Koluvaiyunnade" as does the Musiri school in Patnam Subramaniam Iyer's "Neepaadamule". The tamil padams "Velavare," "Inimel avarakkum," and "Muhattaikattiya deham" are in a class by themselves as is the ravishingly beautiful javali "Yelaraada kaamini." Brinda and Mukta's rendition of Kshetrayya's "Rama rama" is veritable feast indeed. Does one know if there are tillanas in this raga?
Nandagopal
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- Posts: 1
- Joined: 17 Jun 2007, 08:03
I have just learnt about this site from youtube and am here. I am an ardent lover of canatic music.
Bhairavi owes its origin to the Raag Natabairavi which is a melakartha Raag. I am informed that apart from natabairavi, anandha bairavi also belongs to this melakartha raag.
At the same time, I find a lot of similarity amongst Bhairavi, Mukhari and Hussaini.
Will you please enlighten on the differences in Arokana and Avarohana of these Raagas?
Do all these raags belong to Suddha Madhyamam?
Again, what is the raag in Hindusthani, which is close to raag Bhairavi.? Raag Bairavi so named in Hindushthani classical Music is indeed our Sindhu Bairavi only. Do the other raags for instance anandha bairavi, mukhari also find a place in HCM..?
Surya
http://movieraghas.blogspot.com
Bhairavi owes its origin to the Raag Natabairavi which is a melakartha Raag. I am informed that apart from natabairavi, anandha bairavi also belongs to this melakartha raag.
At the same time, I find a lot of similarity amongst Bhairavi, Mukhari and Hussaini.
Will you please enlighten on the differences in Arokana and Avarohana of these Raagas?
Do all these raags belong to Suddha Madhyamam?
Again, what is the raag in Hindusthani, which is close to raag Bhairavi.? Raag Bairavi so named in Hindushthani classical Music is indeed our Sindhu Bairavi only. Do the other raags for instance anandha bairavi, mukhari also find a place in HCM..?
Surya
http://movieraghas.blogspot.com
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- Joined: 20 May 2007, 18:45
Hello, I am going to upload these songs to my folder in Sageethapriya.org soon. can some one help me to get more songs, like Thanayuni Brova, Lalithe, Rama Kodanda rama?
ARI-TNK-PMI_Koluvai-Thyagaraja.mp3
ARI-Viriboni.mp3
Aruna-upacharamulanu-thyagaraja.mp3
Aruna_Upacharamu_Thyagaraja.mp3
AryAM abhayAmbAM--bhairavi--tripuTa--Unknown.mp3
BM-RamaRama-Padam.mp3
Brinda-Mukta-RamaRama-Bhairavi-Aadi-STirunal.mp3
Chembai-Kamakshi-Swarajathi.mp3
DKJ-cintaya mAkanda--bhairavi--rUpakaM.mp3
DKJ-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
DKP-05a-Bhairavi_Raga_Alapana.mp3
DKP-05b-IkkaNannuBrova.mp3
DKP-R_T_P-BHAIRAVI-Tornto1977.mp3
DKP-RakshaBettare.mp3
DKP-Rama Rama (Bhairavi).mp3
DKP-SatyaVandraiku-SPICMacay.mp3
DKP-Viriboni.mp3
DKP-bAlagopAla--bhairavi.mp3
DKP-cintaya mAkanda--bhairavi--rUpakaM.mp3
KVN-007a-Bhairavi-alapana.mp3
KVN-007b-Balagopala_palayashu-Bhairavi-1975.mp3
KVN-Amba Kamakshi.mp3
KVN-BalagopalaPalayashu-Bhairavi-Aadi-withTani-MD.mp3
KVN-Janani_mamavameye.mp3
KVN-Keesu_Keesendru-Thirupavai.mp3
KVN-RTP-Bhairavi-ChaturvedaBuvanadesa.mp3
KVN-Viriboni.mp3
KVN-YaaroIvarYaaro.mp3
KVN_Balagopala-MD.mp3
KVN_Upacharamu_Thyagaraja.mp3
KVRamanujam-KAMAKSHI_ANUDHINAMUM_BAIRAVI_3.03MB.mp3
Kalpagam_Swaminathan-NEE_PATHAMULEGATHI_BAIRAVI_19.10MB.mp3
LGJ-Bhairavi.mp3
MDR-06a Amba Kamakshi - Bhairavi.mp3
MDR-06b Amba Kamakshi - Bhairavi.mp3
MDR-Balagopala.mp3
MDR-Viriboni-varnam-Bhairavi.mp3
MDR-bAlagopAla--bhairavi--Adi.mp3
MDR-bhairavi.mp3
MLV-Swarajathi-Kamakshi.mp3
MLV-Bhairavi-Raagam-KGS1981.mp3
MLV-Chetulara-Bhairavi.mp3
MLV-Koluvai-Bhairavi-MA1966.mp3
MLV-RTP-BAIRAVI-EnakkavarSondamadiGovindanai.mp3
MLV-Sarvaantaryaami-KGS1981.mp3
MLV-Varnam (Bhairavi).mp3
MMI-Viriboni.mp3
MMI-Yaaro_ivar_yaaro.mp3
MMI-koluvaiyunnAdE_-_bhairavi.mp3
MMI-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
MMI-viriboni___bhairavi_var.mp3
MMI_Thaye ezhaipal-improved-amplified.mp3
MSG-MSA-Viriboni-Bhairavi.mp3
MSS - Koluvayunnade-Bhairavi-Aadi-Tyagaraja.mp3
MSS-04a-bhairavi Raagam.MP3
MSS-04b-YaaroIvar-Bhairavi.MP3
MSS-RTP-Bhairavi-AmbaMaduraMeenakshi-MA1968.mp3
MSS-RTP-Bhairavi-Velavane-Unadu-Paadam-Thunaye.mp3
MSS-dhyAnam and viribOni.mp3
MSS-kAmAkshi-shyAmA shAstry-bhairavi-swarajathi.mp3
MSS-odi_barayya-Purandara.mp3
MSS_Bhairavi_Alapana.mp3
MSS_Enatinomu_phalamo_Bhairavi.mp3
MVS_Kamakshi-Swarajathi.mp3
MaduraiRSundar_bhairavi_rAgam.mp3
MaduraiRSundar_bhairavi_raagam_violin.mp3
MaduraiRSundar_nI_pAdamulE.mp3
Malladi-bhairavi-ragam.MP3
Malladi-ika_nannu_brova.MP3
ManasunA_Bhairavi_TiSratriputa_-by-Smt-B-Vimala
Musiri-R_T_P_Bhairavi-Thani.mp3
NSG-Pallavi.mp3
NSG-Viriboni.mp3
NSG_Balagopala_MD.mp3
Nedanuri-Kamakshi-Swarajathi.mp3.mp3
Nedanuri_ENATI_BHAIRAVI.mp3
Nedanurii_Deivamu_Bhairavi_Thyagaraja.mp3
PSIyer-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
RKSrinivasaMurthy_Bhairavi_Purandaradasa.mp3
Ramani-Raajam_kamaj_bhairavi.mp3
RamnadKrishnan
RamnadKrishnan-RTP-Bhairavi-Bhairavi-DharavidalitaKuvalayaDalaNila.mp3
RamnadKrishnan-RTP_Bhairavi-A.mp3
RamnadKrishnan_RTP_Mamadura-Meenakshi.mp3
SSI- Bhavathi Visvaso - Mukhari.mp3
SSI-Amba Kamakshi-MA1959.mp3
SSI-Brahamakadikina_Mukhari.mp3
SSI-Chethulara-Tyagaraja.mp3
SSI-Kaamaakshi-MA1956.mp3
SSI-Kamaakshi Amba - Bairavi.mp3
SSI-Kamakshi_Swarajathy-Kalki-1967.mp3
SSI-MSS-KSN-amba Kamakshi-Bhairavi.mp3
SSI-MSS_Enati_Nomu_Palamu.MP3
SSI_AmbaKamakshi_Bhairavi.mp3
Sanjay-RTP-BHAIRAVI-DayanideUndanDarisanam.mp3
Sanjay-Taye_ezhaipal-PSivan.mp3
Sanjay-VIRIBONI.mp3
Sanjay_YaroIvarYaro.mp3
Srividya-Bhairavi-Raagam.mp3
Srividya-Srilalithe-AnnaswamySastri.mp3
TKRangachari_Viribhoni.mp3
TNK-Viriboni.mp3
TNS-Viribhoni - Bhairavi Varnam.mp3
TNS-bAlagopAla--bhairavi.mp3
TNS_Nee Padamule_Gathiyani_RTP_Bhairavi_Adi.mp3
TRI_Odi_Barayya_.mp3
TVR_Balagopala_Bhairavi.mp3
Voleti-Sariyevvare-Spencer_Venugopal.mp3
enatinomu.ram
nityashree_Balagopala-MD.mp3
sivakumar-balagopala.mp3
sivakumar-srilalithe.mp3
songlist
ARI-TNK-PMI_Koluvai-Thyagaraja.mp3
ARI-Viriboni.mp3
Aruna-upacharamulanu-thyagaraja.mp3
Aruna_Upacharamu_Thyagaraja.mp3
AryAM abhayAmbAM--bhairavi--tripuTa--Unknown.mp3
BM-RamaRama-Padam.mp3
Brinda-Mukta-RamaRama-Bhairavi-Aadi-STirunal.mp3
Chembai-Kamakshi-Swarajathi.mp3
DKJ-cintaya mAkanda--bhairavi--rUpakaM.mp3
DKJ-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
DKP-05a-Bhairavi_Raga_Alapana.mp3
DKP-05b-IkkaNannuBrova.mp3
DKP-R_T_P-BHAIRAVI-Tornto1977.mp3
DKP-RakshaBettare.mp3
DKP-Rama Rama (Bhairavi).mp3
DKP-SatyaVandraiku-SPICMacay.mp3
DKP-Viriboni.mp3
DKP-bAlagopAla--bhairavi.mp3
DKP-cintaya mAkanda--bhairavi--rUpakaM.mp3
KVN-007a-Bhairavi-alapana.mp3
KVN-007b-Balagopala_palayashu-Bhairavi-1975.mp3
KVN-Amba Kamakshi.mp3
KVN-BalagopalaPalayashu-Bhairavi-Aadi-withTani-MD.mp3
KVN-Janani_mamavameye.mp3
KVN-Keesu_Keesendru-Thirupavai.mp3
KVN-RTP-Bhairavi-ChaturvedaBuvanadesa.mp3
KVN-Viriboni.mp3
KVN-YaaroIvarYaaro.mp3
KVN_Balagopala-MD.mp3
KVN_Upacharamu_Thyagaraja.mp3
KVRamanujam-KAMAKSHI_ANUDHINAMUM_BAIRAVI_3.03MB.mp3
Kalpagam_Swaminathan-NEE_PATHAMULEGATHI_BAIRAVI_19.10MB.mp3
LGJ-Bhairavi.mp3
MDR-06a Amba Kamakshi - Bhairavi.mp3
MDR-06b Amba Kamakshi - Bhairavi.mp3
MDR-Balagopala.mp3
MDR-Viriboni-varnam-Bhairavi.mp3
MDR-bAlagopAla--bhairavi--Adi.mp3
MDR-bhairavi.mp3
MLV-Swarajathi-Kamakshi.mp3
MLV-Bhairavi-Raagam-KGS1981.mp3
MLV-Chetulara-Bhairavi.mp3
MLV-Koluvai-Bhairavi-MA1966.mp3
MLV-RTP-BAIRAVI-EnakkavarSondamadiGovindanai.mp3
MLV-Sarvaantaryaami-KGS1981.mp3
MLV-Varnam (Bhairavi).mp3
MMI-Viriboni.mp3
MMI-Yaaro_ivar_yaaro.mp3
MMI-koluvaiyunnAdE_-_bhairavi.mp3
MMI-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
MMI-viriboni___bhairavi_var.mp3
MMI_Thaye ezhaipal-improved-amplified.mp3
MSG-MSA-Viriboni-Bhairavi.mp3
MSS - Koluvayunnade-Bhairavi-Aadi-Tyagaraja.mp3
MSS-04a-bhairavi Raagam.MP3
MSS-04b-YaaroIvar-Bhairavi.MP3
MSS-RTP-Bhairavi-AmbaMaduraMeenakshi-MA1968.mp3
MSS-RTP-Bhairavi-Velavane-Unadu-Paadam-Thunaye.mp3
MSS-dhyAnam and viribOni.mp3
MSS-kAmAkshi-shyAmA shAstry-bhairavi-swarajathi.mp3
MSS-odi_barayya-Purandara.mp3
MSS_Bhairavi_Alapana.mp3
MSS_Enatinomu_phalamo_Bhairavi.mp3
MVS_Kamakshi-Swarajathi.mp3
MaduraiRSundar_bhairavi_rAgam.mp3
MaduraiRSundar_bhairavi_raagam_violin.mp3
MaduraiRSundar_nI_pAdamulE.mp3
Malladi-bhairavi-ragam.MP3
Malladi-ika_nannu_brova.MP3
ManasunA_Bhairavi_TiSratriputa_-by-Smt-B-Vimala
Musiri-R_T_P_Bhairavi-Thani.mp3
NSG-Pallavi.mp3
NSG-Viriboni.mp3
NSG_Balagopala_MD.mp3
Nedanuri-Kamakshi-Swarajathi.mp3.mp3
Nedanuri_ENATI_BHAIRAVI.mp3
Nedanurii_Deivamu_Bhairavi_Thyagaraja.mp3
PSIyer-s'rI kamalAmbikAyAh paraM--bhairavi--jhaMpa.mp3
RKSrinivasaMurthy_Bhairavi_Purandaradasa.mp3
Ramani-Raajam_kamaj_bhairavi.mp3
RamnadKrishnan
RamnadKrishnan-RTP-Bhairavi-Bhairavi-DharavidalitaKuvalayaDalaNila.mp3
RamnadKrishnan-RTP_Bhairavi-A.mp3
RamnadKrishnan_RTP_Mamadura-Meenakshi.mp3
SSI- Bhavathi Visvaso - Mukhari.mp3
SSI-Amba Kamakshi-MA1959.mp3
SSI-Brahamakadikina_Mukhari.mp3
SSI-Chethulara-Tyagaraja.mp3
SSI-Kaamaakshi-MA1956.mp3
SSI-Kamaakshi Amba - Bairavi.mp3
SSI-Kamakshi_Swarajathy-Kalki-1967.mp3
SSI-MSS-KSN-amba Kamakshi-Bhairavi.mp3
SSI-MSS_Enati_Nomu_Palamu.MP3
SSI_AmbaKamakshi_Bhairavi.mp3
Sanjay-RTP-BHAIRAVI-DayanideUndanDarisanam.mp3
Sanjay-Taye_ezhaipal-PSivan.mp3
Sanjay-VIRIBONI.mp3
Sanjay_YaroIvarYaro.mp3
Srividya-Bhairavi-Raagam.mp3
Srividya-Srilalithe-AnnaswamySastri.mp3
TKRangachari_Viribhoni.mp3
TNK-Viriboni.mp3
TNS-Viribhoni - Bhairavi Varnam.mp3
TNS-bAlagopAla--bhairavi.mp3
TNS_Nee Padamule_Gathiyani_RTP_Bhairavi_Adi.mp3
TRI_Odi_Barayya_.mp3
TVR_Balagopala_Bhairavi.mp3
Voleti-Sariyevvare-Spencer_Venugopal.mp3
enatinomu.ram
nityashree_Balagopala-MD.mp3
sivakumar-balagopala.mp3
sivakumar-srilalithe.mp3
songlist
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- Posts: 1729
- Joined: 22 Nov 2007, 06:42
It is in that famous concert which starts with entho prema.If someone cant locate it in sangeethapriya , then i can volunteer.
The closing of the neraval is very touching.
after the last set of cascading swaras, the effect is so beautiful that Lalgudi decides not to play a response and instead closes the song.
Semmangudi then pauses and says "Play on"
What happens next is fit for the Gods.
Lalgudi takes a wonderful pause , realigns himself and gives a breathtaking response.
A concert memorable for -akhilandeswari,Siva Siva Ennarada,too
The closing of the neraval is very touching.
after the last set of cascading swaras, the effect is so beautiful that Lalgudi decides not to play a response and instead closes the song.
Semmangudi then pauses and says "Play on"
What happens next is fit for the Gods.
Lalgudi takes a wonderful pause , realigns himself and gives a breathtaking response.
A concert memorable for -akhilandeswari,Siva Siva Ennarada,too
Last edited by coolkarni on 10 Dec 2007, 21:49, edited 1 time in total.
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- Joined: 18 Sep 2006, 07:17
http://www.sangeethapriya.org/~gvr/SSI_ ... s/SSI_LGJ/It is in that famous concert which starts with entho prema.If someone cant locate it in sangeethapriya , then i can volunteer.
The closing of the neraval is very touching.
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- Joined: 22 Oct 2007, 10:28
While Balagopala , Kamakshi swarajati and Enadi Nomu are truly mindblowing , Upacharamu by Maharajapuram Santhanam is equally good . But I feel nothing can beat the Viriboni varnam . There was an LP of R.K Suryanarayana playing Viriboni -truly mindblowing . Also , one must listen to N Rajam and Sangeetha Shankar playing Viriboni - (yes.. they have given a commercial recording of Carnatic Music ) simply superb..
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The great ShyAma Saastrigal's kriti SaRi yavaramma in Bhairavi is majestic and captivating. The swarAkshara + tAra stAyi - commencement of the pallavi takes to a divine world instantly. Some uncommon theme.
Of course, this kriti has more swarAksharAs in many places.
The beauty of paa da ni 'dapmaama'(fast phrase) for parama pAvani in anu pallavi is truly attractive and rightly brings out the Bharavi essence.
Normally most of pallavis start at madhya stAyi and anu pallavis may start at tAra stAyi. This kriti is quite contrary and pleasingly different.
One more, but not the least, the very different tAla (KhanDa Jampa), which is very rare!
This song has both rAga as well as composer mudhrAs. Chitta swara + sahityam for that too...
So there is no SARI nihar Bhairavi kriti to this SARIYAVARAMMA.
va
Of course, this kriti has more swarAksharAs in many places.
The beauty of paa da ni 'dapmaama'(fast phrase) for parama pAvani in anu pallavi is truly attractive and rightly brings out the Bharavi essence.
Normally most of pallavis start at madhya stAyi and anu pallavis may start at tAra stAyi. This kriti is quite contrary and pleasingly different.
One more, but not the least, the very different tAla (KhanDa Jampa), which is very rare!
This song has both rAga as well as composer mudhrAs. Chitta swara + sahityam for that too...
So there is no SARI nihar Bhairavi kriti to this SARIYAVARAMMA.
va
Last edited by V_ANNASAMY on 23 Jan 2008, 12:43, edited 1 time in total.
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What about " Koluvvaiyya" sung by the great MMI. His swaras @ ' manasu' no body can beat it!!!sshankar_1970 wrote:While Balagopala , Kamakshi swarajati and Enadi Nomu are truly mindblowing , Upacharamu by Maharajapuram Santhanam is equally good . But I feel nothing can beat the Viriboni varnam . There was an LP of R.K Suryanarayana playing Viriboni -truly mindblowing . Also , one must listen to N Rajam and Sangeetha Shankar playing Viriboni - (yes.. they have given a commercial recording of Carnatic Music ) simply superb..
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I wish Karnataka based artistes would render "indu enage gOvinda ninna padAravindava tOro mukundane" in concerts and popularize it.
This is believed to be a composition of Raghavendra Swami.
There was a movie version of the song in mid-1970s, rendered by S. Janaki (I think) which was quite good.
This is believed to be a composition of Raghavendra Swami.
There was a movie version of the song in mid-1970s, rendered by S. Janaki (I think) which was quite good.
Last edited by Sreeni Rajarao on 30 Jul 2008, 16:40, edited 1 time in total.
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The famous renderings in Bhairavi I have listened are:
1. Koluvaiyunnade - Madurai Mani Iyer
2. Tanayuni brova - John Higgins Bhagavathar
3. Upacharamuje - Dr K. J. Yesudoss
I keep listening to them again and again . Koluvai by MMI is simply superb! You will feel as if you are riding in a horse while listening the kalpana swara part of the kriti.
Swaminathan S
1. Koluvaiyunnade - Madurai Mani Iyer
2. Tanayuni brova - John Higgins Bhagavathar
3. Upacharamuje - Dr K. J. Yesudoss
I keep listening to them again and again . Koluvai by MMI is simply superb! You will feel as if you are riding in a horse while listening the kalpana swara part of the kriti.
Swaminathan S
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Every carnatic music rasika has to listen to this rendition of "Viri Bhoni" by Smt.M.S.Subbulakshmi!!
What a fantastic version! One of the best, clearly!!
Please listen:
http://www.youtube.com/watch?v=NtayQial ... re=related
What a fantastic version! One of the best, clearly!!
Please listen:
http://www.youtube.com/watch?v=NtayQial ... re=related
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Regarding the esnips website from coolkarni!
Did any of you get to hear MLV's amruthavarshini RTP??
And now about the thalam of the same! My observation is that it is in Kanda Jathi Eka thalam, pancha nadai -2 kalai (Is that called Simhanandana thalam?)
Every laghu/beat is one nadai!
Tisram Chatusram Kandam Misram Sankeernam (5 beats)
Arudhi: 2 aksharams
Visharanthi: 5 aksharams
Did any of you get to hear MLV's amruthavarshini RTP??
And now about the thalam of the same! My observation is that it is in Kanda Jathi Eka thalam, pancha nadai -2 kalai (Is that called Simhanandana thalam?)
Every laghu/beat is one nadai!
Tisram Chatusram Kandam Misram Sankeernam (5 beats)
Arudhi: 2 aksharams
Visharanthi: 5 aksharams
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Can anyone kindly provide the swara-sahityam (notes) for "Lalithe Sri Pravruddhe Srimati
Laavanya nidhimati"?
Thanks in advance.
Dikshitar's baalam gopaalam.. is another one. Is it possible to get a recording of this kriti if anyone has sung?
Laavanya nidhimati"?
Thanks in advance.
Dikshitar's baalam gopaalam.. is another one. Is it possible to get a recording of this kriti if anyone has sung?
Last edited by kalyani9 on 09 Nov 2009, 14:48, edited 1 time in total.
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Re: Bhairavi
was there not a song "enakkum unakkum isaintha porutham enna poruthumO" in Bhairavi. Is this from one of the sirkazhi mOver
above message is edited by me
sorry I was wrong I found this song is in Atana and by ramaling Adiyar.
above message is edited by me
sorry I was wrong I found this song is in Atana and by ramaling Adiyar.
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Re: Bhairavi
recently bumped into this varnam in bhairavi while searching for something else.
https://www.youtube.com/watch?v=slwmWdS3cGk
from a traditional Varnam of Telugu temple dancers in Raga Bhairavi Adi Tala dedicated to Lord Shiva who is addressed as Koppeshwara in Palivela, Andhra Pradesh
by Purvadhanashree in Vilasini Natyam
https://www.youtube.com/watch?v=slwmWdS3cGk
from a traditional Varnam of Telugu temple dancers in Raga Bhairavi Adi Tala dedicated to Lord Shiva who is addressed as Koppeshwara in Palivela, Andhra Pradesh
by Purvadhanashree in Vilasini Natyam
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Re: Bhairavi
viewtopic.php?f=7&t=30664 - Bhairavi's different versions
The threads on mAnji to find out the differences between the two ragas - viewtopic.php?f=7&t=97
What I've personally found is that giving a greater emphasis to D2 and singing more of S R G M or phrases like RSNSR, or singing some phrases with D2 simply because they go up (and not necessarily up to S) begins to distinguish mAnji quite a bit lot from Bhairavi. Some musicians singing mAnji like to hover on the D1 on the way down like the R1 of varALi (leena gamakam). Bhairavi of course uses far more S G2 R2 although going from S to R2 directly also happens a lot - but the more you use this, the more the character of the raga stays truer to a bhairavi-ish feel.
The thing is that in many AlApanAs of bhairavi, once musicians get to the upper octave, they tend to emphasise D2 a lot and ignore the S G R, especially in brighas and you can distinctly feel the raga change character and sound more like kharaharapriya at times. This is actually more mAnji than bhairavi. It is quit possible to avoid this with just a bit more care in phrase selection and keep the bhairavi feel all the way to the topmost notes.
Hovering more on M1 in the sense of S R G M phrases like kharaharapriya suddenly makes it feel more mAnji while climbing up to P in the sense of S G R G M P with the trademark kampita on the M1 is all bhairavi. The more plain notes you sing (particularly G2 and N2), the more mAnji it becomes, the more kampita you give, the more bhairavi it is.
There is an interesting thing in bhairavi at slow speeds in that, if you hide the D2 on the ascent and start the N2 from D2 - you can actually sing P, N, S. Or I should write it as P (D)N, S, -- You can't do that at higher speeds. This is a phrase that occurs at the start of koluvaiyyunADE (a subtlety that TMK pointed out long back). Another variation of this is a P D1 -(D2)N, S (stop at the D1 and start N2's kampita from D2) - that hides the D2 and make a P D1 N2 S sequence possible at slow speed. This is possible in bhairavi, but one has to very subtly observe the classic gamakas to identify this.
Otherwise there really is no difference between the two. mAnji does seem to have a shorter range overall than bhairavi - at times you think it's a rAgini to bhairavi. Doubt over the nature of these 2 ragas seems to have existed even before the trinity, and it looks like they had different opinions over it.
Unless of course, bhairavi was all D1 at one point. Which is what TMK claims about the Dikshitar school's version of bhairavi.
Ok, speaking of Dikshitar - listen to this exquisite bhairavi treat by MLV of bAla gOpAla - that AlApana is incredible : https://soundcloud.com/user461654480/ba ... shitar-mlv
The threads on mAnji to find out the differences between the two ragas - viewtopic.php?f=7&t=97
What I've personally found is that giving a greater emphasis to D2 and singing more of S R G M or phrases like RSNSR, or singing some phrases with D2 simply because they go up (and not necessarily up to S) begins to distinguish mAnji quite a bit lot from Bhairavi. Some musicians singing mAnji like to hover on the D1 on the way down like the R1 of varALi (leena gamakam). Bhairavi of course uses far more S G2 R2 although going from S to R2 directly also happens a lot - but the more you use this, the more the character of the raga stays truer to a bhairavi-ish feel.
The thing is that in many AlApanAs of bhairavi, once musicians get to the upper octave, they tend to emphasise D2 a lot and ignore the S G R, especially in brighas and you can distinctly feel the raga change character and sound more like kharaharapriya at times. This is actually more mAnji than bhairavi. It is quit possible to avoid this with just a bit more care in phrase selection and keep the bhairavi feel all the way to the topmost notes.
Hovering more on M1 in the sense of S R G M phrases like kharaharapriya suddenly makes it feel more mAnji while climbing up to P in the sense of S G R G M P with the trademark kampita on the M1 is all bhairavi. The more plain notes you sing (particularly G2 and N2), the more mAnji it becomes, the more kampita you give, the more bhairavi it is.
There is an interesting thing in bhairavi at slow speeds in that, if you hide the D2 on the ascent and start the N2 from D2 - you can actually sing P, N, S. Or I should write it as P (D)N, S, -- You can't do that at higher speeds. This is a phrase that occurs at the start of koluvaiyyunADE (a subtlety that TMK pointed out long back). Another variation of this is a P D1 -(D2)N, S (stop at the D1 and start N2's kampita from D2) - that hides the D2 and make a P D1 N2 S sequence possible at slow speed. This is possible in bhairavi, but one has to very subtly observe the classic gamakas to identify this.
Otherwise there really is no difference between the two. mAnji does seem to have a shorter range overall than bhairavi - at times you think it's a rAgini to bhairavi. Doubt over the nature of these 2 ragas seems to have existed even before the trinity, and it looks like they had different opinions over it.
Unless of course, bhairavi was all D1 at one point. Which is what TMK claims about the Dikshitar school's version of bhairavi.
Ok, speaking of Dikshitar - listen to this exquisite bhairavi treat by MLV of bAla gOpAla - that AlApana is incredible : https://soundcloud.com/user461654480/ba ... shitar-mlv
Last edited by SrinathK on 26 Jan 2019, 14:23, edited 1 time in total.