G.N. Balasubramaniam (GNB)
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Thanks Lakshman!
Apparently SK was not at his best while rendering this ong. Also I expected a neraval at 'tanmayamaakkum tava vazhi ariyEn' which GNB would have handled divinely! The lyric flows very smooth and has been written with feeling. Perhaps my prejudice for GNB's masterly handling of ritigowlai shows. I can't help it!
Apparently SK was not at his best while rendering this ong. Also I expected a neraval at 'tanmayamaakkum tava vazhi ariyEn' which GNB would have handled divinely! The lyric flows very smooth and has been written with feeling. Perhaps my prejudice for GNB's masterly handling of ritigowlai shows. I can't help it!
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Here is the same sung by TV Ramachandran
http://rapidshare.de/files/14068535/enm ... R.mp3.html
I personally liked this better as being closer to how GNB would have rendered it. Of course no one can be compared to the maestro! Is there an odd chance of finding his rendition?
http://rapidshare.de/files/14068535/enm ... R.mp3.html
I personally liked this better as being closer to how GNB would have rendered it. Of course no one can be compared to the maestro! Is there an odd chance of finding his rendition?
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beautiful kriti rendered by sree SKR
parAmukham-Ela-namma, rAgA kanada. Adi tALA.
P:parAmukham-Ela-namma? parAdhIna-patita! nA pai
A:nirAdaravu nIve jesite, nirvahimpa-taramA? talli
C:marALa-jita mandagamani! mahAdEvamatir-Ayatavadani!
nirAmayE! nIrada-s'yAmalE! nityakalyANaguNAlayE!
deleted
Sir GBR
could u pl. share with us when ur father composed this piece, and any anecdotes/notes/etc. behind this and other kritis u/l so far. thanku
parAmukham-Ela-namma, rAgA kanada. Adi tALA.
P:parAmukham-Ela-namma? parAdhIna-patita! nA pai
A:nirAdaravu nIve jesite, nirvahimpa-taramA? talli
C:marALa-jita mandagamani! mahAdEvamatir-Ayatavadani!
nirAmayE! nIrada-s'yAmalE! nityakalyANaguNAlayE!
deleted
Sir GBR
could u pl. share with us when ur father composed this piece, and any anecdotes/notes/etc. behind this and other kritis u/l so far. thanku
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Meena,
Here is MLVs version from an AIR concert...
http://rapidshare.de/files/14153132/04_ ... m.m4a.html
Ravi
Here is MLVs version from an AIR concert...
http://rapidshare.de/files/14153132/04_ ... m.m4a.html
Ravi
next a varna in gaavthi by trichur ramchandran
http://rapidshare.de/files/14158348/varna--gavt
hi.mp3.html
and a HM Track by nazakath salamath ali for reference
http://rapidshare.de/files/14158742/Gaa ... h.mp3.html
http://rapidshare.de/files/14158348/varna--gavt
hi.mp3.html
and a HM Track by nazakath salamath ali for reference
http://rapidshare.de/files/14158742/Gaa ... h.mp3.html
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Dear Rasikas,
First - Paramukha in Kanada.
He found that all the songs in kanada before were starting in the lower octave, he wanted to experiment. so he started in the higher octave, a new approach. for example suki evaro, ma mavasada etc.
My father first heard BGAK sing in Calcutta and felt greatly drawn to his singing. He wanted the whole of south india to enjoy him. He arranged for some concerts, arranged for his stay and i am told even went to the extent of arranging a nonveg cook so he could have his favourtie foods.
In a way, i have heard that my father was instrumental in bringing hindustani music to chennai. Before BGAK it was not popular to that extent.
he heard BGAK sing Gavati and liked the raga. He first set it as a signal tune in AIR where he was the chief producer. He then made a varnam in the same scale but in carnatic mode.. it has some vakra swaras. My father would discuss music with BGAK and i have heard that once he asked my father to sing andolika and my father obliged. he then learnt it.. i dont there is need for such great musicians to learn a raga.. knowing the scales and hear it being sung once is enough for them to catch the nuances and present it.. my father used to say that MLV had the ability to hear my father sing a new keerthanai two or three times and then would sing it herself in her concert without even learning it .
At their level it was not difficult. What is amazing in my opinion is that these stalwarts and also some of the newer musicians are able to learn the composition from just the notation and sing it well to make the keerthanai stand out.
Rgds
Rajasekar
First - Paramukha in Kanada.
He found that all the songs in kanada before were starting in the lower octave, he wanted to experiment. so he started in the higher octave, a new approach. for example suki evaro, ma mavasada etc.
My father first heard BGAK sing in Calcutta and felt greatly drawn to his singing. He wanted the whole of south india to enjoy him. He arranged for some concerts, arranged for his stay and i am told even went to the extent of arranging a nonveg cook so he could have his favourtie foods.
In a way, i have heard that my father was instrumental in bringing hindustani music to chennai. Before BGAK it was not popular to that extent.
he heard BGAK sing Gavati and liked the raga. He first set it as a signal tune in AIR where he was the chief producer. He then made a varnam in the same scale but in carnatic mode.. it has some vakra swaras. My father would discuss music with BGAK and i have heard that once he asked my father to sing andolika and my father obliged. he then learnt it.. i dont there is need for such great musicians to learn a raga.. knowing the scales and hear it being sung once is enough for them to catch the nuances and present it.. my father used to say that MLV had the ability to hear my father sing a new keerthanai two or three times and then would sing it herself in her concert without even learning it .
At their level it was not difficult. What is amazing in my opinion is that these stalwarts and also some of the newer musicians are able to learn the composition from just the notation and sing it well to make the keerthanai stand out.
Rgds
Rajasekar
padamalraniaye in begada by trichur ramchandran
http://rapidshare.de/files/14316505/pad ... r.mp3.html
ninnu pogada in kuntalavarali by kalyuanraman
http://rapidshare.de/files/14316814/Nin ... n.mp3.html
http://rapidshare.de/files/14316505/pad ... r.mp3.html
ninnu pogada in kuntalavarali by kalyuanraman
http://rapidshare.de/files/14316814/Nin ... n.mp3.html
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pada malariNaiyE. rAgA: bEgaDA. Adi tALA.
P: pada malariNaiyE paNindEn tAyE
A: nidamunait-tozhudE nikhilamum marandEn nidhi nin dayai enrE nirantaram ninaindEn
C: vida vidamAna amita mana mAyayai udariDa nIyE udavAviDilO
madamOhAdiyil mati izhand-uzhalvEn madanan tanai tanda mAdhava sOdari
ninnu pogaDa taramA. rAgA: kuntalavarALi. Adi tALA.
P: ninnu pogaDa taramA talli
A: pannaga bhUSana pAkashAsana padmanAbha brahmAdulakaina
C: kannatalli tanDri nIvE gAdA karuNatOnu nannu kAvavE sadA
citta nATi modalu kOriyunna vinnapampu vinavE bAla nEnu
~source from Lji wonderful CD of 4000 kritis lyrics of various composers
kuntalavarali kriti is one of my fav.
P: pada malariNaiyE paNindEn tAyE
A: nidamunait-tozhudE nikhilamum marandEn nidhi nin dayai enrE nirantaram ninaindEn
C: vida vidamAna amita mana mAyayai udariDa nIyE udavAviDilO
madamOhAdiyil mati izhand-uzhalvEn madanan tanai tanda mAdhava sOdari
ninnu pogaDa taramA. rAgA: kuntalavarALi. Adi tALA.
P: ninnu pogaDa taramA talli
A: pannaga bhUSana pAkashAsana padmanAbha brahmAdulakaina
C: kannatalli tanDri nIvE gAdA karuNatOnu nannu kAvavE sadA
citta nATi modalu kOriyunna vinnapampu vinavE bAla nEnu
~source from Lji wonderful CD of 4000 kritis lyrics of various composers
kuntalavarali kriti is one of my fav.
sorry folks.I am a bit late on the discussion on vandanatharini.
How did i miss the soulful rendering by MM Dandapani Desikar...
http://rapidshare.de/files/14352746/13- ... i.mp3.html
How did i miss the soulful rendering by MM Dandapani Desikar...
http://rapidshare.de/files/14352746/13- ... i.mp3.html
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kamala caraNE. rAgA : amrtabehAg. Adi tALA.
P: kamala caranE kanakAruNE karuNAmrta rasa pUraNE
A: amarEshanutE aparAjitE ramA shAradE sadA vanditE
C: namata sajjana durita shamanE amita mahima guna pUraNE
mama santApa hara sAdhanE vimarshanAnda nAda hrtsadanE
kavalai ellAm. rAgA: sarasvati. Adi tALA.
P: kavalai ellAm kaLaindiDuvadun paramE kamalAsini vANi paNiyum shivamE
A: abalai enrarindum annaiyE nIyE AdaravaLikkAdiruppadum muraiyO
C: avaniyilE dinam alaind tirindE tavap-payanAl nin kazhaliNai ninaindEn
evariDamum nAn irandu nillAmalE uvakaiyuDan un dayavaruLvAyE
dasha shata daLa. rAgA: hamsanAda. Adi tALA.
P: dasha shata daLa sarOjAsanE tridashAdi trimUrti vandya pAvanI
A: dasha dishAmOda tAmbUla smitAnanE dishakara prEma dIpita shubhAnganE
C: shashadhara kOTi prabhAkari sundari dasah kaNTha damana divya sOdari
VishadAcalakula vimala lalAmE vishvEshvara vAma vimarsha dAmE
P: kamala caranE kanakAruNE karuNAmrta rasa pUraNE
A: amarEshanutE aparAjitE ramA shAradE sadA vanditE
C: namata sajjana durita shamanE amita mahima guna pUraNE
mama santApa hara sAdhanE vimarshanAnda nAda hrtsadanE
kavalai ellAm. rAgA: sarasvati. Adi tALA.
P: kavalai ellAm kaLaindiDuvadun paramE kamalAsini vANi paNiyum shivamE
A: abalai enrarindum annaiyE nIyE AdaravaLikkAdiruppadum muraiyO
C: avaniyilE dinam alaind tirindE tavap-payanAl nin kazhaliNai ninaindEn
evariDamum nAn irandu nillAmalE uvakaiyuDan un dayavaruLvAyE
dasha shata daLa. rAgA: hamsanAda. Adi tALA.
P: dasha shata daLa sarOjAsanE tridashAdi trimUrti vandya pAvanI
A: dasha dishAmOda tAmbUla smitAnanE dishakara prEma dIpita shubhAnganE
C: shashadhara kOTi prabhAkari sundari dasah kaNTha damana divya sOdari
VishadAcalakula vimala lalAmE vishvEshvara vAma vimarsha dAmE
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There are three volumes of GNB's compositions that have been published. Many people associate rAdhA samEtA krSNA and sudhAmAdhurya bhASaNi as GNB's work. Now that GBR has confirmed that the latter is indeed his father's, only rAdhA samEtA is left. We hope he can provide the details of sudhAmAdhurya.
CML
indeed it was that duo.
you will see a few more tracks of this combination.
Here are the next three
http://rapidshare.de/files/14553772/ent ... m.mp3.html
http://rapidshare.de/files/14553946/man ... e.mp3.html
http://rapidshare.de/files/14554109/Pad ... n.mp3.html
indeed it was that duo.
you will see a few more tracks of this combination.
Here are the next three
http://rapidshare.de/files/14553772/ent ... m.mp3.html
http://rapidshare.de/files/14553946/man ... e.mp3.html
http://rapidshare.de/files/14554109/Pad ... n.mp3.html
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Here are the lyrics for the above four songs.
enta ninnu. rAgA: candrahasita. rUpaka tALA.
P: enta ninnu vEDitinE incukaina dayalEdA
A: antaranga bhaktitOnu santatambu pogaDitinE candrahasita mOmujUpi cinta dIrcuTa rAdA
C: kandarpa kOTi sadsha sundara vAmAnga taruNE bandUka kusuma nibha andamugala prabhAruNE
BrndArAgAdi eppuDu vanditAravinda caraNE centa velayu vara gaNEsha skanda bAla avatAraNE
manam irangAda. rAgA: ravicandrikA. Adi tALA.
P: manam irangAda marmamEdO malayAcala nivAsini amba
A: vinayamuDan un iNaiyaDi ninaivE kanatanamena dinam karudum enpAl innum
C: enakkunai pOlavE evarum illaiyE unakken uLLattin inam teriyAdO
tanakk-uvamaiyillA dayAnidhiyE jagam anaittaiyum rakSikkum Adi shaktiyE innum
pAda bhajana. rAgA: khamAs. rUpaka tALA.
P: pAda bhajana sadAnandamE paramEshvari nI
A: nAda rUpa sundari narahari sahOdari nI
C: kAdamba daNDakarE karuNAkari parAtparE
vIta madhyatalOdharE vEda vidhita guNAkarE
maravanu nE ninnu. ragA: Arabhi. Adi tALA.
P: maravanu nE ninnu maravanu nE marakatAngi mA ramaNa sOdari
A: vara vANI kamalA sEvitE vAncitArta dAyika niratE
C: krta prAyamulaninci nI pada dhyAnamE mukti mArgamanu koni
neranammiyunna janulaku shira sukhamosagu cintAmaNiyani
enta ninnu. rAgA: candrahasita. rUpaka tALA.
P: enta ninnu vEDitinE incukaina dayalEdA
A: antaranga bhaktitOnu santatambu pogaDitinE candrahasita mOmujUpi cinta dIrcuTa rAdA
C: kandarpa kOTi sadsha sundara vAmAnga taruNE bandUka kusuma nibha andamugala prabhAruNE
BrndArAgAdi eppuDu vanditAravinda caraNE centa velayu vara gaNEsha skanda bAla avatAraNE
manam irangAda. rAgA: ravicandrikA. Adi tALA.
P: manam irangAda marmamEdO malayAcala nivAsini amba
A: vinayamuDan un iNaiyaDi ninaivE kanatanamena dinam karudum enpAl innum
C: enakkunai pOlavE evarum illaiyE unakken uLLattin inam teriyAdO
tanakk-uvamaiyillA dayAnidhiyE jagam anaittaiyum rakSikkum Adi shaktiyE innum
pAda bhajana. rAgA: khamAs. rUpaka tALA.
P: pAda bhajana sadAnandamE paramEshvari nI
A: nAda rUpa sundari narahari sahOdari nI
C: kAdamba daNDakarE karuNAkari parAtparE
vIta madhyatalOdharE vEda vidhita guNAkarE
maravanu nE ninnu. ragA: Arabhi. Adi tALA.
P: maravanu nE ninnu maravanu nE marakatAngi mA ramaNa sOdari
A: vara vANI kamalA sEvitE vAncitArta dAyika niratE
C: krta prAyamulaninci nI pada dhyAnamE mukti mArgamanu koni
neranammiyunna janulaku shira sukhamosagu cintAmaNiyani
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mAnavakula bhUSaNa. rAgA: hindOLa. m/jhampa tALA.
P: mAmavakula bhUSaNa shrI tyAgarAja asamAna sangIta sAhitya nipuNAgrEsha
A: mAnanIya satta citta bhaktulakunaina gAna vidyA kaivalya mosagunanI jupina
C: shrI nAradAmshuDai dayatOnavatarinci mAnApamAna dvandva ripulella jayinci
jnAnArcilO sakala karmamulanu dehinci shrI nAthuni ellapuDu manasAra bhajinci
gAnAmrta tApa maNasha shrI rAmAmrta pAnArNava nI sudhA drSTicE galgina
(madhyamakAla)
Ena nAshana nAma jAnakIpati kAma dIna janahita prEma gAnarasAbdhi sOma
P: mAmavakula bhUSaNa shrI tyAgarAja asamAna sangIta sAhitya nipuNAgrEsha
A: mAnanIya satta citta bhaktulakunaina gAna vidyA kaivalya mosagunanI jupina
C: shrI nAradAmshuDai dayatOnavatarinci mAnApamAna dvandva ripulella jayinci
jnAnArcilO sakala karmamulanu dehinci shrI nAthuni ellapuDu manasAra bhajinci
gAnAmrta tApa maNasha shrI rAmAmrta pAnArNava nI sudhA drSTicE galgina
(madhyamakAla)
Ena nAshana nAma jAnakIpati kAma dIna janahita prEma gAnarasAbdhi sOma
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GBR
This one is by GNB himself! Is there any criteria for his choosing to sing his own kriti as against letting it be sung by his sishyas? Of course Hindolam is one of his favourites and he particularly shines here with a nice sahityam (I could understand most of them in spite of not knowing Telugu! Does one of you feel like helping?).
By the by it is 'mAnavakula' and I guess Lakshman, it is a typo!
This one is by GNB himself! Is there any criteria for his choosing to sing his own kriti as against letting it be sung by his sishyas? Of course Hindolam is one of his favourites and he particularly shines here with a nice sahityam (I could understand most of them in spite of not knowing Telugu! Does one of you feel like helping?).
By the by it is 'mAnavakula' and I guess Lakshman, it is a typo!
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sorry, i'm missing bhairavi kriti from Lji lyrics collections! but not to worry Lji for sure will post it for us
bhAramA I bAluni. rAgA: hamsanAda. Adi tALA.
P: bhAramA I bAluni brOva parAshakti patita pAvani
A: sArasAkSi sakala lOkamula samrakSika lEdA
C: ghOra bhaya sAgara taraNi gOvinda hrdaya vAsini
mAra dahana citta manOhari mAm pAlaya sadA shankari
mama kulEshvaram. rAgA: tODi. t/Eka tALA.
P: mama kulEshvaram shAstAram santatam cintayEham Ananda tANDava puravihAram
A: shamitanata jana duritam nIlAmbara shObhitam amita sukha shrIpradam atulita divya guNAnvitam
C: kamala rucira karadhrta kashAyudha vibhUSitam amara munIshvara bhUta vaTuka nAyaka sEvitam
kamanIya nava yauvana sundarAmbA sahitam sumashara guhAgrajam shrI rAjam harihara sutam
(madhyama kAlam)
rAkA shashinibha vadanam ravi sOmAnasa nayanam
rayagati turanga gamanam rakSita samasta bhuvanam
bhAramA I bAluni. rAgA: hamsanAda. Adi tALA.
P: bhAramA I bAluni brOva parAshakti patita pAvani
A: sArasAkSi sakala lOkamula samrakSika lEdA
C: ghOra bhaya sAgara taraNi gOvinda hrdaya vAsini
mAra dahana citta manOhari mAm pAlaya sadA shankari
mama kulEshvaram. rAgA: tODi. t/Eka tALA.
P: mama kulEshvaram shAstAram santatam cintayEham Ananda tANDava puravihAram
A: shamitanata jana duritam nIlAmbara shObhitam amita sukha shrIpradam atulita divya guNAnvitam
C: kamala rucira karadhrta kashAyudha vibhUSitam amara munIshvara bhUta vaTuka nAyaka sEvitam
kamanIya nava yauvana sundarAmbA sahitam sumashara guhAgrajam shrI rAjam harihara sutam
(madhyama kAlam)
rAkA shashinibha vadanam ravi sOmAnasa nayanam
rayagati turanga gamanam rakSita samasta bhuvanam
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bAramA:
VRs rendition is different from the posted sAhitya (thx Meena) at the italiscized words:
ghOra bhava sAgara taraNI, gOvinda hridaya vAsinI
mAra janaka cittamanOharI mAm pAlaya sadA shankari
Now, mAra dahana cittamanOhari will be the same as panchabANAri prANa priya satI (i.e. Parvati)...but mAra janaka cittamanOharI will be Lakshmi (manmathanai InRaLum tAyE)...!
Ravi
VRs rendition is different from the posted sAhitya (thx Meena) at the italiscized words:
ghOra bhava sAgara taraNI, gOvinda hridaya vAsinI
mAra janaka cittamanOharI mAm pAlaya sadA shankari
Now, mAra dahana cittamanOhari will be the same as panchabANAri prANa priya satI (i.e. Parvati)...but mAra janaka cittamanOharI will be Lakshmi (manmathanai InRaLum tAyE)...!
Ravi
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Dear Rasikas,
Todi Keerthanai as the wording mamakuleswaram indicates is dedicated to our Kuladeivam, situated in Ananda Thandavapuram near our Village Gudalur where my father was born. It is around 12KM from Mayavaram.
As the custom in villages those days the guarding deity is Sastha.
The names are Sastha and Sundarambal. Incidentally, my mother's name is also Sundarambal, as she was my grand father's siter's daughter
and as such it was her kuladeivam from the mother's side.. She was possibly named after the deity too by her parents.When my father's mother went to see my mother after her birth, she is supposed to have addressed her as daughter in law. So it was an engagement at birth for her. My father was seven years old then. They got married when my father was 18 and she 11. (1928)
MLV has sung this composition wonderfully in her cassette release Guru Vandana.
Trichur Ramachandran took this composition for the One Hour, one Raga in FM broadcast a few years back and has done full justice to the raga and the composition, IMHO.. I will try and give this cassette to Sri Kulkarni when I meet him next so he can upload same ( FM broadcast imho can be uploaded- correct me if I am wrong).
This is typical Dikshathar style of composing in slower pace and as per MLV has all the 10 gamakas attributed to Todi. Some of you can explain it better than me. ( I myself read this in the net somewhere)
Hope you find the information interesting.
Rgds
Rajasekar
Todi Keerthanai as the wording mamakuleswaram indicates is dedicated to our Kuladeivam, situated in Ananda Thandavapuram near our Village Gudalur where my father was born. It is around 12KM from Mayavaram.
As the custom in villages those days the guarding deity is Sastha.
The names are Sastha and Sundarambal. Incidentally, my mother's name is also Sundarambal, as she was my grand father's siter's daughter
and as such it was her kuladeivam from the mother's side.. She was possibly named after the deity too by her parents.When my father's mother went to see my mother after her birth, she is supposed to have addressed her as daughter in law. So it was an engagement at birth for her. My father was seven years old then. They got married when my father was 18 and she 11. (1928)
MLV has sung this composition wonderfully in her cassette release Guru Vandana.
Trichur Ramachandran took this composition for the One Hour, one Raga in FM broadcast a few years back and has done full justice to the raga and the composition, IMHO.. I will try and give this cassette to Sri Kulkarni when I meet him next so he can upload same ( FM broadcast imho can be uploaded- correct me if I am wrong).
This is typical Dikshathar style of composing in slower pace and as per MLV has all the 10 gamakas attributed to Todi. Some of you can explain it better than me. ( I myself read this in the net somewhere)
Hope you find the information interesting.
Rgds
Rajasekar
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- Joined: 02 Feb 2010, 22:36
Thanks GBR
You answered just reading my mind. I guessed 'shAstA' would be your kuladeivam based on the song that you now confirm. Traditionally the dEvi in keraLa is known as 'pUrNapuShkalAmbA' and hence the name 'puShkala' used to be quite popular there. Of course 'sundarambal' is yet another local variation. Thanks for the interesting family dynamics. So GNB fulfilled the traditional 'aththai makaLai kaTTu' proverb!
We look forward to TVR's elaboration of tODi the raga supreme of GNB!
(Do please make available in case any stray renderings of these songs by GNB himself is available with you!)
You answered just reading my mind. I guessed 'shAstA' would be your kuladeivam based on the song that you now confirm. Traditionally the dEvi in keraLa is known as 'pUrNapuShkalAmbA' and hence the name 'puShkala' used to be quite popular there. Of course 'sundarambal' is yet another local variation. Thanks for the interesting family dynamics. So GNB fulfilled the traditional 'aththai makaLai kaTTu' proverb!
We look forward to TVR's elaboration of tODi the raga supreme of GNB!
(Do please make available in case any stray renderings of these songs by GNB himself is available with you!)
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eppuDu nI kr.pa
rAgam: bhairavi
tALam: Adi
p. eppuDu nI kr.pa galgunO
ennALingka tirigevalenA
a. kapaTAtmulaina adamulanujEri
kAma kA~ncana dAsanai nAku
c. tappulanniyu tALu kommani
keppuDu ninnE kOravalenA
vibhuDu nIvEyani vidhisurESha mA
dhuvuDunaina sadA bhajiMcE talli
Regd. the discussion on the consort(s) of ShAstA, I remember seeing a picture of ShAstA featured in a one gnAnabhUmi edition having two consorts, pUrnA & pushkalAmbA. I'm guessing this is a contention from another school of thought. Sorry to go off tangent, but what does the name, malligaippurattama mAthA have in relation to ShAstA?
Sri GBR Sir, I was wondering whether you had a picture of your Father's vidyA maNDalam (i.e. his altar) that you can share with us. I ask this as most ShrIvidyOpAsakAs have their own (i.e. there's an illustration of muttusvAmi dIkshitar's in the inner cover of one of Sundaram Iyer's books depicting the vigrahAs of gaNapati, subrahmaNya & dEvi).
rAgam: bhairavi
tALam: Adi
p. eppuDu nI kr.pa galgunO
ennALingka tirigevalenA
a. kapaTAtmulaina adamulanujEri
kAma kA~ncana dAsanai nAku
c. tappulanniyu tALu kommani
keppuDu ninnE kOravalenA
vibhuDu nIvEyani vidhisurESha mA
dhuvuDunaina sadA bhajiMcE talli
Regd. the discussion on the consort(s) of ShAstA, I remember seeing a picture of ShAstA featured in a one gnAnabhUmi edition having two consorts, pUrnA & pushkalAmbA. I'm guessing this is a contention from another school of thought. Sorry to go off tangent, but what does the name, malligaippurattama mAthA have in relation to ShAstA?
Sri GBR Sir, I was wondering whether you had a picture of your Father's vidyA maNDalam (i.e. his altar) that you can share with us. I ask this as most ShrIvidyOpAsakAs have their own (i.e. there's an illustration of muttusvAmi dIkshitar's in the inner cover of one of Sundaram Iyer's books depicting the vigrahAs of gaNapati, subrahmaNya & dEvi).
here is a short but very educative speech by TRS .on the occasion of the release of a Book of compositions by GNB.
Ihttp://rapidshare.de/files/15781087/02-Gnb_Compositions_Book_1_Release_Fucntion_Speech.mp3
Also thought it fit to put it up this weekend along with a very beautiful concert of GNB with Chowdiah anf Murughabhoopathy.
Just to add some spice to the proceedings here.
This was one the first full length concerts I heard at a very kind hearted gentleman's home at west mambalam in 1982.(Mr Vijayaraghavan at umapathy street)Everytime i listen to Chowdiahs Essays in panthuvarali , reethigowla and Shudha Saveri , I still get the goosebumps!!
http://rapidshare.de/files/15781504/01-Intachalamu.mp3
http://rapidshare.de/files/15782034/02-Jayajaya.mp3
http://rapidshare.de/files/15783011/03-Raghuvara.mp3
http://rapidshare.de/files/15784197/04- ... dheera.mp3
will keep posting the remaining tracks over the weekend.
GBR... we are all indebted to you for allowing us to enjoy these treasures
Ihttp://rapidshare.de/files/15781087/02-Gnb_Compositions_Book_1_Release_Fucntion_Speech.mp3
Also thought it fit to put it up this weekend along with a very beautiful concert of GNB with Chowdiah anf Murughabhoopathy.
Just to add some spice to the proceedings here.
This was one the first full length concerts I heard at a very kind hearted gentleman's home at west mambalam in 1982.(Mr Vijayaraghavan at umapathy street)Everytime i listen to Chowdiahs Essays in panthuvarali , reethigowla and Shudha Saveri , I still get the goosebumps!!
http://rapidshare.de/files/15781504/01-Intachalamu.mp3
http://rapidshare.de/files/15782034/02-Jayajaya.mp3
http://rapidshare.de/files/15783011/03-Raghuvara.mp3
http://rapidshare.de/files/15784197/04- ... dheera.mp3
will keep posting the remaining tracks over the weekend.
GBR... we are all indebted to you for allowing us to enjoy these treasures