Lyrics-Janani Janani Janani
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janani janani. rAgA: rEvati. rUpaka tALA. Composer: Kadalur Subramaniam.
P: janani janani janani jagatkAraNi pUrani nAraNiyE
A: gAna vinOdini kAmakSi kamala tirupAdamE paNindEn anudinamE varam aruLum
C: pADi pADi undan pAdam paNindu vandEn pArvatiyE paramEshvariyE
kOTi kOTi tunbam oDi maraiyumE un aruL pArvayilE kaDaikkaN pArAyO
karuNai pozhivAyO pArthan Ishan priyanAyakiyE ADaikkalam aDaindEn kAttaruL
P: janani janani janani jagatkAraNi pUrani nAraNiyE
A: gAna vinOdini kAmakSi kamala tirupAdamE paNindEn anudinamE varam aruLum
C: pADi pADi undan pAdam paNindu vandEn pArvatiyE paramEshvariyE
kOTi kOTi tunbam oDi maraiyumE un aruL pArvayilE kaDaikkaN pArAyO
karuNai pozhivAyO pArthan Ishan priyanAyakiyE ADaikkalam aDaindEn kAttaruL
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pArthan is not vishNu; pArthan = arjun; pArthasArathy = krishna (driver for arjun)narcot wrote:thanks
paarthan = vishnu but here??
In this song pArthan does not seem to fit (pArthan's Isan should have a connection with pArthan but there is none here in this song). If as vgvindan says we can infer krAtArjunIyam here, why bring it without any connection when talking about dEvi's grace (wherein there is only an incidental mention of Isan's priyanAyaki)?
Last edited by mahakavi on 22 May 2007, 18:30, edited 1 time in total.
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I am posting the lyrics in tamizh ..
ரேவதி / ஆதி / கடலூர் சுப்ரமணியம்
பல்லவி
ஜனனி ஜனனி ஜனனி (2)
ஜகத் காரணி பூரணி நாரணியே (ஜனனி)
அனுபல்லவி
.,கான வினோதினி .. காமாக்ஷி - உன்
கமலத் திருப்பதமே.. பணிந்தேன் அனுதினமே வரம் அருளும்
சரணம்
ஆடிப்பாடி உந்தன் பாதம் பணிந்து வந்தோம்
பார்வதியே பரமேஷ்வரியே (2)
கோடிக் கோடி துன்பம் ஓடி மறையுமே
உன் அருள் பார்வையிலே (ஆடி)
கடைக்கண் பாராயோ கருணை புரிவாயோ (2)
பாடலீசப்ரிய நாயகியே
அடைக்கலம் அடைந்தேன் காத்தருள் (கடைக்கண்)
[ஜனனி....]
ரேவதி / ஆதி / கடலூர் சுப்ரமணியம்
பல்லவி
ஜனனி ஜனனி ஜனனி (2)
ஜகத் காரணி பூரணி நாரணியே (ஜனனி)
அனுபல்லவி
.,கான வினோதினி .. காமாக்ஷி - உன்
கமலத் திருப்பதமே.. பணிந்தேன் அனுதினமே வரம் அருளும்
சரணம்
ஆடிப்பாடி உந்தன் பாதம் பணிந்து வந்தோம்
பார்வதியே பரமேஷ்வரியே (2)
கோடிக் கோடி துன்பம் ஓடி மறையுமே
உன் அருள் பார்வையிலே (ஆடி)
கடைக்கண் பாராயோ கருணை புரிவாயோ (2)
பாடலீசப்ரிய நாயகியே
அடைக்கலம் அடைந்தேன் காத்தருள் (கடைக்கண்)
[ஜனனி....]
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pADal is indeed song, but that is not the context here:
Although, the pATalISar temple in Kadalur is one of the pADal peRRa sthalams, the lord's name in tamizh is tOnrAtuNai nAthar - pATalISwara is the sanskrit name (not pADalISar)..probably because his complexion is like that of a pATali pushpam - (poNNAr mEniyan - tapta kAncana sannibham - reddish hued...DRS/CML help!!!) The word pATalISa appears in many of Kadalur Sunbramaniam's compositions- maybe his mudra?
The ambAL is indeed brihannAyakI/periya nAyakI - a divinely beautiful, and lifelike vigraham - and the temple itself is one of those ancient ones with large prAkAras (outer halls) - just doing a few pradakshiNas around the two temples (the Sivan and ambAl temples are separate, like in kAncIpuram IIRC, but within the same outer complex) will provide for the necessary daily exercise...I think that is how people in the olden days maintained their weight, in addition to their upavAsa/fasts...and 'palahAram' (somewhere along the way, temples became smaller, 'palahAram' became 'pala AhAram', and and lo and behold, people's waists have become more substantial!)
Although, the pATalISar temple in Kadalur is one of the pADal peRRa sthalams, the lord's name in tamizh is tOnrAtuNai nAthar - pATalISwara is the sanskrit name (not pADalISar)..probably because his complexion is like that of a pATali pushpam - (poNNAr mEniyan - tapta kAncana sannibham - reddish hued...DRS/CML help!!!) The word pATalISa appears in many of Kadalur Sunbramaniam's compositions- maybe his mudra?
The ambAL is indeed brihannAyakI/periya nAyakI - a divinely beautiful, and lifelike vigraham - and the temple itself is one of those ancient ones with large prAkAras (outer halls) - just doing a few pradakshiNas around the two temples (the Sivan and ambAl temples are separate, like in kAncIpuram IIRC, but within the same outer complex) will provide for the necessary daily exercise...I think that is how people in the olden days maintained their weight, in addition to their upavAsa/fasts...and 'palahAram' (somewhere along the way, temples became smaller, 'palahAram' became 'pala AhAram', and and lo and behold, people's waists have become more substantial!)
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Thanks Mr.Mahakavi. One does tend to sing ParameSHvari though I try to avoid consciously.It is Kodi Kodi.. that 'k' in between was a mistake
But I do see a lot of tamizh songs being sung that way by renowned singers...especially SHonnan /SHonnal (he/she said) instead of sonnaal sonnaan.
Mr. grsastrigal : My music teacher has the cassette. I dont know how to upload from the same . Not too techsavvy
musicindiaonline.com has Kadri Gopalnath's instrumental fusion version if you would like to listen. But if you are an early riser and lucky too, you will probably get to watch Nithyashree sing this song on Doordarshan Podhigai (DD Tamizh) at 5.00 or 5.30 am on weekdays. They play her singing quite often. The schedule is not fixed. You will probably have to tune in everyday to find out if you are lucky
narcot@sify.com
But I do see a lot of tamizh songs being sung that way by renowned singers...especially SHonnan /SHonnal (he/she said) instead of sonnaal sonnaan.
Mr. grsastrigal : My music teacher has the cassette. I dont know how to upload from the same . Not too techsavvy
musicindiaonline.com has Kadri Gopalnath's instrumental fusion version if you would like to listen. But if you are an early riser and lucky too, you will probably get to watch Nithyashree sing this song on Doordarshan Podhigai (DD Tamizh) at 5.00 or 5.30 am on weekdays. They play her singing quite often. The schedule is not fixed. You will probably have to tune in everyday to find out if you are lucky
narcot@sify.com
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Patalim as a flower, is also confirmed by..a verse in Lalitha sahasrnamam... "Mahapadhmadavi samstha padali kusumapriya".
But I don't know whether Padali is KonRai. A search of "konRai" has the following......
"Common name : Indian Laburnum
Botanical name : Cassia fistula Linn.
Local name : Konrai
Hindi name : Amaltas
Sanskrit name : Aragvadha
Religious association : Konrai is a favourite flower of Lord Shiva.
Ecological zone : Terrestrial
Distribution : Throughout India
Status : Not Threatened
Uses : The leaf extract is used to treat ringworm and other cutaneous infections and the flower decoction is used to destroy intestinal worms and to cure leprosy. The wood is used for making carts and other agricultural implements. It is tolerant to atmospheric pollutants and acts as climate purifier "
But I don't know whether Padali is KonRai. A search of "konRai" has the following......
"Common name : Indian Laburnum
Botanical name : Cassia fistula Linn.
Local name : Konrai
Hindi name : Amaltas
Sanskrit name : Aragvadha
Religious association : Konrai is a favourite flower of Lord Shiva.
Ecological zone : Terrestrial
Distribution : Throughout India
Status : Not Threatened
Uses : The leaf extract is used to treat ringworm and other cutaneous infections and the flower decoction is used to destroy intestinal worms and to cure leprosy. The wood is used for making carts and other agricultural implements. It is tolerant to atmospheric pollutants and acts as climate purifier "
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mahakavi,
Cassia Fistula - கொன்றை - கொன்னை - kon2Rai - yellow colour
http://images.search.yahoo.com/search/i ... r2=tab-web
Bignonia Suaveolens - pATala - pale red in colour - பாதிரி
http://images.google.com/images?um=1&ta ... Suaveolens+
rs,
By describing the temple, you have made me nostalgic - yes it is my native place.
Cassia Fistula - கொன்றை - கொன்னை - kon2Rai - yellow colour
http://images.search.yahoo.com/search/i ... r2=tab-web
Bignonia Suaveolens - pATala - pale red in colour - பாதிரி
http://images.google.com/images?um=1&ta ... Suaveolens+
rs,
By describing the temple, you have made me nostalgic - yes it is my native place.
Last edited by vgvindan on 23 May 2007, 11:44, edited 1 time in total.
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Re: Lyrics-Janani Janani Janani
ரேவதி / ஆதி / கடலூர் சுப்ரமணியம்
பல்லவி
ஜனனி ஜனனி ஜகத்காரணி பூரணி நாரணியே
அனுபல்லவி
கான வினோதினி காமாக்ஷி கமல திருபதமே பணிந்தேன் அனுதினமே வரம் அருளும்
சரணம்
பாடி பாடி உந்தன் பாதம் பணிந்து வந்தேன் பார்வதியே பரமேஸ்வரியே
கோடி கோடி துன்பம் ஓடி மறையுமே உன் அருள் பார்வையிலே
கடைக்கண் பாராயோ
கருணை பொழிவாயோ பாடலீசப்ரியநாயகியே அடைக்கலம் அடைந்தேன் காத்தருள்
பல்லவி
ஜனனி ஜனனி ஜகத்காரணி பூரணி நாரணியே
அனுபல்லவி
கான வினோதினி காமாக்ஷி கமல திருபதமே பணிந்தேன் அனுதினமே வரம் அருளும்
சரணம்
பாடி பாடி உந்தன் பாதம் பணிந்து வந்தேன் பார்வதியே பரமேஸ்வரியே
கோடி கோடி துன்பம் ஓடி மறையுமே உன் அருள் பார்வையிலே
கடைக்கண் பாராயோ
கருணை பொழிவாயோ பாடலீசப்ரியநாயகியே அடைக்கலம் அடைந்தேன் காத்தருள்