Mahadevan Sankaranarayanan @Arkay - Rec. May 19, 2019

Review the latest concerts you have listened to.
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shankarank
Posts: 4043
Joined: 15 Jun 2009, 07:16

Mahadevan Sankaranarayanan @Arkay - Rec. May 19, 2019

Post by shankarank »

https://www.youtube.com/watch?v=jkfsRB5tSqE

He produces unabashed music of his father! enta bhAgyamu was a one hell of a one down batsman. Heard a nice play in there by Anirudh for a svaram. Will post timeline!

BhUshAvaLi in progress!

hnbhagavan
Posts: 1655
Joined: 21 Jun 2008, 22:06

Re: Mahadevan Sankaranarayanan @Arkay - Rec. May 19, 2019

Post by hnbhagavan »

A very much improved Mahadevan sankaranarayanan not yet given slots by Music Academy.

HarishankarK
Posts: 2216
Joined: 27 Oct 2007, 11:55

Re: Mahadevan Sankaranarayanan @Arkay - Rec. May 19, 2019

Post by HarishankarK »

I liked the concert - heard up to bhushavali.
He has improved a lot.
Bhushavali is Dikshithar =Vachaspathi??
It sounded a lot like Vachaspathi only. Never heard this krithi.
Isn't there a Bhusapathim and Gopanandana song in this ragam?
Few observations- looks like in his style there is not much emphasis on repeating the each sangatis twice. Even I felt the krithis rendition was s a bit hurried.
More appealing to me when sangatis are clear and repeated twice like Sowmya style. And Semmangudi style. That is something that only carnatic music has got

Ranganayaki
Posts: 1760
Joined: 02 Jan 2011, 06:23

Re: Mahadevan Sankaranarayanan @Arkay - Rec. May 19, 2019

Post by Ranganayaki »

HarishankarK wrote: 30 May 2019, 03:28
Bhushavali is Dikshithar =Vachaspathi??
It sounded a lot like Vachaspathi only. Never heard this krithi.
Isn't there a Bhusapathim and Gopanandana song in this ragam?
I haven’t seen the video yet and there is no song list so I’m not sure which raga was sung.
The asampurna raga of Dikshitar’s that corresponds to Vāchaspati is called Bhushaavati. There is a discussion of that at viewtopic.php?t=32673.

Bhushavali, though is a Janya raga of Vāchaspati. It is without a Ni in the arohana. “Gopanandana” is in Bhushavali. In the pallavi, you can hear the absence of the ni in the swarakshara type of sahitya: gOpanandana valaripunuta pada sArasa mAramaNA pAhi
(gOpa)

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