Ragamalikas

rajeevsid · Post by **rajeevsid** » 05 Jun 2005, 08:57

I thought people might share some good ragamalikas in this section
Well, I have, what I think is one of the best ragamalikas of all time sung by S.Kalyanaraman.
It is an Ashtaragamalika and imho, S.Kalyanaraman is the only one to sing this song titled- Neethan thunai Neelambari, beautifully I might add.
Some part of the alapanai is cut, but I hope you will enjoy the rest. So here is the link for your listening pleasure-
http://rapidshare.de/files/2142913/01-N ... a.mp3.html

Lakshman · Post by **Lakshman** » 07 Jun 2005, 19:44

Here is a rAgamAlika by Kadalur Subramanian and popularized by Nityashree. It is available at:
http://rapidshare.de/files/2234499/rAga ... e.mp3.html

coolkarni · Post by **coolkarni** » 12 Jun 2005, 20:47

The kalyanraman ragamalika was sublime.his renderings never fail to move me.someday we have to discuss this artist in more detail in this forum...
and here is a sizzler from a TNS concert...Download-Link: http://rapidshare.de/files/2336137/TNS- ... u.MP3.html

I wonder if any other artist(apart from TK Rangachari) resorts to a ragamalika while singing swaras at the end of a kriti rendering.

cmlover · Post by **cmlover** » 13 Jun 2005, 00:52

Thanks coolkarni for that superb "swararaagamaalika" of TNS. Is it LGJ accompanying?

Can somebody count and post the number of ragas in the piece? I just get lost

coolkarni · Post by **coolkarni** » 13 Jun 2005, 07:54

no idea about the accompanist..all that i know is that it was a bombay concert.

Lakshman · Post by **Lakshman** » 13 Jun 2005, 18:38

As far as I could figure out these are the rAgAs:
kEdAra, nATa, Anandabhairavi, amrtavarSiNi, Arabhi, bilahari, Ahiri, BageshrI, dhanyAsi, darbAr, bEgaDa, hindOLa, dEs, yadukulakAmbhOji, kadanakutUhala, kuntalavarALi, rEvati, nIlAmbari, bauLi, kApi and suraTi.
Corrections welcome.

cmlover · Post by **cmlover** » 14 Jun 2005, 01:40

Thanks Lakshman. I agree with you on all of them! Who else other than TNS can bring out each raga jump alive in about 10 secs (thanks to the unnamed violinist for the remaining 10 secs

)?

Coolkarni:
Can we have a sample of TKR too?

kaumaaram · Post by **kaumaaram** » 05 Jan 2006, 15:41

Hi,

Ranjani Mrudhu Pankaja..... rendition by Nithyasree for your interest:

http://rapidshare.de/files/10371616/05_ ... i.mp3.html

Kaumaaram

Sivaraman · Post by **Sivaraman** » 03 Feb 2006, 07:35

Here's another beautiful nithyashree ragamalika: "Ragathil sirandha ragamedhu":

http://rapidshare.de/files/12427333/nit ... ka.mp3.htm

Sivaraman.l

srkris · Post by **srkris** » 03 Feb 2006, 17:21

I request removal of the links if they are commercially available/copyrighted.

Brycki · Post by **Brycki** » 09 Mar 2006, 00:20

All the files seem to have been deleted due to inactivity for long time.
Can somebody re-upload them, particularly the Kalyana Raman and TNS files ?

Thanks

coolkarni · Post by **coolkarni** » 17 Mar 2006, 09:54

brycki
you can hope for some solutions in a months time (from new Cm Fan !)

a nice tribute to Ariakudi by his wonderful disciple KVN

wonder who composed this ?

http://rapidshare.de/files/15697093/15-Concert_095.mp3
http://rapidshare.de/files/15697152/16-Concert_095.mp3

coolkarni · Post by **coolkarni** » 25 Mar 2006, 17:42

http://rapidshare.de/files/16367956/01_ ... _RAGAM.MP3

by bv raman / bv lakshman

kriasshnan · Post by **kriasshnan** » 19 Apr 2006, 19:01

Could someone repost the ragamalika neethan thunai neelambari rendered by Tanjore S. Kalyanaraman.Alternatively mail ma tha link to kriasshnan@gmail.com if any copyright issues are associated with it.

bala747 · Post by **bala747** » 21 Apr 2006, 13:51

Legendary ragamalikas..
listen to GNB's rendition of Dhikkuteriyaada kaatril..
MDR's rendition of Bhavayami Raghuramam
MLV's rendition of Dikshithar's Chatusra dasaragamalika.
MSS's rendition of Vadavarayai Mattakki from the Silapathikaaram(especially her rendition in the 1950(?) MA concert)
TKG's rendition of Baro Krishnayya (at surasa.net)

If anyone wants any of the above let me know.

Since when did that ridiculous "Ragathiley siranda" become a "beautiful composition"? Didn't Nityasree follow it up with a "rasathiley siranda rasam" or something? Oh well, after all, people flock Kunnakudi concerts... no accounting for tastes.

kaumaaram · Post by **kaumaaram** » 21 Apr 2006, 14:50

Bala,

While you may have dislike for someone else's tastes or some artists, why do you want to criticise those who like the same? Just state what you like and the matter ends there.

Kaumaaram

Vocalist · Post by **Vocalist** » 21 Apr 2006, 15:56

No one claimed Ragathil Sirandha was ridiculous or ugly. It was the Rasam composition that was criticised - and that only contained 3 rAgAs or so!

bala747 · Post by **bala747** » 21 Apr 2006, 22:01

Vocalist, I believe I just called it both ridiculous and ugly. The rasam song is far worse I suppose. (I am waiting for the Grammathu Virundhu Muniyamma host's version of it. Would be worth a laugh. She might just end up concluding that "Aatu kaal rasam is the best!").

kaumaaram, I am not criticizing anyone (I presume you mean character). I am sure those who post here are generally good people but I certainly am questioning their tastes because of all the thousands of ragamalikas available, why have a DOUBLE post of this silly composition? I mean what is so great about a song which basically asks: "Which ragam is the best?" and answers "All are good" (oh now that's a shocking answer!) after asking a dozen "is it"'s? Does this composition have ANY musical value at all?

Well, one more reason not to listen to Nityasree.

Some more additions to the list of ragamalikas I mentioned:

GNB/LGJ/PMI's swararagamalika at the end of a Shanmukhapriya RTP in Bombay.
TNS's RTP in Naatai, Kuranji and Naataikuranji (available at charsur)
MDR's viruttam in Thodi Darbari Kanada and others (Ratnakarosti sadanam).
MDR's viruttam (Sugrivamitram paramampavitram) in Saveri Naatakuranji and Purvikalyani
GNB's viruttam in Sindhubhairavi etc (1957 concert) (Kalambhoja)
SSI's viruttam (Sringaaram) in the 1960's KGS concert (Available at kosmic)

Just a list of my favourites off the top of my head

vasanthakokilam · Post by **vasanthakokilam** » 21 Apr 2006, 22:26

Bala, You have excellent tastes....Some may call your set an elitist set ( in a positive way ) but it does not matter since we have already agreed that there is no accounting for tastes. My tastes would probably match closely yours depending on my mood. I sometimes like the 'not so heavy' variety and also a few trivial songs that are in the 'comfort songs' category ( akin to comfort food ).

Having said all that, you asked "Does this composition have ANY musical value at all?", you probably meant to ask 'Does this composition have ANY lyrical value at all?"...True? I have not heard this song in quite a while, but it is all about music since lyrics are fairly straightforward ( I remember it giving a jist of what the 'rasa' of each raga is. ).

These kinds of ragamalikas belong to a separate sub-genre by themselves: Lighter and fun category and not to be even compared and contrasted against the traditional heavyweights both lyrically and musically.

( On an off tangent subject and not directly referring to what Bala said: When people say 'there is no accounting for tastes'.. it seems to be almost always in exasperation and not really admitting to the facts of that phrase. I do the same thing, so I am not pointing fingers only at others

Is that the traditional use of that phrase? ).

Lakshman · Post by **Lakshman** » 21 Apr 2006, 23:17

For what they are worth, here are the lyrics of the two rAgamAlikAs:

rasattil uyaranda. rAgamAlika. Adi tALA. Composer : Unknown.

(rAgA: simhEndramadhyam)
P: rasattil uyarnda rasam enda rasam
puLi rasamA kanirasamA kambarasamA inba rasamA
A: inba sarasam virasam koTTum murasam
inji surasam miLagu rasamA
(rAgA: mOhana)
C1: adirasam Anandarasam anbu rasamA
anda rasam pAghamuda rasam bhAgya rasam bhakti rasamA
kodi rasam takkALi rasam elumiccai rasamA
guNamAna paruppu rasamA pannIr rasamA
(rAgA: kAnaDA)

2: kAma rasam sOma rasam kalai jnAna rasamA
gAna, hIna, karuNA rasam shoka rasam
nEmamighu rAma rasam niratAkSi rasamA
pErAna nIrAna vendaya rasam kavi rasamA
karumbu rasam mysUr rasamA
kAviya rasaminri Oviya rasamA
bhuviyinil raudram arputam bhaya rasamA
samsAra sArasam inri minsAra rasamA
(rAgA: mAND)
3: urunDODiDum pAda rasam uyiruLLa nAdha rasam
OmkAra Oshai nirainda rasam shrngAra rasam
shiranda nADengum navarasam
sharavaNan tozhum samarasam

rAgattil shiranda. rAgamAlikA. Adi tALA. Composer: Kadalur Subramanian.

1: rAgatti shiranda rAgamEdu kalyANi-yA kAmbhOji-yA
2: aghattaik-kuLira vaikkum azhagAna tODi- yA ATTattirkkE ughanda nATTaikkuranji-yA
bhAvattODu pADa bhairavi-yA manam pAghAi uruga vaikkum ranjani-yA
3: cintaik-kuLira vaikkum simhEndramadhyamam-A santOSattait-tarum shankarAbharaNam-A
kAvEri pOl ODum sAvEri-yA manak-kaLaippai nIkka valla kApi-yA
4: paNNishaittup-pADa SaNmukhapriyA-vA paDutturanga sheyyum nIlAmbari-yA
adhikAramAip-pADa aThANA-vA akhilamellAm mayakkum Anandabhairavi-yA
5: tApam aghala Or dhanyAsi-yA dharaNiyai kAkka nalla darbAr-O
sarasa sallApattirkkE sArangA-vA shyAmaLanai ezhuppa bhUpALam-A
6: kalakalappAi pADa kharaharapriyA-vA karuNaiyE vaDivAna kAmavardhani-yA
bahudAri-yA shuddhasAvEri-yA panjamillAda hindOLam-A
dEvamanOhari dEvagAndhAri tEninum inikkum kAnaDA-vA
7: manadai mayakkum mAyAmALavagauLai madhuramAna Or vijayanAgari
vasantA-vuDan malayamAruta-mO mandahAsam tarum mOhanam-O
hamsadhvan- yuDan hamsanAdam-O Arabhi-mAnamum vENDum bilahari
8: pAngAghap-pADa Or bAgEshvari-yA shAntamAip-pADa sAmA-vA
shrngAramAna sindhubhairavi-yA mangaLam pADa or madhyamAvati- yA
9: shruti shuddhamAghavum svara shuddhamAghavum
sukha bhavattuDan pADum rAgamE shirandadu

Vocalist · Post by **Vocalist** » 21 Apr 2006, 23:28

Hey Bala!

I emphasise what VK said. Your list of "ragamalikas belong to a separate sub-genre by themselves: Lighter and fun category and not to be even compared and contrasted against the traditional heavyweights both lyrically and musically. "

"Well, one more reason not to listen to Nityasree. "
Very savage of you. All because of your unfortunate experience of listening to an "average concert"? There are some artists who are overpraised, who cannot hold a torch to her. Yet, ironically, these boring artists have seldom been criticised, even by you.

The Rasam composition is lyrically a joke, but can't say the same about Ragathil Sirandha. In the dozen "is it"s, there's a brief overview of what each rAgA can achieve, what each can sound like, its significance etc. There is a beauty behind this composition, I believe. Sure...the lyrics aren't like Kannadasan's, but that doesn't mean it's worthless! Also, you're one of the only people who I know that didn't enjoy this composition when you first heard it, especially the charanam. If you review the lyrics, you'd also notice you have oversimplified the meaning.

Funnily, I don't intend on criticising your tastes so much (maybe because I agree with most of them). Rather, I am criticisng the fact your criticise others tastes with very little consideration.

bala747 · Post by **bala747** » 22 Apr 2006, 21:46

Heh vocalist, that line was in bad form I agree and I apologise. Maybe I got a bit too carried away with the posting (hey I am only human!)

(Incidentally Kadalur Subramanian appararently was a great vocalist. I am trying to get the eccentric granduncle to release more of his concerts to me once he gets better).

rshankar · Post by **rshankar** » 22 Apr 2006, 21:50

(Incidentally Kadalur Subramanian appararently was a great vocalist. I am trying to get the eccentric granduncle to release more of his concerts to me once he gets better).

Bala/Lji,
In some of Kadalur (or Cudalore) Subramaniam's compositions, the word pATalEshar appears - is that his mudra? (it wouldn't be too much of a stretch, considering the famous 'brihannAyakI samEta pATalEshar' temple in Cudalore).
Ravi

Vocalist · Post by **Vocalist** » 22 Apr 2006, 22:22

It's cool Bala. Also, Kadaloor/Cudalore/Cuddalore/Kadalur Subramaniam is also famous for his compositions in all 72 melakartha rAgAs.

I doubt that "pATalEshar" is his mudra as I haven't seen it in that many of his compositions (but I might not be right).

bala747 · Post by **bala747** » 23 Apr 2006, 12:37

But I still would love to hear the "rasam" song by Paravai Muniyamma in Sun TV's Sunday samayal!

For those who requested uploads I am trying to get my xdrive fixed for the time being, please be patient.

murralidharan_vra · Post by **murralidharan_vra** » 02 Sep 2006, 11:01

Sivaraman
i joined recently and i missed a lot. is it possible for you to u/l this

nithyashree ragamalika: "Ragathil sirandha ragamedhu":

Murralidharan_vra

srkris · Post by **srkris** » 02 Sep 2006, 11:09

Murali,

Since most recordings of Nityashree are very likely copyrighted, no one will upload her recordings here. But you can visit other sites like MusicIndiaOnline.com to choose the recordings you want to listen.

This time I have made the job easier for you...

The song you want is available in the album December season 2002 which you can access at http://www.musicindiaonline.com/l/1/m/artist.108/

murralidharan_vra · Post by **murralidharan_vra** » 02 Sep 2006, 12:31

srkris

Thanks a lot

MBK · Post by **MBK** » 04 Sep 2006, 15:11

http://quickdump.com/files/108878549.html

Maharajapuram Santhanam

Enjoyable!

kmrasika · Post by **kmrasika** » 05 Sep 2006, 06:43

Kindly requested repost of non-copyrighted "tyAgarAja pAdAbje" rAgamAlikA of maisUr vAsudEvAccAryA with thanks.

baboosh · Post by **baboosh** » 05 Sep 2006, 11:07

While Ragathil sirandha ragam may not qualifyas a great classical composition,many other popular songs also fall in this genre.Kurai onrum illai is one of the most popular songs now .While the song was elevated to a status of a grand composition because of M.S. S and the music,it according to me does not ahve lyrical value or beauty.

vasanthakokilam · Post by **vasanthakokilam** » 05 Sep 2006, 11:36

I do not mean to start a debate on whether Kurai Onrum Illai deserves the prominence or not, but a few things about this piece that caught my attention when I heard this first long time ago... The common place tamil lyrics convey the commonly understood and relatable religious concept in a direct way and it does that from the point of view of contentment. I am conjecturing that these things along with MSS and the nice tuning made it a great and popular thukkada item.

arasi · Post by **arasi** » 05 Sep 2006, 21:35

baboosh,
As for kuRai onRum illai, in my view too, it is not a great lyrical piece. Wait, the great Rajaji wrote it! An outstanding man, a skilled writer of prose and of short stories--I mean, shortest stories. He was not a song writer--perhaps wrote this one song (don't know of any other) at nearly the end of his life. To me, it is a soul searching of a man who had spent his entire life in first fighting for the freedom of the land and then in dedicating his life to a political cause. A philosophical man who had no time or bent of mind for a religious life who finally reached the stage when there were no pressures of the outside world. His spiritual side must have come to the fore and memories of his childhood too, of a traditional upbringing. I may be off the mark--forgive me--but it was his own spirituality and sense of religion (gOvinda as a diety sitting on a particular hill) that brought out these lines like tiraiyin pin niRkinRAy kaNNA!--You are behind a screen--not the kind of screen tyagaraja refers to in tera tIyaga rAdA? but as in obscurity--intellect and bhakti wrestling in him raises this question? Again, I may be way away from understanding the song. A moving set of questions the lyrics are, both personal and universal. The popularity of it I agree has to do with MSS singing it soulfully, the ragas in it and of course, Rajaji being the author of it. His prose writing is terse and to the point (vyAsar virundu and chakravarthi thirumagan in tamizh are well known. His little short stories were stunning with a frugality of words. Don't read me wrong. I have the greatest regard for this freedom fighter, leader, author and individual. It is just kuRai onRumillai I am speaking of here...

rshankar · Post by **rshankar** » 05 Sep 2006, 21:55

Arasi,
Can't you just hear Rajaji say:

Even if people cast aspersions
Even if they doubt it's quality
Even if they don't think too highly of it,
Edum tara maRukkAda karuNai kaDal annai
un mArbil enRum irundiDa,
yEdu kuRai enakku?
(kuRai onRum illai maRai mUrti kaNNA!)

Ravi

arasi · Post by **arasi** » 05 Sep 2006, 21:55

VK,
You ARE starting a debate, it seems.
I am glad you have your doubts too. You use the key word 'contentment' which agrees with my view(??) that questions hit me more than the rest of it in the song. Tyagaraja and Bharathi, nAyanArs and AzhvArs and others have asked many questions, pleaded, got annoyed with their subject, but 'surrender' is the key element in them which in singing out to the Almighty knows no bounds. When you listen to them, you are moved and find a sense of contentment (your word). As with human love too, with a child who is an object of your unconditional love or with a perfect mate, you get away with all the above modes of expression (both parties)...
I can say, I feel for Rajaji. He had to wrestle with his intellect in his quest...

arasi · Post by **arasi** » 05 Sep 2006, 22:03

Ravi,
I knew it! Like hanumAn, you would come with evidence! Agreed. The conclusion or resolution is very much there in those lines. You KNOW the lines! A good moment for Rajaji, those concluding lines. Yet, I get a bit pensive about some of the other lines. May be because I see him in it...

arasi · Post by **arasi** » 05 Sep 2006, 22:07

Ravi,
Our posts collided! Could I say, it applies to friends on the forum as well--'knowing no bounds?' You have forgiven me I suppose:)

rshankar · Post by **rshankar** » 05 Sep 2006, 22:18

Arasi,
I agree with your feelings about this composition, but whenever I listen to this song, I always remember the words that Sri Rajaji used to introduce Sri Adi Sankara's 'bhaja gOvidam' rendered by Smt MSS's: he says, 'if Adi SankarAchArya himself, who drank the ocean of gyAna as easily as one sips water from the palm of one's hand, sang in his later years hyms to develop devotion, it is enough to show that gyAna and bhakti are one and the same" - I always think of 'kuRai onRum illai' as an attempt by Rajaji to go a step further, and say that even without gyAna (unnai maRai Odum gyAniyar maTTumE kANbAr), bhakti is possible (kali nALLukkirangi, kallilE irangI)....
Ravi

rshankar · Post by **rshankar** » 05 Sep 2006, 22:24

On another note, I don't think the popularity of this piece has anything to do with it's quality, or it's rAga choices. I think that most musicians have begun to rendder it at the end of concerts just before, or in lieu of the 'maNgaLam' as a tribute to Smt. MSS, and this signature pieces of hers lends itself to be tagged on without disrupting the flow of the concert. At least, that is what some of the artists I have spoken to have said.
Ravi

arasi · Post by **arasi** » 05 Sep 2006, 22:29

Ravi,
Once again, goes to prove the subjective nature of rasanA. You have given me more to mull over. That's great. Each layer of experience and exposure to more views makes us grow as rasikas...

ninjathegreat · Post by **ninjathegreat** » 06 Sep 2006, 01:03

Among songs some more are "Adalai pADuvOm thriu viLayA", the wonderful "madurai arasalum" and "nALai endROrunAL" sung by Somu, "Adiya pAdam" by MMD, Panchanada Iyer's "Arabhimanam" (esp. by the incomparable KVN), MLV's impeccable reditions of "ArupaDai vIDamarnda" and "bArO krishnayyA", MSS singing "kanDu kanDen" of Poontanam Namboothiri (I like the choice of lyrics here, more than the rendition)...

slokams: Semmangudi's "Moulav ganga", MMI's "vEyuru thOli", GNB with "vandE mAtaram", DrSR "kunitha puruvamum", MDR's amazing and touching "sugreevamitram" preceding the even more amazing and even more feeling redition of "satrE vilagi"....

I can post these if necessary.

vasanthakokilam · Post by **vasanthakokilam** » 06 Sep 2006, 08:00

VK,
You ARE starting a debate, it seems.
I am glad you have your doubts too. You use the key word 'contentment' which agrees with my view(??) that questions hit me more than the rest of it in the song.

Well, while I would still like to maintain I did not mean to start a debate

, what I had in mind when I said 'common lyrics' 'direct expression' etc. is, one does not need much interpretation philosophically to understand the song. But based on what you two (Arasi and Ravi) wrote, I guess there are multiple layers here as well.

mnsriram · Post by **mnsriram** » 06 Sep 2006, 20:28

kmrasika wrote:Kindly requested repost of non-copyrighted "tyAgarAja pAdAbje" rAgamAlikA of maisUr vAsudEvAccAryA with thanks.

If you meant "srI rAmachandra pAdAbjE", I can upload a fantastic version of Sri MDR that Sri Coolkarni posted a while back.

ignoramus · Post by **ignoramus** » 06 Sep 2006, 20:38

sriram

please do, anything from the great MDR is welcome

mnsriram · Post by **mnsriram** » 06 Sep 2006, 21:34

srI_rAmachandra--rAgamAlika--Adi--mysOre_vAsudEvAcharya--MDR

http://file.uploadr.com/9460

Lyrics, meaning and other information available at

http://www.rasikas.org/forums/viewtopic.php?id=655

kmrasika · Post by **kmrasika** » 07 Sep 2006, 06:55

mnsriram: thank u for all your replies to my requests for audio, particularly the Spencer Venugopal thread. ANd yes, pardon my typo, the song is ShrI rAmacandra pAdAbjE.

shrinik · Post by **shrinik** » 22 Jan 2017, 22:17

Lakshman wrote:For what they are worth, here are the lyrics of the two rAgamAlikAs:

rasattil uyaranda. rAgamAlika. Adi tALA. Composer : Unknown.

(rAgA: simhEndramadhyam)
P: rasattil uyarnda rasam enda rasam
puLi rasamA kanirasamA kambarasamA inba rasamA
A: inba sarasam virasam koTTum murasam
inji surasam miLagu rasamA
(rAgA: mOhana)
C1: adirasam Anandarasam anbu rasamA
anda rasam pAghamuda rasam bhAgya rasam bhakti rasamA
kodi rasam takkALi rasam elumiccai rasamA
guNamAna paruppu rasamA pannIr rasamA
(rAgA: kAnaDA)

2: kAma rasam sOma rasam kalai jnAna rasamA
gAna, hIna, karuNA rasam shoka rasam
nEmamighu rAma rasam niratAkSi rasamA
pErAna nIrAna vendaya rasam kavi rasamA
karumbu rasam mysUr rasamA
kAviya rasaminri Oviya rasamA
bhuviyinil raudram arputam bhaya rasamA
samsAra sArasam inri minsAra rasamA
(rAgA: mAND)
3: urunDODiDum pAda rasam uyiruLLa nAdha rasam
OmkAra Oshai nirainda rasam shrngAra rasam
shiranda nADengum navarasam
sharavaNan tozhum samarasam

rAgattil shiranda. rAgamAlikA. Adi tALA. Composer: Kadalur Subramanian.

1: rAgatti shiranda rAgamEdu kalyANi-yA kAmbhOji-yA
2: aghattaik-kuLira vaikkum azhagAna tODi- yA ATTattirkkE ughanda nATTaikkuranji-yA
bhAvattODu pADa bhairavi-yA manam pAghAi uruga vaikkum ranjani-yA
3: cintaik-kuLira vaikkum simhEndramadhyamam-A santOSattait-tarum shankarAbharaNam-A
kAvEri pOl ODum sAvEri-yA manak-kaLaippai nIkka valla kApi-yA
4: paNNishaittup-pADa SaNmukhapriyA-vA paDutturanga sheyyum nIlAmbari-yA
adhikAramAip-pADa aThANA-vA akhilamellAm mayakkum Anandabhairavi-yA
5: tApam aghala Or dhanyAsi-yA dharaNiyai kAkka nalla darbAr-O
sarasa sallApattirkkE sArangA-vA shyAmaLanai ezhuppa bhUpALam-A
6: kalakalappAi pADa kharaharapriyA-vA karuNaiyE vaDivAna kAmavardhani-yA
bahudAri-yA shuddhasAvEri-yA panjamillAda hindOLam-A
dEvamanOhari dEvagAndhAri tEninum inikkum kAnaDA-vA
7: manadai mayakkum mAyAmALavagauLai madhuramAna Or vijayanAgari
vasantA-vuDan malayamAruta-mO mandahAsam tarum mOhanam-O
hamsadhvan- yuDan hamsanAdam-O Arabhi-mAnamum vENDum bilahari
8: pAngAghap-pADa Or bAgEshvari-yA shAntamAip-pADa sAmA-vA
shrngAramAna sindhubhairavi-yA mangaLam pADa or madhyamAvati- yA
9: shruti shuddhamAghavum svara shuddhamAghavum
sukha bhavattuDan pADum rAgamE shirandadu

Any audio available for rsattil uyarnda?

Ragamalikas

Re: