kApi nArAyaNi
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kApi nArAyaNi is a lovely ragam, but I only seem to have heard a singular composition in this ragam--sarasa sAmadAna. Are there other compositions in kApi nArAyaNi? Although I think MMI's renditions of this composition are the gold standard--especially his imaginative neravals at hitavu mATa--here's a nice rendition by GNB in the company of TNK and PR: http://www.sendspace.com/file/fene6q
Last edited by bilahari on 02 Jul 2009, 11:43, edited 1 time in total.
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Sanjay sings tillai chidambaramE of mutthutANDavar, there is a patnam .S iyer piece that NOBODY sings.. And HMB is sure to have composed in the raga..
I remember someone mentioning a kApi-nArAyaNi-kApinarAyaNi RTP by sri NSG at bangalore last year..
I remember someone mentioning a kApi-nArAyaNi-kApinarAyaNi RTP by sri NSG at bangalore last year..
Last edited by keerthi on 02 Jul 2009, 11:57, edited 1 time in total.
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I've never heard GNB in company of TNK afai remember, that makes it an added attraction.
Last edited by srikant1987 on 02 Jul 2009, 19:40, edited 1 time in total.
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Hers is a list of songs in this raga:
Are re jaya jaya parashurama (lng)-Triputa-Govindacharya
Chintalanniyu- -Sriramachandra Murti Sistla
Daya sara maha sara dainyam hara-Adi-C.S.Shivaramakrishna Bhagavatar
Dhim tana dhim tanana dhim (t)-Adi-Vinai Shesha Iyer
Emira rama-Adi-Bhadrachalam Ramdas
Jagadisha brova-Adi-Tiruvettiyur Tyagayya
Kalakalabala-M/Eka-Chitravina N.Ravikiran
Kapi narayana- -Bangalore S.Mukund
Maruni nagari danda ma yillerugava-Triputa-Annamacharya
Parabrahmmamu raghukula tilaka ni pada-Adi-Patnam Subramania Iyer
Sarasa sama dana bheda danda chatura sati deva-Adi-Tyagaraja
Satya pramanamuga bhuta gramendriyadulu- -Sriramachandra Murti Sistla
Satyam jnanam- -Sriramachandra Murti Sistla
Shri hari tarakanama- -Sriramachandra Murti Sistla
Tillai chidambarame-Adi-Marimutta Pillai
Tillana (dhim tana dhim tanana dhim)-Adi-Vinai Shesha Iyer
Are re jaya jaya parashurama (lng)-Triputa-Govindacharya
Chintalanniyu- -Sriramachandra Murti Sistla
Daya sara maha sara dainyam hara-Adi-C.S.Shivaramakrishna Bhagavatar
Dhim tana dhim tanana dhim (t)-Adi-Vinai Shesha Iyer
Emira rama-Adi-Bhadrachalam Ramdas
Jagadisha brova-Adi-Tiruvettiyur Tyagayya
Kalakalabala-M/Eka-Chitravina N.Ravikiran
Kapi narayana- -Bangalore S.Mukund
Maruni nagari danda ma yillerugava-Triputa-Annamacharya
Parabrahmmamu raghukula tilaka ni pada-Adi-Patnam Subramania Iyer
Sarasa sama dana bheda danda chatura sati deva-Adi-Tyagaraja
Satya pramanamuga bhuta gramendriyadulu- -Sriramachandra Murti Sistla
Satyam jnanam- -Sriramachandra Murti Sistla
Shri hari tarakanama- -Sriramachandra Murti Sistla
Tillai chidambarame-Adi-Marimutta Pillai
Tillana (dhim tana dhim tanana dhim)-Adi-Vinai Shesha Iyer
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I searched sangeethapriya and the only non sarasasamadhana song there is "Thillai Chidambarame" by Sanjay: http://sangeethamshare.org/manjunath/Ca ... barame.mp3
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Two renditions of rAmA nIvE (nArAyaNi) are here:
http://sangeethamshare.org/hariharan/sa ... rayani.mp3
http://sangeethamshare.org/sunil/thyaga ... andran.mp3
http://sangeethamshare.org/hariharan/sa ... rayani.mp3
http://sangeethamshare.org/sunil/thyaga ... andran.mp3
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Here is a link for mahiSAsuramardhani of Dikshitar in narayani.
http://www.sendspace.com/file/vccusi
http://www.sendspace.com/file/vccusi
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Lakshmanji, thank you very much, as always! VK, thank you as well for that link. I'm downloading it now.
Srikant, this concert of GNB TNK PR is rather extraordinary, with an elaborate tODi pallavi running in excess of an hour with GNB and TNK exhausting the raga in a multi-stage alapanai. The concert also features an excellent mA jAnaki.
Srikant, this concert of GNB TNK PR is rather extraordinary, with an elaborate tODi pallavi running in excess of an hour with GNB and TNK exhausting the raga in a multi-stage alapanai. The concert also features an excellent mA jAnaki.
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1) Tillai chidambarame sung by Sanjay, is tuned in Kapi Narayani by Trichy J.Venkatraman, an Alathur disciple, as per Sanjay's note. Marimutta Pillai appears to be pre-trinity, which gels with my impression of Kapi narayani being a Tyagaraja creation.
2) This Mahisasura mardhini in Narayani sounds nothing like Ramanive and Bhajanaseya of Tyagaraja. More like Goulai than anything remotely like Narayani. Haven't explored possible deep srutibhedam possibilities here, though!
2) This Mahisasura mardhini in Narayani sounds nothing like Ramanive and Bhajanaseya of Tyagaraja. More like Goulai than anything remotely like Narayani. Haven't explored possible deep srutibhedam possibilities here, though!
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It is very very likely that tyAgarAja was the first to use it..narayan wrote: 1.....gels with my impression of Kapi narayani being a Tyagaraja creation.
there is a krti attributed to mutthuswami dikshitar, which goes mahiSAsuramardini mAm pAhi madhyadEsavasini.. this is in gaula, and even has the rAgamudra?..narayan wrote:
2) This Mahisasura mardhini in Narayani sounds nothing like Ramanive and Bhajanaseya of Tyagaraja. More like Goulai than anything remotely like Narayani. Haven't explored possible deep srutibhedam possibilities here, though!
the other krti, found in the SSP, is mahiSAsuramardinIm namami mahanIya kapardinIm, which is in narayaNi, and also doesn't sound like the narAyaNI of tyagaraja's songs.. has phrases reminescent of Bilahari..
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You should be able to see quite a few recordings in sangeethapriya...srinivasrgvn wrote: And I've never heard the rAga 'nArAyani'. Can you please tell me where to find a recording/composition? =)
Listen to this TKR piece...(not so great recording)...
http://sangeethamshare.org/hariharan/TK ... rayani.mp3
in this rendition after MC's violin reply (he gives extra time for him ) TKR appreciates young MC !!!
(I think he says such talented young people should come...)
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Re: kApi nArAyaNi
ArErE jayajaya parashurAma (lng). rAgA: kApinArAyaNi. tripuTa tALA. Govindacharya.
ArErE jayajaya parashurAma mada vibhanjanurErE catuhshruti riSabha antara gAndhAra catuhshruti
dhaivata svara kaishiki niSADa itara shuddha ArOha ga varjita avarOha sampUrNa sagrahanyAsAmsha
tripuTa yukta harikAmbhOji mEla janita kApinArAyaNi rAgamavadhAraya shrI rAma namO namO
ArErE jayajaya parashurAma mada vibhanjanurErE catuhshruti riSabha antara gAndhAra catuhshruti
dhaivata svara kaishiki niSADa itara shuddha ArOha ga varjita avarOha sampUrNa sagrahanyAsAmsha
tripuTa yukta harikAmbhOji mEla janita kApinArAyaNi rAgamavadhAraya shrI rAma namO namO
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Re: kApi nArAyaNi
what does the word sagrahanyAsAmsha mean in above lyrics
(usually this word is found in almost all lakshana geethas of govindacharya)
(usually this word is found in almost all lakshana geethas of govindacharya)
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Re: kApi nArAyaNi
Here is my attempt:
catuhshruti riSabha antara gAndhAra catuhshruti dhaivata svara kaishiki niSADa itara shuddha ArOha
ga varjita avarOha sampUrNa sagrahanyAsAmsha
through this lakshaNa gIta, Sri Govindacharya provides the various svarasthAna for this rAga in the ArOhaNa and avarOhaNa (as a deriative of the harikAmbhOji mELa)...and in this context, I think, sagrahanyAsAmSa (सग्रहन्यासाम्श) should be split as = sa (स) + (graha) ग्रह + (nyAsa) न्यास + (aMSa) अम्श. sa = with; graha has many meanings but in musical terms, it is the first (svara); nyAsa, musically is the last (svara); aMSa (in this context) I think means the jIva (svara).
I think the meaning will be the same for the other lakshaNa gItas as well.
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Re: kApi nArAyaNi
ohh!! well explained with samskritha words split.