Ok, I know that notes seperated by a large frequency difference cannot be dissonant. But that is if they are sounded seperately without a Adhara Sruti. But this is in the context of vAdi/samvAdi, G2 is not samvAdi with N3 and M2 is absent , so is G3. That absence of samvadi does produce an odd effect, which is what I meant!Ranganayaki wrote: ↑03 Mar 2018, 10:22 Also, your use of "samvadi" to mean dissonance is wrong, I'm afraid.
Well if a whole set of people still think only "Notes" and the way they are being sung identifies the genre of music , then they will not understand what I write. Show me any composition set to a flow like that in Hindustani. Have you heard Kanniks sing some of the dikshitar compositions. The syllables will be made loose.
Here is an example: https://www.youtube.com/watch?v=HJMHnlIlX_I
At least SRJ did not take that part there!