can anyone think of 10 ragas, where each raga is played for each line of the alankara without confusion over raga and without repitition?
eg- taking chathurasra jati dhruva talam, PDNS ND PDND PDNS, if you play/sing in shankarabaranam, others can say it is kalyani swaras.
can anyone crack this puzzle (remember NO repition of ragas allowed)
a little exercise using ragas and the alankaras
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May be I do not understand the puzzle properly.
The first line of the chathurasra jati dhruva talam alankarm
s r g m | g r | s r g r | s r g m ||
stays with in the purvangam involving S R G M. There are six ragas that share any combination of R and G, how can there be uniqueness no matter which R and G we choose?
The first line of the chathurasra jati dhruva talam alankarm
s r g m | g r | s r g r | s r g m ||
stays with in the purvangam involving S R G M. There are six ragas that share any combination of R and G, how can there be uniqueness no matter which R and G we choose?
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So you would need a raga uniquely identified by 4 notes. The following pentatonics with the alankara starting with R with the presumption that sa is there) can do it:
(has to have ri and ni - for to be unique in this case)
You then can rmpn (madhyamavati, hamsanadam, revathi)
S R2 M1 P N2 (madhyamavati)
S R2 M1 P N3 (brindavani?)
S R2 M2 P N2
S R2 M2 P N3 (version of hamsanadham without D3)
S R1 M1 P N2 (revathi)
S R1 M1 P N3
S R1 M2 P N2
S R1 M2 P N3
That is 8.
One could do perhaps R3G3PN2 and R3G3PN3 and complete (there are other possibilities but probably as contrived as in rgmn etc.)
So if I sing rmpn pm rmpm rmpn in madhyamavathi, I think this combo can only be in madhyamavathi (assuming no skipping of swaras). Of course if I go srmp mr srmr srmp - it certainly isnt unique
If I am right - this is a good one !
Note if one takes a s g2 m1 p n2 s (suddha-dhanyasi) with an alankara going like gmpn pm gmpm gmpn - it isnt unique as it would be shared by a raga with S (R1|R2) G2 M1 P N2 S. Thus the uniqueness needs a ri and ni.
Arun
(has to have ri and ni - for to be unique in this case)
You then can rmpn (madhyamavati, hamsanadam, revathi)
S R2 M1 P N2 (madhyamavati)
S R2 M1 P N3 (brindavani?)
S R2 M2 P N2
S R2 M2 P N3 (version of hamsanadham without D3)
S R1 M1 P N2 (revathi)
S R1 M1 P N3
S R1 M2 P N2
S R1 M2 P N3
That is 8.
One could do perhaps R3G3PN2 and R3G3PN3 and complete (there are other possibilities but probably as contrived as in rgmn etc.)
So if I sing rmpn pm rmpm rmpn in madhyamavathi, I think this combo can only be in madhyamavathi (assuming no skipping of swaras). Of course if I go srmp mr srmr srmp - it certainly isnt unique
If I am right - this is a good one !
Note if one takes a s g2 m1 p n2 s (suddha-dhanyasi) with an alankara going like gmpn pm gmpm gmpn - it isnt unique as it would be shared by a raga with S (R1|R2) G2 M1 P N2 S. Thus the uniqueness needs a ri and ni.
Arun
Last edited by arunk on 12 Oct 2009, 04:06, edited 1 time in total.
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