An Unfortunate Incident At A Concert - Highly Shocking
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Sathayam....if Ms Lalitha was not part of the concert under discussion, then the respective posters who have dragged her into this issue, MUST post a correction with an apology. There is no point in withdrawing or removing the posts. Mere withdrawal will not assuage the feelings of the artist whose name has been used in vain. We may be rasikas, but we do not have the latitude of naming people willy nilly.
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"Sathayam....if Ms Lalitha was not part of the concert under discussion, then the respective posters who have dragged her into this issue, MUST post a correction with an apology. There is no point in withdrawing or removing the posts. Mere withdrawal will not assuage the feelings of the artist whose name has been used in vain. We may be rasikas, but we do not have the latitude of naming people willy nilly."
Excellent Sam. I totally agree with you. An apology is warranted.
Excellent Sam. I totally agree with you. An apology is warranted.
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Hi ,
Read the following incident- My impressions though.
There was a concert by Amjad Ali Khan in Bangalore Fort high school 2 years back. He actually made the concert pattern similar to carnatic music (Ariyakudi) format. Not exactly , but more or less like with keerthanas. He was saying that his father likes the concert based on keerthanas. So for HM vidwans playing in south this can be a good initative.
There was a surprise addition of Giridhar Udupa in that concert, a ghatam prodigy (note this is a pure HM concert , no jugalbandhi). Initially AAKhan little perturbed with the his patterns (I guess) and asked Udupa to follow the beats of tabla. I understand Udupa did that but over period of time in the concert , he excelled on that day earning accolades. Imagine the vidwat of him managing the greats of AAKhan in such a short time. But also understand Khan was magnanimous to include the ghatam in his concert though ghatam itself is the second laya instrument in CM.
But CM audience to enjoy HM is like those who have not enjoyed or used to garlic in food to start eating garlic ( or say egg). I have noted the HM audiences saying CM is too fast and are at surprise why classical music is so fast.
My own impression of HM is that the raga alapana is their fort but the ragas are not familar to us and they sound alien. When they get to swarams , it looks like HM vocal vidwans struggle to deliver. BMK and BJoshi jugal bandhis demonstrates CM is the clear winner. In instrumnetal HM , swara delivery is the best (like AAKhan).
Read the following incident- My impressions though.
There was a concert by Amjad Ali Khan in Bangalore Fort high school 2 years back. He actually made the concert pattern similar to carnatic music (Ariyakudi) format. Not exactly , but more or less like with keerthanas. He was saying that his father likes the concert based on keerthanas. So for HM vidwans playing in south this can be a good initative.
There was a surprise addition of Giridhar Udupa in that concert, a ghatam prodigy (note this is a pure HM concert , no jugalbandhi). Initially AAKhan little perturbed with the his patterns (I guess) and asked Udupa to follow the beats of tabla. I understand Udupa did that but over period of time in the concert , he excelled on that day earning accolades. Imagine the vidwat of him managing the greats of AAKhan in such a short time. But also understand Khan was magnanimous to include the ghatam in his concert though ghatam itself is the second laya instrument in CM.
But CM audience to enjoy HM is like those who have not enjoyed or used to garlic in food to start eating garlic ( or say egg). I have noted the HM audiences saying CM is too fast and are at surprise why classical music is so fast.
My own impression of HM is that the raga alapana is their fort but the ragas are not familar to us and they sound alien. When they get to swarams , it looks like HM vocal vidwans struggle to deliver. BMK and BJoshi jugal bandhis demonstrates CM is the clear winner. In instrumnetal HM , swara delivery is the best (like AAKhan).
Last edited by rajaglan on 12 Jan 2008, 11:00, edited 1 time in total.
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My sincere apologies to Lalitha, if Lalitha was not part of the concert & to her sister Nandini, if this was a different Nandini. Although, i wish not to give any excuses, but the very first post of this thread had Lalitha's name in it & that caused the confusion.
When i argue for the cause of a musician that i have not seen or heard, i would be the last person to disrespect any other musician, be it CM or HM. But personally, i have noticed that SOME hindustani musicians and rasikas have a 'look-down' attitude towards CM musicians, which is totally unacceptable.
When i argue for the cause of a musician that i have not seen or heard, i would be the last person to disrespect any other musician, be it CM or HM. But personally, i have noticed that SOME hindustani musicians and rasikas have a 'look-down' attitude towards CM musicians, which is totally unacceptable.
Last edited by kadambam on 12 Jan 2008, 12:21, edited 1 time in total.
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I entirely agree with your sentiments Kadambam ji, At least we as true CMLovers should raise our voices so that at some point of time our concern will be echoedkadambam wrote:My sincere apologies to Lalitha, if Lalitha was not part of the concert & to her sister Nandini, if this was a different Nandini. Although, i wish not to give any excuses, but the very first post of this thread had Lalitha's name in it & that caused the confusion.
When i argue for the cause of a musician that i have not seen or heard, i would be the last person to disrespect any other musician, be it CM or HM. But personally, i have noticed that SOME hindustani musicians and rasikas have a 'look-down' attitude towards CM musicians, which is totally unacceptable.
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Well after all no artist is greater than the Art. The fundamental need is to be sensitive to the Art and a Fellow Human Being. One would think this is the sensitivity that is to be there for an Artist to be respected and heard. The stage is a Temple of Art and being hurtful to anybody there amounts to caring less for the Atman and Paramatman. I believe this as a Philosophic view and would reather listen to a Sensitive Artist's Performance as no Artist is greater than a Respected Art.
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well ...just saw the post right now ..
to keep away the confusion i have read thru in the above posts ,Lailtha was not present for the recital but Nandini Muthuswamy is Lalitha's sister ...who was on stage with Ronu to give the Jugalbandhi..
Personally I didnt have much high opinion on the violinist's rendition ....
but stillI extend my sympathies for the Ghatom artist who was treated badly ....whether the issue is too much of pride among HM ..i am not bothered but an artist once on the concert stage needs to be respected for his/her art.
to keep away the confusion i have read thru in the above posts ,Lailtha was not present for the recital but Nandini Muthuswamy is Lalitha's sister ...who was on stage with Ronu to give the Jugalbandhi..
Personally I didnt have much high opinion on the violinist's rendition ....
but stillI extend my sympathies for the Ghatom artist who was treated badly ....whether the issue is too much of pride among HM ..i am not bothered but an artist once on the concert stage needs to be respected for his/her art.