AFAIK mAyAtIta swarUpiNi is in telugu. Anyway, it is no disrespect to tyAgarAja to say his sanskrit was not scholarly (in is kRtis). There is no offence in stating a factual observation. It is like saying suc and such a composer's telugu was not as good as annamAcARya's or tyAgarAja's.chalanata wrote:then we are not taking cognizance that they come in the shishya parampara of dikshidar and of the sanskrit songs like 'mayathitha swaroopini' composed by ponniah pillai with the mudra 'guruguha swami'
An invitation to participate
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My knowledge of Sanskrit being sUnyam, i dont have any authority to comment about Tyagaraja's scholarship in sanskrit.
But if the lack of sanskrit schoraship is the reason for him composing in telugu is a little debatable. Coz, unlike dIkshitaar's kritis which are like naama sthothras singing the glory of gods, most of the tyagaraja kritis are like a communication with him.
He reveals to us his inner most feelings through his works, without inhibitions. At such occassions its only natural that the outpour comes in one's native language and never tries to show one's scholarship.
Kritis like jagadaananda kaarakaa, saamaja varagamanaa... show us enough proof of his sanskrit knowledge.
But if the lack of sanskrit schoraship is the reason for him composing in telugu is a little debatable. Coz, unlike dIkshitaar's kritis which are like naama sthothras singing the glory of gods, most of the tyagaraja kritis are like a communication with him.
He reveals to us his inner most feelings through his works, without inhibitions. At such occassions its only natural that the outpour comes in one's native language and never tries to show one's scholarship.
Kritis like jagadaananda kaarakaa, saamaja varagamanaa... show us enough proof of his sanskrit knowledge.
Here we go
the audio part
http://www.badongo.com/file/2297144
05_SITA_NAYAKA_SRITAJANA_POSHAKA-RITIGOWLA-TRIPUTA-THYAGARAJA.MP3
Rest of the krithis will come in a sequence from Varna to the Mangalam
the audio part
http://www.badongo.com/file/2297144
05_SITA_NAYAKA_SRITAJANA_POSHAKA-RITIGOWLA-TRIPUTA-THYAGARAJA.MP3
Rest of the krithis will come in a sequence from Varna to the Mangalam
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Just listened to the rendition of this rare kriti. The beginning of the alapana had a strong feel of Sriranjani to my ears. I know the two ragas share swaras, but...
By the way, TVR sounds a bit like like Nedunuri, doesn't he?
By the way, TVR sounds a bit like like Nedunuri, doesn't he?
Last edited by jayaram on 23 Feb 2007, 20:18, edited 1 time in total.
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thanks cool-ji and of course TVR for a lovely treat! Excellent recording!
jayaram - yes he does sound like nedunuri to me too. Also alapana - IMO, it is standard rItigowLa.
Although dissecting (if that is an intention here) this kind of a "goodwill concert" seems a bit off to me.
Arun
jayaram - yes he does sound like nedunuri to me too. Also alapana - IMO, it is standard rItigowLa.
Although dissecting (if that is an intention here) this kind of a "goodwill concert" seems a bit off to me.
Arun
Last edited by arunk on 23 Feb 2007, 21:15, edited 1 time in total.
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mAyAtita svarUpiNi is in telugu.
mAyAtIta svarUpiNi. rAgA: mAyAmALavagauLa. rUpaka tALA.
P: mAyAtIta svarUpiNi nannu brOvavE mahA tripurasundari shankari
A: mAyAmALavagauLa dEshamuna mahimagala tolararcincu Ishvari
(madhyamakAlam)
kAyajuni vairiki prANa kAnta brhadIshvari krpa
sEya valenu mA guruguha svAmiki nE dASuDaiti
mAyAtIta svarUpiNi. rAgA: mAyAmALavagauLa. rUpaka tALA.
P: mAyAtIta svarUpiNi nannu brOvavE mahA tripurasundari shankari
A: mAyAmALavagauLa dEshamuna mahimagala tolararcincu Ishvari
(madhyamakAlam)
kAyajuni vairiki prANa kAnta brhadIshvari krpa
sEya valenu mA guruguha svAmiki nE dASuDaiti
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Shankar
Good point. We should have unique abbreviations. I request Meena to provide us one and include it in her official abbreviations list. TV Ramaprasad deserves a short handle since we are going to be talking about him at length
Lakshman
would it be too much to post the lyrics as the audio gets posted so that we can look and listen.
Now the Sarasijanabha_Kamboji Varnam please...
Good point. We should have unique abbreviations. I request Meena to provide us one and include it in her official abbreviations list. TV Ramaprasad deserves a short handle since we are going to be talking about him at length

Lakshman
would it be too much to post the lyrics as the audio gets posted so that we can look and listen.
Now the Sarasijanabha_Kamboji Varnam please...
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jayaram - ok. He starts NDM..M.. etc, which is perhaps a common start for SrIranjani but i believe it is equally valid in rItigowLa. I think the first phrase uses only d, m, g although i am not sure if the type of gamakas used are more rItigowLa (as they seem to me) or can also be employed in SrIranjani. But there is NN near the beginning of the second "phrase" which is very characteristic rItigowLa. Of course, i could be simplifying too much and erring too - i am not that good at figuring out these things - although somewhat better than i used to be
Arun

Arun
Last edited by arunk on 23 Feb 2007, 22:08, edited 1 time in total.
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sItA nAyaka. rAgA: rItigauLa. cApu tALA.
P: sItA nAyaka shrtajana pOSaka shrI raghukula tilaka O rAma
C1: nirupEda bhaktula karikOTa baDalEka giripai nekkukoNTivO (shrI venkaTa giripai)
2: angalrpu jUci rangapuramuna celangucu paNDitivO (rangapuramuna celangucu)
3: gAcina bahktula jUci A balinE yAcinci veDalitivO (A balinE yAcinci)
4: Asaminci ninnAshu jErErani kIshula jEritivO (jErErani kIshula vA jEritivO)
5: jAlitO vaccu kucEluni kani gOpi cElamu lettitivO (kani gOpi cElamu)
6: ingita merigi uppongucu brOce bangAru doravaitivO (nanu brOcE)
7: nI guNamulu gaTTu bAguga delisenu tyAgarAja vinuta (dElsenayya)
sarasija nAbha ninnu. rAgA: kAmbhOji. aTa tALA.
P: sarasija nAbha ninnu sannuti jEsEnurA cAla krpayuncUDakiti samayamurA
A: niratamu nIpAdamE gati yunnAnurA nijamaniyenci nA manavi gaikonarA
C: sArvabhauma sakala lOkAbhirAma
teliyalEru rAma. rAgA: dhEnukA. dEshAdi tALA.
P: teliyalEru rAma bhakti mArgamunu
A: ilanantaTa tirugucunu galuvarincErE gAni
C: vEgalEci nITa munigi bhUti bUsi vallanenci veliki shlAganIyulai
bAga paika mArjana lOlulai rEgani tyAgarAja vinuta
P: sItA nAyaka shrtajana pOSaka shrI raghukula tilaka O rAma
C1: nirupEda bhaktula karikOTa baDalEka giripai nekkukoNTivO (shrI venkaTa giripai)
2: angalrpu jUci rangapuramuna celangucu paNDitivO (rangapuramuna celangucu)
3: gAcina bahktula jUci A balinE yAcinci veDalitivO (A balinE yAcinci)
4: Asaminci ninnAshu jErErani kIshula jEritivO (jErErani kIshula vA jEritivO)
5: jAlitO vaccu kucEluni kani gOpi cElamu lettitivO (kani gOpi cElamu)
6: ingita merigi uppongucu brOce bangAru doravaitivO (nanu brOcE)
7: nI guNamulu gaTTu bAguga delisenu tyAgarAja vinuta (dElsenayya)
sarasija nAbha ninnu. rAgA: kAmbhOji. aTa tALA.
P: sarasija nAbha ninnu sannuti jEsEnurA cAla krpayuncUDakiti samayamurA
A: niratamu nIpAdamE gati yunnAnurA nijamaniyenci nA manavi gaikonarA
C: sArvabhauma sakala lOkAbhirAma
teliyalEru rAma. rAgA: dhEnukA. dEshAdi tALA.
P: teliyalEru rAma bhakti mArgamunu
A: ilanantaTa tirugucunu galuvarincErE gAni
C: vEgalEci nITa munigi bhUti bUsi vallanenci veliki shlAganIyulai
bAga paika mArjana lOlulai rEgani tyAgarAja vinuta
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I am saving it under folder TVRP...cmlover wrote:Shankar
Good point. We should have unique abbreviations. I request Meena to provide us one and include it in her official abbreviations list. TV Ramaprasad deserves a short handle since we are going to be talking about him at length
Lakshman
would it be too much to post the lyrics as the audio gets posted so that we can look and listen.
Now the Sarasijanabha_Kamboji Varnam please...
How about this abbrv..
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appa rAma bhakti yentO gopparA mA. rAgA: kAmavardhini. rUpaka tALA.
P: appa rAmabhakti yentO gopparA mA
A: trippaTalanu dIrci kaNTi reppavalEnu gAcu mA
C1: lakSmI dEvI valacunA lakSmanuNDu golucunA sUkSmabuddhi gala bharatuDu jUcijUci solasunA mA
2: shabari yengili niccunA candradharuDu meccunA abalasvayamprabhaku daivamacala padavi niccunA mA
3: kapi vAridhi dATunA kaliki rOta gaTunA aparAdhi tyAgarAjukAnandamu heccunA mA
P: appa rAmabhakti yentO gopparA mA
A: trippaTalanu dIrci kaNTi reppavalEnu gAcu mA
C1: lakSmI dEvI valacunA lakSmanuNDu golucunA sUkSmabuddhi gala bharatuDu jUcijUci solasunA mA
2: shabari yengili niccunA candradharuDu meccunA abalasvayamprabhaku daivamacala padavi niccunA mA
3: kapi vAridhi dATunA kaliki rOta gaTunA aparAdhi tyAgarAjukAnandamu heccunA mA
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Thanks to Coolkarni for providing the recording, the quality is very good, although the mrudangam volume could have been a little louder in the recording.
I recognize R. Ramesh as the mrudangist from the photos and the recording, but I don't know who the violinist is.
edit: nevermind, got it, it was V. V. Srinivasa Rao.
TVR's voice has changed considerably since the last time I heard him, which is to be expected I suppose, since I heard him last in 2000.
I recognize R. Ramesh as the mrudangist from the photos and the recording, but I don't know who the violinist is.
edit: nevermind, got it, it was V. V. Srinivasa Rao.
TVR's voice has changed considerably since the last time I heard him, which is to be expected I suppose, since I heard him last in 2000.
Last edited by sankirnam on 24 Feb 2007, 03:24, edited 1 time in total.
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Coolkarni - just listened to the opening piece, the kambodhi varnam. Great stuff.
It's great that you left in the initial chit-chat. I was praying you wouldn't edit the recording, and looks like you've responded well. It's these bits that give the recording life, and will bring back lovely memories in a few years' time. (I avoid studio recordings like the plague...)
Do provide us an unedited version of the video also, please...
It's great that you left in the initial chit-chat. I was praying you wouldn't edit the recording, and looks like you've responded well. It's these bits that give the recording life, and will bring back lovely memories in a few years' time. (I avoid studio recordings like the plague...)
Do provide us an unedited version of the video also, please...
Jayaram
It is the unedited version indeed.only improved for noise reduction and other issues.
yes , even the videos will be unedited.the only sad part is that (I hope all themridangam vidwans here wont thrash me for this) we ran out of video tape by the time the thani started.even though we had 2 1/2 hours worth of tape , we spent a lot of that on the initial part- greeting all the invitees, the atmosphere outsde etc etc and that got us into trouble later.
anyway the audio portion is complete in all aspects.
these talking portions will have some bits that would not have been there had we known that they would reach a larger audience (My wife keeps nagging me - How many times you have mentioned "last 25 years' in three successive sentences.Why dont you edit them ?'
For your sake Jayaram , I have let those imperfections stay.

There is a sweet moment when the artist introduces Ramesh as a worthy disciple of Mani Sir.
starts by saying "Closing my eyes I cannot distinguish between the two.. "and quickly recovers to say "Mani Sir is in a plane of his own, but Yes This gentleman here has imbibed most of it...."
That was the best moment of the concert for me.
It is the unedited version indeed.only improved for noise reduction and other issues.
yes , even the videos will be unedited.the only sad part is that (I hope all themridangam vidwans here wont thrash me for this) we ran out of video tape by the time the thani started.even though we had 2 1/2 hours worth of tape , we spent a lot of that on the initial part- greeting all the invitees, the atmosphere outsde etc etc and that got us into trouble later.
anyway the audio portion is complete in all aspects.
these talking portions will have some bits that would not have been there had we known that they would reach a larger audience (My wife keeps nagging me - How many times you have mentioned "last 25 years' in three successive sentences.Why dont you edit them ?'
For your sake Jayaram , I have let those imperfections stay.

There is a sweet moment when the artist introduces Ramesh as a worthy disciple of Mani Sir.
starts by saying "Closing my eyes I cannot distinguish between the two.. "and quickly recovers to say "Mani Sir is in a plane of his own, but Yes This gentleman here has imbibed most of it...."
That was the best moment of the concert for me.
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rAvE himagirikumArI. rAgA:tODi. Adi tAla.
P:rAvE himagirikumArI kaNcikAmAkshi varadA manavi vina vamma shubhamimma mAyamma
Sv-sA :
1. natajana paripAlini vanucu nammitini sadA brOva [rAvE�]
2. madamatta mahiShadAnava mardhani vEta dIrccavE duramukanu [rAvE�]
3. kAmapAlini nIvE gatiyani kOriti kOniyADiti vEDiti [rAvE�]
4. kAmitArtthaphaladAyakiyanETi birudu mahilO nIkE tagu [rAvE�]
5. kamalamukhi daragala ghananIlakacabharA mR_gavilOcana maNiradanA [rAvE�]
6. shyAmakrishNanutA vinu nA cintanu vE vEgadIrccabhayamiyyavE
kalyANi kaNcikAmAkshi nI pAdamE dikku [rAvE�.]
tiruvadi sharaNam. raga: kambhOji- Adi
P:tiruvaDi sharaNam enringu nAn nambi vandEn-dEvAdi dEva nin
A:marupaDiyum karuvaDaiyum kuzhiyil taLLi varuttappaDutta vENDAm ponnambalavA nin
C:eDutta jananm kaNakkezhuda tolaiyAdu- irangi magizhndu dEvarIr vENumenru
koDutta mAniDa janmam vINAgi pOguden-kurai tIrtta pADumillaiyE
aDuttu vanda ennai taLLalAgAdu ara-harAvenru shonnAlum pOdAdO
taDuttu vandaruLa samayam gOpAlakriSnan santatam paNindu pugazh pOTrum
(corrections welcome)
tambUri mITTidava. rAgA: Sindhubhairavi
P:tambUri mITidava bhavAbdhi dATidava tALava taTTidava suraroLu sEridava
C:gejjeya kaTTidava khaLaredeya meTTidava gAyana pADidava harimUruti nODidava
purandara viThalana nODidava vaikuNThakE ODidava
P:rAvE himagirikumArI kaNcikAmAkshi varadA manavi vina vamma shubhamimma mAyamma
Sv-sA :
1. natajana paripAlini vanucu nammitini sadA brOva [rAvE�]
2. madamatta mahiShadAnava mardhani vEta dIrccavE duramukanu [rAvE�]
3. kAmapAlini nIvE gatiyani kOriti kOniyADiti vEDiti [rAvE�]
4. kAmitArtthaphaladAyakiyanETi birudu mahilO nIkE tagu [rAvE�]
5. kamalamukhi daragala ghananIlakacabharA mR_gavilOcana maNiradanA [rAvE�]
6. shyAmakrishNanutA vinu nA cintanu vE vEgadIrccabhayamiyyavE
kalyANi kaNcikAmAkshi nI pAdamE dikku [rAvE�.]
tiruvadi sharaNam. raga: kambhOji- Adi
P:tiruvaDi sharaNam enringu nAn nambi vandEn-dEvAdi dEva nin
A:marupaDiyum karuvaDaiyum kuzhiyil taLLi varuttappaDutta vENDAm ponnambalavA nin
C:eDutta jananm kaNakkezhuda tolaiyAdu- irangi magizhndu dEvarIr vENumenru
koDutta mAniDa janmam vINAgi pOguden-kurai tIrtta pADumillaiyE
aDuttu vanda ennai taLLalAgAdu ara-harAvenru shonnAlum pOdAdO
taDuttu vandaruLa samayam gOpAlakriSnan santatam paNindu pugazh pOTrum
(corrections welcome)
tambUri mITTidava. rAgA: Sindhubhairavi
P:tambUri mITidava bhavAbdhi dATidava tALava taTTidava suraroLu sEridava
C:gejjeya kaTTidava khaLaredeya meTTidava gAyana pADidava harimUruti nODidava
purandara viThalana nODidava vaikuNThakE ODidava
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MaNakkaal has beautifully indicated the deficiency in the concert which when translated is:
The only fault in the concert was that there were no faults
Hats off to coolkarni and his team for this wonderful experience as we internet community also feel part of this great experience.
While we are waiting for the videos we can start our appreciation sessions!
The only fault in the concert was that there were no faults
Hats off to coolkarni and his team for this wonderful experience as we internet community also feel part of this great experience.
While we are waiting for the videos we can start our appreciation sessions!
there were other experieces too, which may not come on the videos , in full effect.
Sight of Manakkal Rangarajan entering, impeccably dressed .With his full family .That was a great way of telling us to keep up the good work.
(After the concert I received a call from Sriram and he told that his father was insisting that the next concert should be held at their residence..)
He did not make any fuss about the rickety chair we could find for him.He was lost in the music throughout , and even when he spoke , he was anxious that it should be short and not stand in the way of the music.
I observed him throughout.Eyes closed , he was running the music through his system.
On an earlier Occasion , during a visit to his home I was perplexed to find him humming nonstop and pausing only when he had to reply.Strange effect.Imagine somebody humming a tune when you are talking to him and that stops only when he has to reply.
I checked up with him if it was like that ,throughout the day, and he quipped - How can this Music stay away from me .It is part of my system..
I am only hoping that the videos will bring out some more idea of the romance of that evening..
Sight of Manakkal Rangarajan entering, impeccably dressed .With his full family .That was a great way of telling us to keep up the good work.
(After the concert I received a call from Sriram and he told that his father was insisting that the next concert should be held at their residence..)
He did not make any fuss about the rickety chair we could find for him.He was lost in the music throughout , and even when he spoke , he was anxious that it should be short and not stand in the way of the music.
I observed him throughout.Eyes closed , he was running the music through his system.
On an earlier Occasion , during a visit to his home I was perplexed to find him humming nonstop and pausing only when he had to reply.Strange effect.Imagine somebody humming a tune when you are talking to him and that stops only when he has to reply.
I checked up with him if it was like that ,throughout the day, and he quipped - How can this Music stay away from me .It is part of my system..
I am only hoping that the videos will bring out some more idea of the romance of that evening..
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