Daksha being a prajApati could not be slayed. Hence vishvakarma fitted him with the head of a goat.
DRS
it is outlandish to speculate on a 'Freudian Analysis' of JC to explain his identfying the three Goddesses and not the Trinity. Oedipus Complex

It is difficult to accept this view. One should know oDeyar was a Datta upasaka. Undoubtedly his magnum opus wad his book "Dattatreya-The Way and the goal" (published at London by George Allen & Unwin Ltd in 1957 a kannada version was published by praja printers private ltd, B?lore in 1982 with translation by S.Venkatachalapathi. Incidentally oDeyar donated the proceeds from this book to Handicapped in UK ). Dattareya signifies a confluence of Brahama, Vishnu and Maheshvara. In this oDeyar gives an authoritative exposition of Vedantic Absolutism, based upon the traditional teachings of Dattatreya?s philosophy .DRS/RC/CML,
One of the observations I can't help making is: while the Maharaja seems to have treated the 3 shakthIs as interchangeable, the identities of the trinity (or atleast, shivA and vishNU) are kept separate. Is this a correct one?
Ravi
Well the first thing, which comes to, my mind is: how competent am I to answer this Freudian Analysis? The closest I ever came to oDeyar was when I was recklessly peddling my humble bicycle on the way the Yuvaraja?s College and almost came under his car near Chamundi Vihar (then a Royal mansion where oDeyar was born and was the official residence of Yuvaraja and wherein his mother continued to stay. But to dayit is part of a Sports Stadium and the Mansion a much neglected and crumbling edifice)?Perhaps it is a reflection of oDeyar`s psyche- He might have been closer to his mother, seen her in various forms and took liberties(salige) with her but had a strict father who he saw as just that. As an exetension, he was closer to Mother and saw everyone/everything in her but not soe with ISvara or viShNu. This is Freudian analysis. Perhaps Raja Chandra can throw light on this.
DRS: I was just quoting the phrase used by you and apocryphal was my initial reaction. By digging deep in to my collection (which is growing by the day- like till 13th night I did not know there was a kannada version of Dattatreya and by 15th afternoon I was perusing my own copy of it!), I ended up adding gist to your intuitive brain wave ! We are only trying to understand the enigmatic personality of oDeyar as best as we can. Thanks for being proactive !But that is Freud for you. Nonfalsifiablity does not take away the attractiveness or the credibility of his theories and contributions.
CML,These are irreconcilable extremes. This duality must have manifested in several formats in his life
Sir MV lived for 101 years!Sir V had the vision of uniting the Rivers of Bharata VarSha which would have become a reality had he lived longer!
I doubt ! Atleast not to my knowledge. Considering the fact he was the Governor of Madras( as it was known then) for few years he had ample opportunities to master Tamil, i wonder if any of our friends from TN can throw some light on this ?You have described JC's linguistic talents. Did he compose any in Tamil/Telugu?
Before becoming Diwan of Mysore, MV was the Chief Engineer of Mysore State. His maternal uncle Sri.H. Ramiah was the Chief Manager of the Sr Rameshvara Temple at Chamaraj-Pet /Bangalore. Once He had organized a harikatha and the then Diwan Sri.V.P.Madhava Rao and MV were among the dignitaries who attended that evening?s function. Harikatha Dasa was narrating a rare mythological episode. Thinking MV would not have understood the significance of the episode VPM took pains to explain the background of the particular episode to him. To which MV retorted ? It is all right, look at those poor children running around with tattered clothes, dirty face, disheveled hair, unhealthy body, fragile arms and legs, bloated stomach, howling and crying; why your Purana does not say anything in this regard?Any more relevant anecdotes....
DRS,By the way, MV is a bit confusing as we use it here to generally refer to Mysore Vasudevachar.
I had no doubts myself as to who you were referring to and of course I need no introduction to Vishveshvarayya as well. I made an observation as Sir MV became MV subsequently which can be cofusing if someone reads this bit out of context. This is a music forum after all and MV is more likely to be interprested as Vasudevachar. And yes I also knew that funny business about KanakanahaLLi. Apparently his ancestors (before going to Coimbatore) came from this place and there were some his relatives still living there which led to this prefix to his name. But he is Mysore Vasudevachar ro all music lovers and this is very apt as he spent the best part of his life in Mysore and his talents flowered and fructified here.I agree it is indeed a bit confusing and was conscious of it myself! In the above few posts we were referring to Mokshagundam Visvesvaraya (1861-1962), who served as Diwan of Mysore during 1912-19. An eminent Engineer Statesman who was conferred with Bharat Ratna award after independence.
Where as among the carnatic music rasika's MV is a popular abbreviation for Vaggeyakara Mysore Vasudevacharya.
SAradA generally refers to saraswati only. But as you have rightly said, SArade in SrngEri is considered both brahmANi and SivAni. She is actually SrImAtA and hence incorporates all the 3 dEvis within herself.DRS/CML,
Does shAradhA refer to saraswathI only? Isn't she supposed to be a manifestation of pAravthI as she is worshipped at the shringEri shAradhA pITam?
Ravi