Suggestions for quiz
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Ranjani. By participating, you stand a chance of sharing the joy of being part of the fun exercise. You stand a chance of challenging your brain cells to work more and to polish your skills of retrieving information from both your memory store and from resources on and offline.ranjani wrote:Now I don't stand a chance, so dont think I will participate next round.
I say it again- this quiz is about participating and learning. Not about winning. I do hope you will do the next round as well.
Now I wish I had not put up anyone's scores till the end.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Ramakriya- I can see where you are coming from. As for the SSP publishing the kRtis of eTTayapura maharAja- the equation is different there as you can well see. subbarAma dIkShitar's patron this king was. SD would hardly be in a position to point mistakes or reject his kRtis on grounds of errors in musical content. Dont get me wrong, some of eTTEndra's kRtis are beautiful. But I cannot overlook mistakes as Iam not in the same position as SDramakriya wrote:The point I am trying to make is that there are compositions which violate this 'one time use' rule which Subburama Dikshitar cites. As I remember, even the Adi tALa varna in Sriraga (sAmi ninnE) as I was taught ( not that I can sing itnow!), had two instances of 's n,, p d n p m' - once in the sAhitya and one in the last ettugaDe swara.
SrIrAga varNa- interesting you mention it her and good in a way. In this varNa- there are 2 instance where the composer has taken liberties with rules- both relating to SrIrAga. One is the use of D twice- I can partly see how this happened. He had toshow this in ettugaDe swaras. the othe rhe put in the sAhitya part. It appears that he treated the pUrvAnga and uttarAnga as separate units. Be that as it may, another "error" in the varNa is the use of the phrase "PMRS" in one of the ettugaDe swaras. This is without a doubt a wrong usage and iam sure the composer knew it well. But he took the liberty to suit the patterns he was weaving (Every quarter Avarta in this particular swara). That still does not justify or legitimize the use of this phrase in SrIrAga which reeks of madhyamAvati. Ask any maestro musician out there and that what they will say. They will not use this phrase in swaraprastAra.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
The point Iam making is, no doubt some people will take liberties, particularly master musicians- but we cannot dismiss the rules here. By saying its Ok, we are risking the high possibilty of misinforming and misleading majoriy of rasikas. Its not on to break rules wily-nily just because a master musician/composer too a liberty knowingly. 
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Re question 7- tyAgarAja visited Madras once on the way to tirupati in 1839. He stayed over at the house of kOvUr sundara mudaliyAr- a music patron. Its here that he sang the dEvagAndhAri on 7 successive evenings(6 or 8 according to some accounts) and sang a newly composed kRti in the rAga on each day. That must have shut up some of the wagging tongues that had said he was only fit to sing bhajans.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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ramakriya
- Posts: 1877
- Joined: 04 Feb 2010, 02:05
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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Suji Ram
- Posts: 1529
- Joined: 09 Feb 2006, 00:04
Not many people have responded when they want the quiz.drshrikaanth wrote:O Quiz is work for you guys. Did not realise thatSuji Ram wrote:You said it all...
Weekends...That's my day of rest.I thought I did all the work and people came in just for the fun part
As for the weekend....I usually pretend I am not crazy about CM atleast these two days..
I'm ready if others want it today!
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Regarding gAndhAra in Arabhi. This is a weak swara, not at all prominent and is not at all a jIvaswara. SO it is never sung a a jaNTi swara- duplex and never elongated(except by a master composer like tyAgarAja in the pancaratna where he uses "SRMG,R". But this swara is such that you cannot skip it while singing. So there is no alpatva with respect to this swara. Compare with niShAda in the rAga which also is a very weak swara and never duplicated. The difference is that this swara can be and is indeed often skipped(langhana) with no detriment to the rAgabhAva as is again evident from the pancaratna kRti.
In contrast, the gAndhAra can be elongated in the 2 allied rAgas dEvagAndhAri and sAma.
In contrast, the gAndhAra can be elongated in the 2 allied rAgas dEvagAndhAri and sAma.
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ramakriya
- Posts: 1877
- Joined: 04 Feb 2010, 02:05
Does Tyagaraja do this skipping more often than other composers?drshrikaanth wrote:Compare with niShAda in the rAga which also is a very weak swara and never duplicated. The difference is that this swara can be and is indeed often skipped(langhana) with no detriment to the rAgabhAva as is again evident from the pancaratna kRti.
I find one of his compositions, nA morAlanu vini very different from other Arabhi kritis in its flow. IIRC this kritis also has lot os nishAda skipping. (may be even completely)
Are there any renditions of this kritis apart from BMKs?
-Ramakriya
Last edited by ramakriya on 27 Jan 2007, 04:33, edited 1 time in total.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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ramakriya
- Posts: 1877
- Joined: 04 Feb 2010, 02:05
Please take a look at the graha bhEda thread , post# 125coolkarni wrote:Abhogi ... ramakriyas explanation was very relevant to me--(Latching on to ...)
Boy I ran BMk's abhogi valaji RTP a 100 times in my mind before deciding abhogi.
http://www.rasikas.org/forums/viewtopic.php?id=633&p=5
I am really interested to see what trick mind plays
-Ramakriya
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rasam
- Posts: 139
- Joined: 10 Oct 2006, 06:36
Just curious, how does one define the "absence" of N?
In Arabhi, one will rarely use N3 distinctly (as a flat note), but the gamakam for D2 in certain avarohanam phrases will usually have a tinge of N3 (as in SND or SNSD) even if you intentionally avoid N3.
This may not be obvious while singing, but one cannot escape this while playing an instrument.
In Arabhi, one will rarely use N3 distinctly (as a flat note), but the gamakam for D2 in certain avarohanam phrases will usually have a tinge of N3 (as in SND or SNSD) even if you intentionally avoid N3.
This may not be obvious while singing, but one cannot escape this while playing an instrument.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
I have uploade all files on Rogepost and uploadr. Same like last time. Also, I have zipped all files together and uploaded separately in case peoplle prefer that. Please Number the answers correctly. I cannot accept names against wron entries. So agaiin
PLease specify numbers and subdivisions accurately
PLease specify numbers and subdivisions accurately
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Friends
In this round particularly, the question numbers are crucial. I want you all to number your answers accurately. As you will understand, I cannot grant any marks if they are not numbered. (E.g allied rAgas, I wont know which you have identified as which you have not numbered). SO, no number= no marks. Thanks for your interest and cooperation
In this round particularly, the question numbers are crucial. I want you all to number your answers accurately. As you will understand, I cannot grant any marks if they are not numbered. (E.g allied rAgas, I wont know which you have identified as which you have not numbered). SO, no number= no marks. Thanks for your interest and cooperation
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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jayaram
- Posts: 1317
- Joined: 30 Jun 2006, 03:08
DRS - a clarification question on the quiz.
For question 5 where we are asked to identify the ragas based on the embellishments to the notes, you have indicated the 3+2 subquestions as:
Nishada 1
Nishada 2
Nishada 3
Rishabha 1
Rishabha 2
Are you referring to the specific swarasthanas themselves or just the swaras? i.e. Does the audio clip against 'Nishada 1' refer to the specific note N1 or just the Nishada swaram?
Please clarify. Thanks.
For question 5 where we are asked to identify the ragas based on the embellishments to the notes, you have indicated the 3+2 subquestions as:
Nishada 1
Nishada 2
Nishada 3
Rishabha 1
Rishabha 2
Are you referring to the specific swarasthanas themselves or just the swaras? i.e. Does the audio clip against 'Nishada 1' refer to the specific note N1 or just the Nishada swaram?
Please clarify. Thanks.
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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coolkarni
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shripathi_g
- Posts: 359
- Joined: 30 Mar 2005, 08:25
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Tremedous response from new entrants at this stage! 13 received so far- ammamaha, jignyaasa, lakshman, Ramakriya, Vasya10, gdg, venkatpv, Arunk, Rasam, SahanaVasud, Sripathi_G, ksrimech, Rbharath.
Others- You have till midnight to send in your answers. Keep it up.
Friends
Do NOT send alternate or multiple answers. I have already stated this and yet some have given me choices to pick from. Those who have sent in multilpe answers for any question, please re-submit with ONE answer only,
Others- You have till midnight to send in your answers. Keep it up.
Friends
Do NOT send alternate or multiple answers. I have already stated this and yet some have given me choices to pick from. Those who have sent in multilpe answers for any question, please re-submit with ONE answer only,
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
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drshrikaanth
- Posts: 4066
- Joined: 26 Mar 2005, 17:01