Viruttams
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cmlover Sir,
More interestingly, I feel the song which Smt MS sings after the viruttam is strong solution to the problem which arose because of such pAsurams and the Shivates living in Thirumala refusing to accept HIM as SRimannArAyaNa. You must be knowing about that incident in Sri Bhashyakar's life in connection with this. It is like in SV Sekar terms, "netti aDi sarva desa level".
More interestingly, I feel the song which Smt MS sings after the viruttam is strong solution to the problem which arose because of such pAsurams and the Shivates living in Thirumala refusing to accept HIM as SRimannArAyaNa. You must be knowing about that incident in Sri Bhashyakar's life in connection with this. It is like in SV Sekar terms, "netti aDi sarva desa level".
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ksrimech,
Thank you so much for the posts: very illuminating!
I did not realize that 'viruttams' carried so much 'azhzhuttham'!
On a lighter note, I think I share the same sentiments as the late Chitti Babu on being addressed as 'sir'! A very long time ago, when I was a freshman in JIPMER, I went with my room mate to interview Sri Chitti Babu who was invited to inaugurate the SPICMACAY series. As very gauche 17 year-olds, we went in very timidly, introduced ourselves and said: "Sir, can we ask you a few questions for our magazine?". He looked at the others in the room, and said, "when did I miss my name on the queen's birthday list?", or something to that effect! Somehow, that broke the ice and we had a great time hosting and interviewing him!
Ravi
Thank you so much for the posts: very illuminating!
I did not realize that 'viruttams' carried so much 'azhzhuttham'!
On a lighter note, I think I share the same sentiments as the late Chitti Babu on being addressed as 'sir'! A very long time ago, when I was a freshman in JIPMER, I went with my room mate to interview Sri Chitti Babu who was invited to inaugurate the SPICMACAY series. As very gauche 17 year-olds, we went in very timidly, introduced ourselves and said: "Sir, can we ask you a few questions for our magazine?". He looked at the others in the room, and said, "when did I miss my name on the queen's birthday list?", or something to that effect! Somehow, that broke the ice and we had a great time hosting and interviewing him!
Ravi
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Yes rshankar sir, you are right. The azhuttham and meanings are some much if you take urilEn kANi illai or puzhvAy pirakinum or any other prabhandam or devAram, one can write volumes on their meaning. Indeed, mind-boggling when we think that 4 poetic lines can mean 40000 prosaic lines. That is the kavicAturyam and the kavi's involvement in their respective school of vedAntA.
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Dear Sirs & Madams,
I just realised my mistake in my previous post on the meaning of the pAsuram "tAzh saDaiyum...". Here are the corrections: nIzh mudi refers to the long crown and ponNANUm refers to the golden waist band (thanga araijnAn kiyiru) which tiruvEnkaTamuDaiyAn adorns. Please accept my apologises for committing such a mistake.
I just realised my mistake in my previous post on the meaning of the pAsuram "tAzh saDaiyum...". Here are the corrections: nIzh mudi refers to the long crown and ponNANUm refers to the golden waist band (thanga araijnAn kiyiru) which tiruvEnkaTamuDaiyAn adorns. Please accept my apologises for committing such a mistake.
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A viruttam "kaDal enra bhuvi mIdil..." is rendered by MDR here:
http://sai.aros.net/music/karnatak/contrib/
Anyone recognize who composed this? Thanks.
http://sai.aros.net/music/karnatak/contrib/
Anyone recognize who composed this? Thanks.
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So far we had viruttams sung by experts which demonstrate their vidvat. But viruttam singing is a natural urge for even the novices (like me
). Here is a demonstration by Lakshmi Rangarajan who masterfully manipulates a simple commonplace sloka into a beautiful viruttam
http://rapidshare.de/files/2340285/Gaja ... m.mp3.html The scintillating ragas are Malayamarutham/VaraLi/Ritigowlai/Hamirkalyani.She shows that if you have mastered the sancharas of ragas you could seemlessly integrate them into a viruttam with words from easy slokas or paasurams. Try it ! Add and discuss your experience too!

http://rapidshare.de/files/2340285/Gaja ... m.mp3.html The scintillating ragas are Malayamarutham/VaraLi/Ritigowlai/Hamirkalyani.She shows that if you have mastered the sancharas of ragas you could seemlessly integrate them into a viruttam with words from easy slokas or paasurams. Try it ! Add and discuss your experience too!
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thanks cml
its in TSCII Tamil font does not help me
but i did find the sangeetham discussion thread thanks
Lji
DELETED
was very curious to learn after hearing sree mdr rendetion if it was one of his own comp.
its in TSCII Tamil font does not help me

but i did find the sangeetham discussion thread thanks
Lji
DELETED
was very curious to learn after hearing sree mdr rendetion if it was one of his own comp.

Last edited by meena on 06 May 2008, 10:31, edited 1 time in total.
here are three exquisite viruttams by TRS.
CML.. you can have your fill of lalgudi in one of these..
http://rapidshare.de/files/2357665/01-trs.mp3.html
http://rapidshare.de/files/2357902/03-trs.mp3.html
http://rapidshare.de/files/2360292/02-trs.mp3.html
I should be back with more of this artist at a later stage.
CML.. you can have your fill of lalgudi in one of these..
http://rapidshare.de/files/2357665/01-trs.mp3.html
http://rapidshare.de/files/2357902/03-trs.mp3.html
http://rapidshare.de/files/2360292/02-trs.mp3.html
I should be back with more of this artist at a later stage.
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Thanks coolkarni
The abhirami antaadi is superb. LGJ's magic is just wonderful. There is a good balance between vocal and instrumental which helps us to savour the ragas. I am sure there is more to it since TRS would not have ended with saranga
Look forward to seeing (I mean hearing) more of it.
Could Lakshman please tell us which stotra is the second one (praatasmaraami..)?
The abhirami antaadi is superb. LGJ's magic is just wonderful. There is a good balance between vocal and instrumental which helps us to savour the ragas. I am sure there is more to it since TRS would not have ended with saranga

Could Lakshman please tell us which stotra is the second one (praatasmaraami..)?
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cml its lalithA pancharatnam- sree Adi ShankarA
Here the text:
1. prAthah smarAmi lalithA vadanAravidam
bimbADHaram pruTHula moukthika shOBHinAsam
AkarNa dIrGa nayanam maNikundalADyam
mandasmitham mrigamadhojwala PHAladEsham
2. prAthah bhajAmi lalithA BHujakalpavalleem
ratnAguleeyalasad anguli pallavADyAm
mANikka hEma valayAngada shOBHamAnAm
puNdrEkshu chApa kusumEshusa RuNirdhaDHAnAm
3. prAthah namAmi lalithA charaNAravidham
BHakthEshtadhAna niratam BHavasinDHu pOtham
padmAsanAdi sura nAyaka pUjanIyam
padmAnkusha dhwaja sudharshana lACHanAdyam
4. prAthah sthuthavE parashivAm lalithAm BHavAnIm
thrayanthavEdhya viBHavAm karuNAnavadhyAm
vishvasya srisTi vilayasTHithi hEthuBHUthAm
vidhyEshwarIm nigama vangmanasAthidUrAm
5. prAthah vadAmi lalithE thava punya nAma
kAmEshwarIthi kamalEthi mahEshwarIthi
ShrI shAmBHavIthi jagathAm jananI parEthi
vAgdEvathEthi vachasa tripurEshwarIthi
PHalashruthi:
yah shOlka panchakamidham lalithAmbikAyAh
sowBHAgyadham sulalitham paTathi praBHAthE
tasmei dhadhAti lalithA JHatithi prasannA
vidyAm, shriyam, vimalasowKHyam anantakIrtim.
Here the text:
1. prAthah smarAmi lalithA vadanAravidam
bimbADHaram pruTHula moukthika shOBHinAsam
AkarNa dIrGa nayanam maNikundalADyam
mandasmitham mrigamadhojwala PHAladEsham
2. prAthah bhajAmi lalithA BHujakalpavalleem
ratnAguleeyalasad anguli pallavADyAm
mANikka hEma valayAngada shOBHamAnAm
puNdrEkshu chApa kusumEshusa RuNirdhaDHAnAm
3. prAthah namAmi lalithA charaNAravidham
BHakthEshtadhAna niratam BHavasinDHu pOtham
padmAsanAdi sura nAyaka pUjanIyam
padmAnkusha dhwaja sudharshana lACHanAdyam
4. prAthah sthuthavE parashivAm lalithAm BHavAnIm
thrayanthavEdhya viBHavAm karuNAnavadhyAm
vishvasya srisTi vilayasTHithi hEthuBHUthAm
vidhyEshwarIm nigama vangmanasAthidUrAm
5. prAthah vadAmi lalithE thava punya nAma
kAmEshwarIthi kamalEthi mahEshwarIthi
ShrI shAmBHavIthi jagathAm jananI parEthi
vAgdEvathEthi vachasa tripurEshwarIthi
PHalashruthi:
yah shOlka panchakamidham lalithAmbikAyAh
sowBHAgyadham sulalitham paTathi praBHAthE
tasmei dhadhAti lalithA JHatithi prasannA
vidyAm, shriyam, vimalasowKHyam anantakIrtim.
well we all can certainly look forward to hearing more of this .i have always been amazed at the quality of his concerts-I am sure there is more to it since TRS would not have ended with saranga
the way he treats dasar padas expansively:
his great ability to sing an alapana even for a 3 minute rendering of a kriti(mond , sindhu bhairavi ...)
his wonderful pallavis
i have been to many concerts organised by his MUSIC EDUCATION TRUST here in chennai.every single occasion, i am bowled over by his enthusiasm to get the present younger generation interested in this music
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cml.
your refernce to LLG reminded me of the times when i used to find M Chandru seated at Krishna Gana Sabha for lalgudis concerts.
After his son would seat him (and leave only to return towards the end of the concert to pick him ) I would ease myself into a seat near him.It used to be a wonderful experience to watch him closely follow each brilliant moment with his wah wahs!
Towards the End I would cut this short to join the ranks of percussionists at the rear benches -that delicious brand of Betel Leaf (kumbakonam) being passed around all over the place- trooping in just for Karaikudi Manis Fireworks.So I just cannot help putting up a viruttam of TRS with M Chandru.As usual he does tug at our heart with his Kapi, here.
Download-Link: http://rapidshare.de/files/2370917/06-t ... u.mp3.html
and to conclude the TRS segement here are the last two viruttams at my disposal
http://rapidshare.de/files/2374630/05-trs.mp3.html
http://rapidshare.de/files/2374876/07-trs.mp3.html
your refernce to LLG reminded me of the times when i used to find M Chandru seated at Krishna Gana Sabha for lalgudis concerts.
After his son would seat him (and leave only to return towards the end of the concert to pick him ) I would ease myself into a seat near him.It used to be a wonderful experience to watch him closely follow each brilliant moment with his wah wahs!
Towards the End I would cut this short to join the ranks of percussionists at the rear benches -that delicious brand of Betel Leaf (kumbakonam) being passed around all over the place- trooping in just for Karaikudi Manis Fireworks.So I just cannot help putting up a viruttam of TRS with M Chandru.As usual he does tug at our heart with his Kapi, here.
Download-Link: http://rapidshare.de/files/2370917/06-t ... u.mp3.html
and to conclude the TRS segement here are the last two viruttams at my disposal
http://rapidshare.de/files/2374630/05-trs.mp3.html
http://rapidshare.de/files/2374876/07-trs.mp3.html
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coolkarni
It takes a Rasika to appreciate another Rasika. You were so lucky. The next best in pleasure for an artist in creating is to see his creation being appreciated by a discerning Rasika. Once NaLapaakam Natarajan is said to have remarked that his highest award was the 'aaha' from the 'unknown' consumer relishing his 'paDaippu'.
When I heard the first abhirami anthaathi I said: 'This is it! It cannot be bettered'. That was in Atana. Now in your latest upload TRS takes the self same viruttam and does it in Khamas! Then he takes the bhairavi one and challenges "you like bhairavi! I will do it again for you"; but this time an entirely new scintillating version! How can one choose from among a collection of identical pearls! He is truly VERSATILE.
And thank you coolkarnai for sharing it with us!
It takes a Rasika to appreciate another Rasika. You were so lucky. The next best in pleasure for an artist in creating is to see his creation being appreciated by a discerning Rasika. Once NaLapaakam Natarajan is said to have remarked that his highest award was the 'aaha' from the 'unknown' consumer relishing his 'paDaippu'.
When I heard the first abhirami anthaathi I said: 'This is it! It cannot be bettered'. That was in Atana. Now in your latest upload TRS takes the self same viruttam and does it in Khamas! Then he takes the bhairavi one and challenges "you like bhairavi! I will do it again for you"; but this time an entirely new scintillating version! How can one choose from among a collection of identical pearls! He is truly VERSATILE.
And thank you coolkarnai for sharing it with us!
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Yes indeed meena!
here is the whole of it for you in a readable form
http://www.geocities.com/Athens/Acropol ... bitxt.html
Next time you visit India do visit Thirukkadavoor where the whole of the Abhirami Anthaathi will come alive for you!
(Incidentally it is the choice divine locale for celebrating 'saShtyabdapUrti'
here is the whole of it for you in a readable form

http://www.geocities.com/Athens/Acropol ... bitxt.html
Next time you visit India do visit Thirukkadavoor where the whole of the Abhirami Anthaathi will come alive for you!
(Incidentally it is the choice divine locale for celebrating 'saShtyabdapUrti'

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Thanks for that reminder. I was mistaken about the arithaGatEshar (not katEshar). I believe that there are 2 shivan sanniDHIs in the aBIrAmi temple at thirukkadayUr: the main idol is that of amrithaGatEshar - refers to the shiva lingam that is thought to be the pot (Gatam) of celestial nectar (amritham) that was obtained from the kshIrasAgara manthanam. The other sanniDHi is in the outer prAkAram: this is supposed to be where mArkandEyan was saved from yamA DHarmarAjan, and is called kAlasamhArmUrthy for obvious reasons.
Ravi Shankar
Ravi Shankar
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Thanks for that reminder. I was mistaken about the arithaGatEshar (not katEshar). I believe that there are 2 shivan sanniDHIs in the aBIrAmi temple at thirukkadayUr: the main idol is that of amrithaGatEshar - refers to the shiva lingam that is thought to be the pot (Gatam) of celestial nectar (amritham) that was obtained from the kshIrasAgara manthanam. The other sanniDHi is in the outer prAkAram: this is supposed to be where mArkandEyan was saved from yamA DHarmarAjan, and is called kAlasamhArmUrthy for obvious reasons.
Ravi Shankar
Ravi Shankar
The TK Rangacharii viruttams
http://rapidshare.de/files/2493244/TK_R ... 1.mp3.html
http://rapidshare.de/files/2493592/TK_R ... 2.mp3.html
http://rapidshare.de/files/2493244/TK_R ... 1.mp3.html
http://rapidshare.de/files/2493592/TK_R ... 2.mp3.html
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some more
vairamangalam laxminarayan-lalgudi
http://rapidshare.de/files/2537601/vair ... m.mp3.html
Thiruvenkada Jayaraman
http://rapidshare.de/files/2536190/thir ... -.mp3.html
and two DKP's
http://rapidshare.de/files/2535667/dkp_2.mp3.html
http://rapidshare.de/files/2535820/dkp_3.mp3.html
vairamangalam laxminarayan-lalgudi
http://rapidshare.de/files/2537601/vair ... m.mp3.html
Thiruvenkada Jayaraman
http://rapidshare.de/files/2536190/thir ... -.mp3.html
and two DKP's
http://rapidshare.de/files/2535667/dkp_2.mp3.html
http://rapidshare.de/files/2535820/dkp_3.mp3.html
some more
vairamangalam laxminarayan-lalgudi
http://rapidshare.de/files/2537601/vair ... m.mp3.html
Thiruvenkada Jayaraman
http://rapidshare.de/files/2536190/thir ... -.mp3.html
and two DKP's
http://rapidshare.de/files/2535667/dkp_2.mp3.html
http://rapidshare.de/files/2535820/dkp_3.mp3.html
vairamangalam laxminarayan-lalgudi
http://rapidshare.de/files/2537601/vair ... m.mp3.html
Thiruvenkada Jayaraman
http://rapidshare.de/files/2536190/thir ... -.mp3.html
and two DKP's
http://rapidshare.de/files/2535667/dkp_2.mp3.html
http://rapidshare.de/files/2535820/dkp_3.mp3.html
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sri MMi has rendered this in one of the concerts - followed by a rendition of nIdu mahima pokadana taramA. as always - most delightful. soaked in sruthi.for those who are interested- the second sloka rendered by sree TKR is:
vaidEhi sahitham suradhrumatalE haimE mahAmandapE
madhyE pushpakamaasanE maNimayE veerAsanE susthitham I
agrE vaachayathi prabhanjanasuthE tatvam munibhya: param
vyaakhAntham BharathAdhibhi: parivrutham Raamam bhajE SyAmaLam II
regards
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coolkarni
Viritha chenchadai of Musiri is one of his best. AIR Madras would have broadcast it over 100 times in the 50's especially late night. Musiri effortlessly brings in the ragas Anandabhairavi, Bilahari, Shanmukapriya and a short concluding Mohanam.
I will be grateful if meena or Lakshman can track the source of this pathikam.
Thanks to you for posting it
If you have the 78rpm of Musiri's 'kandEn kandEn siithayai' (AruNaachala kavi) (yet another classic!) please post it.
Viritha chenchadai of Musiri is one of his best. AIR Madras would have broadcast it over 100 times in the 50's especially late night. Musiri effortlessly brings in the ragas Anandabhairavi, Bilahari, Shanmukapriya and a short concluding Mohanam.
I will be grateful if meena or Lakshman can track the source of this pathikam.
Thanks to you for posting it

If you have the 78rpm of Musiri's 'kandEn kandEn siithayai' (AruNaachala kavi) (yet another classic!) please post it.
same with me for over 25 years.though i could recognize his voice alongside tk rangachari in many concerts..I haven't heard much of him though...
until i came across this gem of a concert with lalgudi
: http://rapidshare.de/files/2693606/07-M ... a.mp3.html
someday in the future I will put it up
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kulkarni sir,
thanks a lot for posting smt DKP's rendition of the last 2 pAsurams from tiruppANAzhwAr's amalanAdipirAn. simply great rendition in the rAgams darbAru, dhanyAsi, mOhanam and surutti -
for interested rasikas, the lyrics and some interpretations are available here
http://www.acharya.org/vyakyanam/apiran/tp1av9.html
http://www.acharya.org/vyakyanam/apiran/tp1av10.html
regards
thanks a lot for posting smt DKP's rendition of the last 2 pAsurams from tiruppANAzhwAr's amalanAdipirAn. simply great rendition in the rAgams darbAru, dhanyAsi, mOhanam and surutti -
for interested rasikas, the lyrics and some interpretations are available here
http://www.acharya.org/vyakyanam/apiran/tp1av9.html
http://www.acharya.org/vyakyanam/apiran/tp1av10.html
regards
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