Cleveland reviews
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yes, sowmya has an explanation for satre vilagi irum pillaai in this link below... its beautiful - the way she explains it and sings it..
http://www.youtube.com/watch?v=SKHrONIxGZk
Also, heard the youtubes of gurucharan... seemed just ok to me, nothing extraordinary with his music.. i dont mean to offend anyone, just my opinion!!
http://www.youtube.com/watch?v=SKHrONIxGZk
Also, heard the youtubes of gurucharan... seemed just ok to me, nothing extraordinary with his music.. i dont mean to offend anyone, just my opinion!!
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Kadambam, I agree. Manimaran has no shortage in the talent department.
But yesterday, like rangahome said, he was having some trouble finding his muse.... There were some terrific "pidis" but they were followed by below-average ones. He was also having some shruti problems. In fact, he never got a good handle on his upper shadjam.
That said, Manimaran is a very busy producer of concept-oriented TV programs. The concepts of margazhi maha ustavam and a lot of the Jaya TV carnatic programs are his creations/productions. He is also a very important figure in promoting tamizh isai. I wonder where such a busy person from the world of visual communications can even find time to practice his craft and perform at that level. Patently, I have a lot of respect for the man, his music and his service to the global music audience.
Maybe Rangahome already said this. Nagai Sriram was superb, yet again.
But yesterday, like rangahome said, he was having some trouble finding his muse.... There were some terrific "pidis" but they were followed by below-average ones. He was also having some shruti problems. In fact, he never got a good handle on his upper shadjam.
That said, Manimaran is a very busy producer of concept-oriented TV programs. The concepts of margazhi maha ustavam and a lot of the Jaya TV carnatic programs are his creations/productions. He is also a very important figure in promoting tamizh isai. I wonder where such a busy person from the world of visual communications can even find time to practice his craft and perform at that level. Patently, I have a lot of respect for the man, his music and his service to the global music audience.
Maybe Rangahome already said this. Nagai Sriram was superb, yet again.
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Girish (Brindamma's grandson) just now gave a terrific concert. In fact, he had already captured the imagination of the Cleveland audience last weekend during the dance recital for which his singing was out of the world. A much underrated and under appreciated musician, I'd say. As VV Sundaram said at the concluding remarks, there is only so far that genes can take you. It was clear from the performance that Girish has capitalized on his genes and put in lots of hard work on top of it to make him a top class musician. Oh, some of those podi brigas, ravai sangatis, anuswarams... just gave you the goosebumps. Topping off the delightful concert was Ososi (Mukhari padam) and Jaanaro (Khamas javali) which he brought out so exquisitely... absolutely moving performance, that would put any of today's popular stars to shame!
Girish, Ranjani Arun, Babu
Cleveland Aradhana, Thu March 27th, 2.30 pm
Intachalamu - Begada Varnam (R, S)
Mayatita - Mayamalavagaula
Amba Paradevate - Rudrapriya (S)
Venkatasaila - Hamirkalyani
Chinna Natena - Kalanidhi
Eti Janma - Varali (R, S)
Emi Neramu - Shankarabharanam (RNST)
Ososi - Mukhari padam
Jaanaro - Khamas javali
Girish, Ranjani Arun, Babu
Cleveland Aradhana, Thu March 27th, 2.30 pm
Intachalamu - Begada Varnam (R, S)
Mayatita - Mayamalavagaula
Amba Paradevate - Rudrapriya (S)
Venkatasaila - Hamirkalyani
Chinna Natena - Kalanidhi
Eti Janma - Varali (R, S)
Emi Neramu - Shankarabharanam (RNST)
Ososi - Mukhari padam
Jaanaro - Khamas javali
Last edited by rupavati on 28 Mar 2008, 03:02, edited 1 time in total.
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Ramakanth was accompanied by Vellore Ramabhadran on the mridangam and Vinod Venkataraman on the Kanjira. Word is that Vellore sir had a bout of low BP on Wednesday afternoon and was very ill. He however pulled through for the Thursday morning concert. I attended the concert. Ramakant started with a varnam ( I believe in Nattai) and his main piece was in Kalyani ragam. Although Sri Ramabhadran was under the weather, he performed exceptionally well. Both Ramabhadran and Vinod complemented Ramakhanth ably with melodic phrases throughout the concert. Jayshankar Balan accompanied very well throughout. I left on Thurasday morning and witnessed a very interesting episode at the airport in regards to our nadaswaram artists and the TSA. It is very late right now. I will post the story tomorrow.
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I am not much of a review person. I enjoy the music. I had the opportunity to witness 2 concerts which were memorable. Mahavishnu has reviewed all the main ones, so I have chosen to write about the late morning and afternoon slots. I do not know all the Kirtanams or ragams. I will do my best.
The first concert was on March 25th at 11:00 AM by Smt Rajeshwari Bhat. Vocal support was provided by her two daughters and a cute little 7 year old by name Srinidhi ( I think). Mridangam accompaniment was by Bala Shankar from Sydney and Mayuran Manogaran from Toronto. Smt Bhat had a resonant voice and absolute command of the laya. Her voice was very sweet. The two ragams that stood out for me was Bhairavi (Amba Kamakshi) and Kalyani ( Do not remember the Kirtanam)
She was flanked by her students who rendered the kritis and kalpana swarams with good control. Bala Shankars mridangam was resonant and his Arai Chapus were crisp. At the end of the concert VVS announced that Smt Bhat is the sister of Vidwan Vittal Ramamurthy. That explained a lot of things very clearly. I am hearing her for the first time and am extremely thrilled. About this time lunch was served. We had all stepped out. After picking up my lunch, I noticed a small sadas wher Sri Mannargudi Eashwaran, Sri Tiruvarur Vaidyanathan and other big names were quizzing the young artists. These girls specially the cute 8 yr old was able to switch ragams with amazing ease from Bhairavi to Porvi Kalyani to Shyama. Reminded me of VKV sir's post not too long ago about a 14 year old singer who did the same some yeras ago.
After lunch the 1 o'clock session was by Kum Aishwarya Venkataraman. I did not reach there at the beginning of the concert. She was accompanied by Shri Vellore Ramabhadran on the mridangam and Shri Vinod Venkataraman on the Kanjira. The 2 ragams that stood out for me were Panthuvarali (Siva Siva) and Shankarabharanam (Swara Raga Sudha)
VVS closing speech was pretty elaborate. He highlighted the artists long bowing techniques reminiscent of the TNK school. He also mentioned that at such a tender age she had developed a sowkyam to her playing and at the same time was able to keep the audience excited.
Although I started out by mentioning two concerts, there was one more that stood out in the afternoon slot. Smt Gayathri Venkataraghavan and her disciples presented select kritis. What stood out was the mridnagist, a young lady Rajna Swaminathan. Excellent control with superb nadham. One of the rasikas in this forum mentioned she is somebody who will shine. After listening to her accompany the vocalists I have no doubt about that. Keep up the good work, Smt Bhat, Kum Aishwarya and Kum Rajna.
Sorry if I wrote too much. I just had to let the world know what an aweswome experience I had. I even met my childhood teacher Brindavani who posts on this forum as Bhindi. This was the best for me.
Thank you organisers and artists.
The first concert was on March 25th at 11:00 AM by Smt Rajeshwari Bhat. Vocal support was provided by her two daughters and a cute little 7 year old by name Srinidhi ( I think). Mridangam accompaniment was by Bala Shankar from Sydney and Mayuran Manogaran from Toronto. Smt Bhat had a resonant voice and absolute command of the laya. Her voice was very sweet. The two ragams that stood out for me was Bhairavi (Amba Kamakshi) and Kalyani ( Do not remember the Kirtanam)
She was flanked by her students who rendered the kritis and kalpana swarams with good control. Bala Shankars mridangam was resonant and his Arai Chapus were crisp. At the end of the concert VVS announced that Smt Bhat is the sister of Vidwan Vittal Ramamurthy. That explained a lot of things very clearly. I am hearing her for the first time and am extremely thrilled. About this time lunch was served. We had all stepped out. After picking up my lunch, I noticed a small sadas wher Sri Mannargudi Eashwaran, Sri Tiruvarur Vaidyanathan and other big names were quizzing the young artists. These girls specially the cute 8 yr old was able to switch ragams with amazing ease from Bhairavi to Porvi Kalyani to Shyama. Reminded me of VKV sir's post not too long ago about a 14 year old singer who did the same some yeras ago.
After lunch the 1 o'clock session was by Kum Aishwarya Venkataraman. I did not reach there at the beginning of the concert. She was accompanied by Shri Vellore Ramabhadran on the mridangam and Shri Vinod Venkataraman on the Kanjira. The 2 ragams that stood out for me were Panthuvarali (Siva Siva) and Shankarabharanam (Swara Raga Sudha)
VVS closing speech was pretty elaborate. He highlighted the artists long bowing techniques reminiscent of the TNK school. He also mentioned that at such a tender age she had developed a sowkyam to her playing and at the same time was able to keep the audience excited.
Although I started out by mentioning two concerts, there was one more that stood out in the afternoon slot. Smt Gayathri Venkataraghavan and her disciples presented select kritis. What stood out was the mridnagist, a young lady Rajna Swaminathan. Excellent control with superb nadham. One of the rasikas in this forum mentioned she is somebody who will shine. After listening to her accompany the vocalists I have no doubt about that. Keep up the good work, Smt Bhat, Kum Aishwarya and Kum Rajna.
Sorry if I wrote too much. I just had to let the world know what an aweswome experience I had. I even met my childhood teacher Brindavani who posts on this forum as Bhindi. This was the best for me.
Thank you organisers and artists.
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Thank you, Appu. You helped cover the left out concerts too. What about the airport incident when you left Cleveland?
Since it seems like it is a relay-race with the reviews, hope others continue the work until the festival comes to a finale.
Chennai concerts are taking a back seat, now that Cleveland reigns. And the Mecca has--how many reviewers!
Since it seems like it is a relay-race with the reviews, hope others continue the work until the festival comes to a finale.
Chennai concerts are taking a back seat, now that Cleveland reigns. And the Mecca has--how many reviewers!
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Arasi,
So here is what happened at the airport. Our Nadaswaram vidwans and troupe arrive at the airport on morning of Thursday, and are detained by security personal for a miraid of reasons. Well informed sources at the Aradhana had the following to say.
4 reasons that flagged the TSA to detain them.
1. Tickets were purchased for there return a day before departure. Red flag
2. Tickets were purchased using vouchers/coupons Amother red flag.
3. Four malepersons traveling together with obscure namams and vibhothi and red lips from chewing tobacco and vatalai.
4. lastly a search of their hand luggage bought out bundles of Pogai allai.
5. Did not speak a word of English.
A good samaritan from the Aradhana committee finally managed to convince the TSA officials that these guys did not speak English and that he knew them and would like to escort them to the airplane. He was issued a dummy boarding pass and allowed to escort. One would think by now people would learn. and got rid of any suspicious packets and patrams. The vidwans were detained at the gate for a complete baggage check and out comes this cylindrical steel container with some white stuff. Of course for the Indian eye it is chunamb, For the American eye it is panic time. After all this tamasha and loosing all their valuable chewables our vidwans were allowed to board the flt. I am sure the TSA and the vidwans said GOODBYE
So here is what happened at the airport. Our Nadaswaram vidwans and troupe arrive at the airport on morning of Thursday, and are detained by security personal for a miraid of reasons. Well informed sources at the Aradhana had the following to say.
4 reasons that flagged the TSA to detain them.
1. Tickets were purchased for there return a day before departure. Red flag
2. Tickets were purchased using vouchers/coupons Amother red flag.
3. Four malepersons traveling together with obscure namams and vibhothi and red lips from chewing tobacco and vatalai.
4. lastly a search of their hand luggage bought out bundles of Pogai allai.
5. Did not speak a word of English.
A good samaritan from the Aradhana committee finally managed to convince the TSA officials that these guys did not speak English and that he knew them and would like to escort them to the airplane. He was issued a dummy boarding pass and allowed to escort. One would think by now people would learn. and got rid of any suspicious packets and patrams. The vidwans were detained at the gate for a complete baggage check and out comes this cylindrical steel container with some white stuff. Of course for the Indian eye it is chunamb, For the American eye it is panic time. After all this tamasha and loosing all their valuable chewables our vidwans were allowed to board the flt. I am sure the TSA and the vidwans said GOODBYE
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Considering how professional the organisers of the Cleveland festival are, I would like to believe that these nadaswaram artists must have brought all these questionable articles ( such as tobacco etc) in spite of being told what to do by the organisers. We in NZ try and advise the artists as much as possible about the local rules and regulations about this country ( extremely fragile horticultural environment) such as "don't bring tobacco, fruits, flowers etc etc". As organisers that is all we can possibly do. If the artists then defy these regulations, then, it is a problem for every body. I hope next time around these artists will be careful.
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Sam, I agree with you in total about the artistes following travel instructions esp about transporting things like chewing tobacco.
I don't want to start any controversies, I would prefer it if this thread stayed strictly about reviews of music at the Cleveland festival. But the implicit racism in the TSA needs to be underscored here as well...I have lived in these parts long enough to see how the post 9/11 paranoia has turned airport security into a nightmare. Everytime one walks through those hallowed gates, the way the TSA officers even yell out instructions sounds like a certain central European country in the late 1930s (to put it mildly). Yes, they have to do their job but I wish we were even half as civil as your fellow kiwis in handling a situation like this. Enough said.
Mostly, I am just sorry for what the Nadaswaram and thavil vidwans had to go through. I spent a long while talking with them and learning about how to do gumkis on the thavil from Sri Palanivel. They are just fascinating people. Meeting them was one of the highlights of my trip.
I don't want to start any controversies, I would prefer it if this thread stayed strictly about reviews of music at the Cleveland festival. But the implicit racism in the TSA needs to be underscored here as well...I have lived in these parts long enough to see how the post 9/11 paranoia has turned airport security into a nightmare. Everytime one walks through those hallowed gates, the way the TSA officers even yell out instructions sounds like a certain central European country in the late 1930s (to put it mildly). Yes, they have to do their job but I wish we were even half as civil as your fellow kiwis in handling a situation like this. Enough said.
Mostly, I am just sorry for what the Nadaswaram and thavil vidwans had to go through. I spent a long while talking with them and learning about how to do gumkis on the thavil from Sri Palanivel. They are just fascinating people. Meeting them was one of the highlights of my trip.
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Mami mentioned that she played abhayAmba and endu dAginAdo in the second concert. She probably played the Ponniah Pillai varnam in Pantuvarali (the same one that the Toronto Brothers sang) - I am guessing so because she treated us to a vocal rendition of the same in her Comfort Inn room after her first concert last Sunday. I think she learnt that varnam along with the nATTai varnam (from the first concert) during her kalAkShetra days (either from Tiger himself or from TKRamaswamy Iyengar)
Ravi (rshankar) - could you please email me (with your phone number) when you get a chance? It is urgent
Ravi (rshankar) - could you please email me (with your phone number) when you get a chance? It is urgent

Last edited by davalangi on 29 Mar 2008, 19:07, edited 1 time in total.
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Carnatica Bros were outstanding yesterday. Accompanied by a double-mridangam combination of Ramabhadran & Easwaran, they over came an initial audio setup glitch to give a fantastic performance. Especially noteworthy was a Mohanam RTP with a ragamalika tanam for which there was percussion accompaniment.... brilliant. Jaysankar Balan did a creditable support job on violin.
Sashikiran & Ganesh, J. Balan, V Ramabhadran & M Easwaran
Friday Mar 28th
(order may be slightly different, I'm writing from memory)
Sarasijanabha - Kambhoji Varnam
Rama Bhakti - Shuddhabangala (S)
Dalachinavaru - Dhanyasi
Tyagaraja Yoga - Anandabhairavi (R by Ganesh)
Idi Samayamura - Chhayanattai (S)
Ninnucheppa - Mandari
Narayana - Shuddhadhanyasi
Sivaperuman Kripai - Surutti (R)
RTP - Mohanam (Adi 2 kalai)
Kannan Varugindra Neram - Kavadichindu
One more song which I don't recall now
Sashikiran & Ganesh, J. Balan, V Ramabhadran & M Easwaran
Friday Mar 28th
(order may be slightly different, I'm writing from memory)
Sarasijanabha - Kambhoji Varnam
Rama Bhakti - Shuddhabangala (S)
Dalachinavaru - Dhanyasi
Tyagaraja Yoga - Anandabhairavi (R by Ganesh)
Idi Samayamura - Chhayanattai (S)
Ninnucheppa - Mandari
Narayana - Shuddhadhanyasi
Sivaperuman Kripai - Surutti (R)
RTP - Mohanam (Adi 2 kalai)
Kannan Varugindra Neram - Kavadichindu
One more song which I don't recall now
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The other pieces included Brhaspate in athana (it being a Thursday), and a rare Dikshitar kriti in kamalamanohari - sankaram abhirami manoharam. After the kalyani main piece Mami played a catchy ragamalika starting with anandabhairavi, followed by Pranatartihara in senjurutti. I would venture to say that this concert was even better than Mami's first one. I had been disappointed at there being no tanam in the Sunday concert - but listening to her wonderful tanam in both kalyani and todi on Thursday more than compensated.davalangi wrote:Mami mentioned that she played abhayAmba and endu dAginAdo in the second concert. She probably played the Ponniah Pillai varnam in Pantuvarali (the same one that the Toronto Brothers sang) - I am guessing so because she treated us to a vocal rendition of the same in her Comfort Inn room after her first concert last Sunday. I think she learnt that varnam along with the nATTai varnam (from the first concert) during her kalAkShetra days (either from Tiger himself or from TKRamaswamy Iyengar)
Sri Mannargudi Easwaran's playing was apt for this sort of music, with emphasis on teka-s and deep resonant gumki. I could quibble that the second veena was perhaps unnecessary, as mami was mostly playing the neraval and swaram rounds herself, and it was not perfectly tuned. But I would rate that a minor detraction from what was the finest veena concert I have yet heard.
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Excerpts from Manakkal concert at youtube -rajeshnat wrote:Can somebody also make a detailed post of Shri manakkAl rangarAjan's concert at cleveland please!!!
Nagumomu:
http://www.youtube.com/watch?v=oK6XxOCet2k
http://www.youtube.com/watch?v=mkP_G9MCPZw
Chetasri:
http://www.youtube.com/watch?v=STS_cQQ-srI
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Thanks ragam-talamragam-talam wrote:Excerpts from Manakkal concert at youtube -rajeshnat wrote:Can somebody also make a detailed post of Shri manakkAl rangarAjan's concert at cleveland please!!!
Nagumomu:
http://www.youtube.com/watch?v=oK6XxOCet2k
http://www.youtube.com/watch?v=mkP_G9MCPZw
Chetasri:
http://www.youtube.com/watch?v=STS_cQQ-srI


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Here is a video of Vidwan Sri R K Srikantan's concert at Cleveland 2008- Purvikalyani
http://www.youtube.com/watch?v=ro_ro5h6WxQ
http://www.youtube.com/watch?v=ro_ro5h6WxQ
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Arasi,
I wasn't there when the CDs were released.
All, here is the last of what I could capture on video
http://www.youtube.com/watch?v=hf9qul76xKo
I wasn't there when the CDs were released.
All, here is the last of what I could capture on video
http://www.youtube.com/watch?v=hf9qul76xKo
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Your query is best answered by one of the pics uploaded by Carnatica's Ramanathan at http://www.carnatica.netappu wrote:Could some one tell how the seating with the double mridangam for Carnatica brothers was. Was Ramabhadran the first and Eashwaran the second..
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Sustaining Sampradaya - Cleveland
http://uk.youtube.com/watch?v=t3Oj-UvD6bs
http://uk.youtube.com/watch?v=t3Oj-UvD6bs
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I posted the following in another thread and was not sure if I shouldn't have done so here. Pardon the duplicacy.
Dr Krishnamurthy
We had quite a few enquiries from friends and musicians as to why my mridangist son, Rohan Krishnamurthy, did not participate in the Cleveland Aradhana this year considering that he has been a regular performer there with leading artists for the past ten years without a break. Couple of them even asked us if we have picked up a “fightâ€
Dr Krishnamurthy
We had quite a few enquiries from friends and musicians as to why my mridangist son, Rohan Krishnamurthy, did not participate in the Cleveland Aradhana this year considering that he has been a regular performer there with leading artists for the past ten years without a break. Couple of them even asked us if we have picked up a “fightâ€
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Since a new thread has been started to dicuss Rohan's participation at Cleveland the discussions on that issue may continue there.
http://rasikas.org/forums/viewtopic.php?pid=77097#p77097
Please use this thread to post only general reviews and pertinent discussions. Thank you for your cooperations!
http://rasikas.org/forums/viewtopic.php?pid=77097#p77097
Please use this thread to post only general reviews and pertinent discussions. Thank you for your cooperations!
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cmlover sir: the point is about 85% of the post about Rohan had nothing to do with Cleveland at all. So I am mystified that you didn't remove Dr. Krishnamurthy's post but only the replies. Please!cmlover wrote:Since a new thread has been started to dicuss Rohan's participation at Cleveland the discussions on that issue may continue there.
http://rasikas.org/forums/viewtopic.php?pid=77097#p77097
Please use this thread to post only general reviews and pertinent discussions. Thank you for your cooperations!
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According to the Cleveland Aaradhana Schedule, the last concert for this year was supposed to be that of Sri TNS...a review of this concert is conspicous by its absence....any reason why?
thanks
Sam
thanks
Sam
Last edited by Sam Swaminathan on 09 Apr 2008, 06:33, edited 1 time in total.
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I LOVED the concerts in Cleveland this year! R.K. Srikantan Mama was amazing. I didn't expect to hear such a beautiful voice from an elderly man. The Sarvalaghu Swarakalpana of R.K Srikantan Mama and the well-fit patterns of his son blended to have a great effect. Both of their raga alapanas-including Bhairavi, and the swaras for Tanayunibrova were fantastic. Lalgudi Vijayalakshmi Aunty and Krishnan Uncle were absolutely PHENOMENAL also. This year, besides the competition, concerts made Cleveland an extremely enjoyable experience personally for me!