Jayachamaraja Odeyar (Mysore Maharajah) - Part II
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 13754
- Joined: 02 Feb 2010, 22:26
This is a version of hamsavinOdinI by Smt MSS:
http://rapidshare.de/files/15171709/02_ ... i.m4a.html
Ravi
http://rapidshare.de/files/15171709/02_ ... i.m4a.html
Ravi
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
hamsavinOdni is a rAga brought to usage by oDeyar, as CML has pointed.
It is a pancamavarjya, ubhaya krama ShADava upAnga janya of dhIra SankarAbharaNa, the 29h mELa. Its scale is
SR2G3M1D2N3S* | S* NDMGRS ||
G is jIva and nyAsa. N is samvAdi to G and an important swara. RShabha is crucial in differentiating the rAga from shades of vasanta. Madhyama is also used as nyAsa.
The rAga is pleasing and brightens mood. It has some bhakti and hAsya. MAinly a gAnarasapradhAna rAga. Allied rAgas are kannaDa and mAND. And vasanta will creep in if one avoids R for long. (IMHO BMK is guilty of this as he continues to traverse from G to S* only initially.). Also phrases such as "SMGM," are best avoided to keep vasanta at bay.
Also phrases such as "SMGM," are best avoided to keep vasanta at bay.
oDeyar has brought out the essence of the rAga beautifully without giving any room for suspecting vasanta. He has also nicely woven the rAga mudre into the sAhitya.
Here is a kRti in the rAga from MIL.
http://www.musicindiaonline.com/p/x/5Jf ... As1NMvHdW/
Lakshman. Can you tell us the composer?
It is a pancamavarjya, ubhaya krama ShADava upAnga janya of dhIra SankarAbharaNa, the 29h mELa. Its scale is
SR2G3M1D2N3S* | S* NDMGRS ||
G is jIva and nyAsa. N is samvAdi to G and an important swara. RShabha is crucial in differentiating the rAga from shades of vasanta. Madhyama is also used as nyAsa.
The rAga is pleasing and brightens mood. It has some bhakti and hAsya. MAinly a gAnarasapradhAna rAga. Allied rAgas are kannaDa and mAND. And vasanta will creep in if one avoids R for long. (IMHO BMK is guilty of this as he continues to traverse from G to S* only initially.). Also phrases such as "SMGM," are best avoided to keep vasanta at bay.
Also phrases such as "SMGM," are best avoided to keep vasanta at bay.
oDeyar has brought out the essence of the rAga beautifully without giving any room for suspecting vasanta. He has also nicely woven the rAga mudre into the sAhitya.
Here is a kRti in the rAga from MIL.
http://www.musicindiaonline.com/p/x/5Jf ... As1NMvHdW/
Lakshman. Can you tell us the composer?
-
- Posts: 3326
- Joined: 21 May 2005, 13:57
am taking a break on this cold sat. morning!
we discussed abt this on bboard, and i recall i provided the composer info to Lji
Composer: Hari Sundareswara Sarma
and u will find the composers info @ http://www.swathithirunal.org/composeres/harisunder.htm
here is the text for those interested:
kumAram bhajEham. rAgA: hamsavinOdini. rUpaka tALA.
P: kumAram bhajEham shUla padma tArakAlakam
A: umA mahIshvara sutam dEva sEnApatim shrI
C: shaktyAyudha dharam kArtikEyam amarasEnAdi
bhakta janAnandakaram shrI harihara vanditam
DRSdrshrikaanth wrote:
Lakshman. Can you tell us the composer?
we discussed abt this on bboard, and i recall i provided the composer info to Lji
Composer: Hari Sundareswara Sarma
and u will find the composers info @ http://www.swathithirunal.org/composeres/harisunder.htm
here is the text for those interested:
kumAram bhajEham. rAgA: hamsavinOdini. rUpaka tALA.
P: kumAram bhajEham shUla padma tArakAlakam
A: umA mahIshvara sutam dEva sEnApatim shrI
C: shaktyAyudha dharam kArtikEyam amarasEnAdi
bhakta janAnandakaram shrI harihara vanditam
-
- Posts: 11498
- Joined: 02 Feb 2010, 22:36
Thanks DRS/meena for the lyric
This is indeed a scintilating raga. I could feel strongly the influence of maaND rather than vasanta!
here is a question! As a pancama varjya raga from shankarabharanam it is deceptively simple! Again no special gamakams are evident (almost a scalar raga). Then how could T who composed the maximum kritis in shankarabharnam have missed it? Just your thoughts as is relevant here! We can pursue the discussion more elaborately at the 'what is a raga' thread!
This is indeed a scintilating raga. I could feel strongly the influence of maaND rather than vasanta!
here is a question! As a pancama varjya raga from shankarabharanam it is deceptively simple! Again no special gamakams are evident (almost a scalar raga). Then how could T who composed the maximum kritis in shankarabharnam have missed it? Just your thoughts as is relevant here! We can pursue the discussion more elaborately at the 'what is a raga' thread!
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
CML
There does not have to be any particular reason for T not composing in the rAga. Perhaps he did not get the mood/lahari. There are so many other popular/ancient rAgas that T has not composed in(as also MD). Or it could be that he did not think it sufficiently distinct from kannaDa. Also this is not an ancient rAga. I do not know which treatises actually mention the rAga. This does not feature in R.R.Keshavamurthy`s book.
While we are at it, another similar rAga is Suddhavasanta (MD's sOmasundarESvaram).
There does not have to be any particular reason for T not composing in the rAga. Perhaps he did not get the mood/lahari. There are so many other popular/ancient rAgas that T has not composed in(as also MD). Or it could be that he did not think it sufficiently distinct from kannaDa. Also this is not an ancient rAga. I do not know which treatises actually mention the rAga. This does not feature in R.R.Keshavamurthy`s book.
While we are at it, another similar rAga is Suddhavasanta (MD's sOmasundarESvaram).
-
- Posts: 11498
- Joined: 02 Feb 2010, 22:36
Here it is:
http://rapidshare.de/files/15183340/Som ... s.mp3.html
Ageed it is sounding close! Again a janya of dheerashankarabharanam.
Its Aro: SRGMPNS
Avaro: SDNPMGRS
Am I right?
Could you outline the characteristics briefly!
http://rapidshare.de/files/15183340/Som ... s.mp3.html
Ageed it is sounding close! Again a janya of dheerashankarabharanam.
Its Aro: SRGMPNS
Avaro: SDNPMGRS
Am I right?
Could you outline the characteristics briefly!
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 781
- Joined: 13 Dec 2005, 15:58
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Next kRti:- vandEham SivE in kathanakutUhala, caturaSra maThya tALa
http://rapidshare.de/files/14597716/vaM ... E.mp3.html
http://rapidshare.de/files/14597716/vaM ... E.mp3.html
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
mAtu of || vandEham SivE||
rAga: kathanakutUhala ; caturaSramaThya tALa
vandEham SivE bRhadAnandE |
vandita suravRndE lAlitaskandE ||P||
SrIdhara sahajAtE karuNArasa bharitE |
vEdanuta sucaritE sadASivasahitE ||
sadAbhaktajana pOShaNAsaktE purANa kathana kutUhalayutE girirAjasutE ||
SASvata kaivalya pradAna vikhyAtE |
SrIvidyA tOShitE paramAdvaitayutE |
aSvagaja padAti samyuta sainyasahitE |
atrivasiShThAdi mahAmunipUjitE ||
aSvattha pippala bilva tuLasIvana vAsasthE anAdi viSva cakra madhyasthE ||C||
rAga: kathanakutUhala ; caturaSramaThya tALa
vandEham SivE bRhadAnandE |
vandita suravRndE lAlitaskandE ||P||
SrIdhara sahajAtE karuNArasa bharitE |
vEdanuta sucaritE sadASivasahitE ||
sadAbhaktajana pOShaNAsaktE purANa kathana kutUhalayutE girirAjasutE ||
SASvata kaivalya pradAna vikhyAtE |
SrIvidyA tOShitE paramAdvaitayutE |
aSvagaja padAti samyuta sainyasahitE |
atrivasiShThAdi mahAmunipUjitE ||
aSvattha pippala bilva tuLasIvana vAsasthE anAdi viSva cakra madhyasthE ||C||
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Notes on || vandEham SivE||
rAga: kathanakutUhala ; caturaSramaThya tALa
vandEham SivE- I bow to SivE(pArvati);
bRhadAnandE- Her With great happiness;
vandita suravRndE- Her Who is saluted by the multitude of dEvas; l
lAlita skandE- Her Who has nurtured kArtikEya.
SrIdhara sahajAtE- Sister of ViShNu;
karuNArasa bharitE- Her Who is filled with compassion;
vEdanuta sucaritE- Her With a nature and greatness praised by the vEdas;
sadASivasahitE- Consort of sadASiva;
sadA bhaktajana pOShaNa AsaktE- Her Who is always keen on nurturing and caring for her devotees;
purANa kathana kutUhalayutE- Her Who is deeply interested in hearing the recitation of purANas and the stories within;
girirAjasutE- Daughter of the king of mountains.
SASvata kaivalya pradAna vikhyAtE- er Who is renowned for granting eternal salvation;
SrIvidyA tOShitE- Her Who is made happy by SrIvidyA; paramAdvaitayutE- Her Who is filled with the great advaita principle;
aSva gaja padAti samyuta sainyasahitE- Her with a caturanga bala armed force consisting of infantry, cavalry, foot soldiers and chariots;
atri vasiShTha Adi mahAmuni pUjitE- Her Who is worshipped by the great sages such as atri and vasiShTha;
aSvattha pippala bilva tuLasIvana vAsasthE- Her abiding in the forest/garden filled with the trees/plants of the holy fig(araLi, arasam), pippala(peepal kA pED), bilva and tuLasi;
anAdi viSva cakra madhyasthE- Her situatied in the centre of the beginningless wheel/cycle of the universe(creatin and destruction)
rAga: kathanakutUhala ; caturaSramaThya tALa
vandEham SivE- I bow to SivE(pArvati);
bRhadAnandE- Her With great happiness;
vandita suravRndE- Her Who is saluted by the multitude of dEvas; l
lAlita skandE- Her Who has nurtured kArtikEya.
SrIdhara sahajAtE- Sister of ViShNu;
karuNArasa bharitE- Her Who is filled with compassion;
vEdanuta sucaritE- Her With a nature and greatness praised by the vEdas;
sadASivasahitE- Consort of sadASiva;
sadA bhaktajana pOShaNa AsaktE- Her Who is always keen on nurturing and caring for her devotees;
purANa kathana kutUhalayutE- Her Who is deeply interested in hearing the recitation of purANas and the stories within;
girirAjasutE- Daughter of the king of mountains.
SASvata kaivalya pradAna vikhyAtE- er Who is renowned for granting eternal salvation;
SrIvidyA tOShitE- Her Who is made happy by SrIvidyA; paramAdvaitayutE- Her Who is filled with the great advaita principle;
aSva gaja padAti samyuta sainyasahitE- Her with a caturanga bala armed force consisting of infantry, cavalry, foot soldiers and chariots;
atri vasiShTha Adi mahAmuni pUjitE- Her Who is worshipped by the great sages such as atri and vasiShTha;
aSvattha pippala bilva tuLasIvana vAsasthE- Her abiding in the forest/garden filled with the trees/plants of the holy fig(araLi, arasam), pippala(peepal kA pED), bilva and tuLasi;
anAdi viSva cakra madhyasthE- Her situatied in the centre of the beginningless wheel/cycle of the universe(creatin and destruction)
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
kathanakutUhala is a vakra sampUrNa-krama sampUrNa upAnga janya of dhIra SankarAbharaNa, the 29th mELa. Its scale is
SR2M1D2N3G3PS* | S*NDPMGRS ||
Patnam Subramanya iyer is credited with discovering/inventing this rAga. It is said that he was inspired by the rAga kutUhala which was a find of his guru mAnambucAvaDi VenkaTasubbaiyar.
This rAga is nowadays erroneously called by many as kadanakutUhala
(perhaps stemming from it being written in tamizh script). oDeyar has retained the correct name and beautifully and adroitly woven it into the sAhitya. The rAga has an unmistakable wester lilt to it and is well suited for playing by bands and reminds of military marches (another mental imagery that strengthens the name of kadanakutUhala!!!).
The rAga, although a tukkaDa rAga, will remain popular in concert circuits by dint of enlivening the spirit by its intrisnic melody. It cannnot be expanded at length (except by boring repetiotn of phrases). There are several compositions in the rAga. oDeyar`s kRti is the one set to the longest tAla(maThya) without making the tempo or melody sag or slow down. BMK`s tillAna in the rAga is very nice.
Can we have pieces other than raghuvamSa here?
As for kutUhala, there are 2 pieces in it- Avaraku mentioned above, and mAti mATiki of tiruvoTRiyUr tyAgayyar. Doe we have recordings of these?
SR2M1D2N3G3PS* | S*NDPMGRS ||
Patnam Subramanya iyer is credited with discovering/inventing this rAga. It is said that he was inspired by the rAga kutUhala which was a find of his guru mAnambucAvaDi VenkaTasubbaiyar.
This rAga is nowadays erroneously called by many as kadanakutUhala
(perhaps stemming from it being written in tamizh script). oDeyar has retained the correct name and beautifully and adroitly woven it into the sAhitya. The rAga has an unmistakable wester lilt to it and is well suited for playing by bands and reminds of military marches (another mental imagery that strengthens the name of kadanakutUhala!!!).
The rAga, although a tukkaDa rAga, will remain popular in concert circuits by dint of enlivening the spirit by its intrisnic melody. It cannnot be expanded at length (except by boring repetiotn of phrases). There are several compositions in the rAga. oDeyar`s kRti is the one set to the longest tAla(maThya) without making the tempo or melody sag or slow down. BMK`s tillAna in the rAga is very nice.
Can we have pieces other than raghuvamSa here?
As for kutUhala, there are 2 pieces in it- Avaraku mentioned above, and mAti mATiki of tiruvoTRiyUr tyAgayyar. Doe we have recordings of these?
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
I am positive that I had downloaded a rendering of kutUhala(Avarkula) from sangeetham or xdrive. It is most likey by BMK(99.9%)This rAga was also briefly brought up on sangeetham while discusiing kathakutUhala. I have searched high and low in vain. perhaps i lost it in one of the several system crashes that befell me. Does anybody else have it?
-
- Posts: 11498
- Joined: 02 Feb 2010, 22:36
DRS
The following is the info on kuthUhalam
Aroganam : S R2 M1 N3 D2 P N3 S
Avaroganam : S N3 D2 P M1 G3 R2 S
from
http://www.employees.org/~edwin/music/m ... AGA&id=338
Looks quite weird! Have you any more info?
The following is the info on kuthUhalam
Aroganam : S R2 M1 N3 D2 P N3 S
Avaroganam : S N3 D2 P M1 G3 R2 S
from
http://www.employees.org/~edwin/music/m ... AGA&id=338
Looks quite weird! Have you any more info?
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Thanks Badri
You ar verily the SritakalpavRkSha.
CML
ALl online sources I have come across give the wrong ArOhaNa and avarOhaNa for kutUhala. They also place it under the wrong mELa.
If you thought the sacle you gave as weird, look at the correct mUrchane!
SD2PR2M1N2S* | S*NDPMGRS ||
It is a janya of the 28th mELa harikEdAragauLa/harikAmbOdhi.
It has such jumps inbuilt in its structure and yet mAnambucAvaDi VenkaTasubbayyar has created a melodious and "singable" song. He has very skilfully used the scale to create the melody. In places, it sounds like kApinArAyaNi. BMK`s rendering is, as expected, classic. Thanks again Badri.
You ar verily the SritakalpavRkSha.
CML
ALl online sources I have come across give the wrong ArOhaNa and avarOhaNa for kutUhala. They also place it under the wrong mELa.
If you thought the sacle you gave as weird, look at the correct mUrchane!
SD2PR2M1N2S* | S*NDPMGRS ||
It is a janya of the 28th mELa harikEdAragauLa/harikAmbOdhi.
It has such jumps inbuilt in its structure and yet mAnambucAvaDi VenkaTasubbayyar has created a melodious and "singable" song. He has very skilfully used the scale to create the melody. In places, it sounds like kApinArAyaNi. BMK`s rendering is, as expected, classic. Thanks again Badri.
http://rapidshare.de/files/15370198/190 ... uhalam.mp3
cmlover..TNS rendering..is it giripriyam.then i have it.can upload tomorrow.
cmlover..TNS rendering..is it giripriyam.then i have it.can upload tomorrow.
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
MV`s nIkEla daya in M.S.Sheela`s lilting voice
http://www.musicindiaonline.com/p/x/gqO ... As1NMvHdW/
MV`s varNa by gAyatri
http://www.musicindiaonline.com/p/x/OUf ... As1NMvHdW/
http://www.musicindiaonline.com/p/x/gqO ... As1NMvHdW/
MV`s varNa by gAyatri
http://www.musicindiaonline.com/p/x/OUf ... As1NMvHdW/
-
- Posts: 10958
- Joined: 03 Feb 2010, 00:01
I listen to M.S.Sheela's nIkEla quite often. Very nicely sung. I did not know that it was MV's. Thanks.MV`s nIkEla daya in M.S.Sheela`s lilting voice
http://www.musicindiaonline.com/p/x/gqO ... As1NMvHdW/
-
- Posts: 11498
- Joined: 02 Feb 2010, 22:36
Thanks DRS for the info on kuthUhala. There is an anecdote that his sishyas were struggling to negotiate from shadjam to dhaivatam and he apparently remarked that all the nice ragas have already been taken over by Thyagarja and only the dregs were left over!
coolkarni
yes indeed it is HMB's Giripriyam and by TNS would indeed be a treat!
coolkarni
yes indeed it is HMB's Giripriyam and by TNS would indeed be a treat!
-
- Posts: 10958
- Joined: 03 Feb 2010, 00:01
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
After that flood of lovely kathanakutUhala tracks, its time to move on.
kRti in jaganmOhini, miSrajhampe tALa- jaganmOhinIm
From the AIR series- sung by Sukanya prabhakar and R.N.Srilata
http://rapidshare.de/files/15426292/Jag ... m.mp3.html
And a bonus, thanks to Meena(Ultimately to RC I guess)- rendered by Nagavalli Nagaraj
http://rapidshare.de/files/14361324/10J ... i.mp3.html
kRti in jaganmOhini, miSrajhampe tALa- jaganmOhinIm
From the AIR series- sung by Sukanya prabhakar and R.N.Srilata
http://rapidshare.de/files/15426292/Jag ... m.mp3.html
And a bonus, thanks to Meena(Ultimately to RC I guess)- rendered by Nagavalli Nagaraj
http://rapidshare.de/files/14361324/10J ... i.mp3.html
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
mATu of || jaganmOhinIm haramOhinIm||
rAga: jaganmOhini ; miSrajhampe tALa
jaganmOhinIm haramOhinIm vandE |
SrI rAjarAjESvarIm rAjayOginIm ||P||
yOga paTTAbhirAmAm mahAmAyAm |
catuHShaShThikOTiyOgInI gaNavanditAm chidagni kuNDa sambhUtAm SubhacritAm ||AP||
jagajjananIm SrIkAminIm manOnmanIm |
cintAmaNi nilayAm saubhAgya sAgarAm |
naganandinIm mahAkALIm cinmayIm |
mandasmitavadanAm sura manOllAsinIm ||
nAgalingapriyAm mahAmAtangIm simhAsanAdhISvarArcitAm |
SrIvidyAcitprabhAnanda rAjayOgIndra vanditAm kRpAkaTAkSha sahitAm ||
rAga: jaganmOhini ; miSrajhampe tALa
jaganmOhinIm haramOhinIm vandE |
SrI rAjarAjESvarIm rAjayOginIm ||P||
yOga paTTAbhirAmAm mahAmAyAm |
catuHShaShThikOTiyOgInI gaNavanditAm chidagni kuNDa sambhUtAm SubhacritAm ||AP||
jagajjananIm SrIkAminIm manOnmanIm |
cintAmaNi nilayAm saubhAgya sAgarAm |
naganandinIm mahAkALIm cinmayIm |
mandasmitavadanAm sura manOllAsinIm ||
nAgalingapriyAm mahAmAtangIm simhAsanAdhISvarArcitAm |
SrIvidyAcitprabhAnanda rAjayOgIndra vanditAm kRpAkaTAkSha sahitAm ||
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
Notes on || jaganmOhinIm haramOhinIm||
rAga: jaganmOhini ; miSrajhampe tALa
jaganmOhinIm haramOhinIm vandE- I bow to the enchantress of the whole universe, Her Who has enchanted ISvara;
SrI rAjarAjESvarIm; rAjayOginIm;
yOga paTTAbhirAmAm;
I have explained this in my notes on saurAShTra kRti.
mahAmAyAm- the great illusion that befuddles everything;
catuHShaShThikOTiyOgInI gaNavanditAm- Her woshipped by the 64 crore yOginis; chidagni kuNDa sambhUtAm;
Both the above are names occurring in the sahasranAma
SubhacritAm- Her with a pleasant and auspicious disposition;
jagajjananIm- Mother of the universe;
SrIkAminIm- Her Who is attracted by SrI(vidyA or the bIjAkShara SrIm);
manOnmanIm;(Explained before)
cintAmaNi nilayAm- Her Who resides in the house made of cintAmaNi;
saubhAgya sAgarAm- The ocean of good fortune and prosperity;
naganandinIm- Daughter of the mountain; mahAkALIm;
cinmayIm- Her Who is filled with cit (knowledge/j~nAna);
mandasmitavadanAm- Her with a face bearing a gentle smile;
sura manOllAsinIm- Her Who brings ecstasy to the minds of the dEvas;
nAgalingapriyAm- Her Who is affectionate towards Siva(nAgalinga);
mahAmAtangIm;
simhAsana adhISvara arcitAm- Her worshipped by kings (installed on throne);
This is a clear autobiographical reference.
SrIvidyA citprabhAnanda rAjayOgIndra vanditAm;
This too is autobiographical;
kRpAkaTAkSha sahitAm- Her with a glance filled with compassion.
rAga: jaganmOhini ; miSrajhampe tALa
jaganmOhinIm haramOhinIm vandE- I bow to the enchantress of the whole universe, Her Who has enchanted ISvara;
SrI rAjarAjESvarIm; rAjayOginIm;
yOga paTTAbhirAmAm;
I have explained this in my notes on saurAShTra kRti.
mahAmAyAm- the great illusion that befuddles everything;
catuHShaShThikOTiyOgInI gaNavanditAm- Her woshipped by the 64 crore yOginis; chidagni kuNDa sambhUtAm;
Both the above are names occurring in the sahasranAma
SubhacritAm- Her with a pleasant and auspicious disposition;
jagajjananIm- Mother of the universe;
SrIkAminIm- Her Who is attracted by SrI(vidyA or the bIjAkShara SrIm);
manOnmanIm;(Explained before)
cintAmaNi nilayAm- Her Who resides in the house made of cintAmaNi;
saubhAgya sAgarAm- The ocean of good fortune and prosperity;
naganandinIm- Daughter of the mountain; mahAkALIm;
cinmayIm- Her Who is filled with cit (knowledge/j~nAna);
mandasmitavadanAm- Her with a face bearing a gentle smile;
sura manOllAsinIm- Her Who brings ecstasy to the minds of the dEvas;
nAgalingapriyAm- Her Who is affectionate towards Siva(nAgalinga);
mahAmAtangIm;
simhAsana adhISvara arcitAm- Her worshipped by kings (installed on throne);
This is a clear autobiographical reference.
SrIvidyA citprabhAnanda rAjayOgIndra vanditAm;
This too is autobiographical;
kRpAkaTAkSha sahitAm- Her with a glance filled with compassion.
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
jaganmOhini is a auDava- ShADava upAnga janya of mAyA mALavagauLa, the 15th mELa. Its scale is
SG3M1PN3S* | s*NPMGR1S ||
This rAga was brought to light by tyAgarAja as CML has already pointed out. G and N are vAdi samvAdis. The rAga admits of vIra and SrngAra rasas.
oDeyar has aptly chosen jaganmOhini to describe the jaganmOhini. The kRti elaborates the rAga very well.
Can we have some elaborate renditions of jaganmOhini?
SG3M1PN3S* | s*NPMGR1S ||
This rAga was brought to light by tyAgarAja as CML has already pointed out. G and N are vAdi samvAdis. The rAga admits of vIra and SrngAra rasas.
oDeyar has aptly chosen jaganmOhini to describe the jaganmOhini. The kRti elaborates the rAga very well.
Can we have some elaborate renditions of jaganmOhini?
-
- Posts: 3326
- Joined: 21 May 2005, 13:57
dont have any elaborate clips, have to turn to Kji/Badri for thatdrshrikaanth wrote:
Can we have some elaborate renditions of jaganmOhini?

Meantime u can enjoy these:
Raga Jaganmohini clips:
Maamava - Jaganmohini - Roopakam - Tyagaraja by Smt. DKP
Shobhillu-Jagamohini-Tyagaraja- by sree SSI and BMK
Sivakaama Sundari-Jaganmohini-GB by sree susarla sivaram
(Note:zipped all 4 clips)
Deleted

RTP-Smt DKP
Deleted

If anyone has ST kriti Pahi tharakshupura pl. share with us.
-
- Posts: 55
- Joined: 02 Mar 2006, 12:21
Reading each one of the lyrics of Wodeyar's compositions gives so much of bliss and yet leaves one wanting for more. Wonderful selection of words used in the right combination. This Jaganmohineem being the latest. What a beautiful composition. The song itself is as beautiful as the enchantress, Jaganmohini Rajarajeshwari. Surely, it must have been none other than Shri Rajamathangi Herself composing and singing through Wodeyar. Here's a small but erratic "thaniyan" in praise of him. CML, DRS, anybody, please correct.
|| Mahisurapuraadheesham
Gajaruda Vibhakaram
ShriVidya paripurnam
Chitprabhanandam Vande ||
|| Mahisurapuraadheesham
Gajaruda Vibhakaram
ShriVidya paripurnam
Chitprabhanandam Vande ||
-
- Posts: 11498
- Joined: 02 Feb 2010, 22:36
Nice!
May I..
|| Mahisurapuraadheesham
GajArUDa VibhAkaram
SrIvidya paripUrNam
CitprabhAnandam Vande
JayacAmarAja kOkilam ||
Mahisurapuraadheesham = The Lord of Mysore (great country of devas)
GajArUDa VibhAkaram = The Sun riding on the elephant
SrIvidya paripUrNam = One replete with SrI vidya (esoteric knowledge)
CitprabhAnandam Vande = One who is in bliss in inner effulgence (I greet)
JayacAmarAja kOkilam = The JayacAmarAjA (one who has victory for the Royal fan (cAmaram)) cuckoo (bard).
Mahisurapuram = ? Mysore Is that the origin of the word? I never knew that!
May I..
|| Mahisurapuraadheesham
GajArUDa VibhAkaram
SrIvidya paripUrNam
CitprabhAnandam Vande
JayacAmarAja kOkilam ||
Mahisurapuraadheesham = The Lord of Mysore (great country of devas)
GajArUDa VibhAkaram = The Sun riding on the elephant
SrIvidya paripUrNam = One replete with SrI vidya (esoteric knowledge)
CitprabhAnandam Vande = One who is in bliss in inner effulgence (I greet)
JayacAmarAja kOkilam = The JayacAmarAjA (one who has victory for the Royal fan (cAmaram)) cuckoo (bard).
Mahisurapuram = ? Mysore Is that the origin of the word? I never knew that!
-
- Posts: 4066
- Joined: 26 Mar 2005, 17:01
-
- Posts: 55
- Joined: 02 Mar 2006, 12:21
Thanks for the corrections and additions, CML. I do not know how nice it is. Just an impromptu set of verses that came to my mind after reading the lyrics of "Jaganmohineem".
Yes, Mahisurapura is the ancient name for Mysore. I too wasn't aware of this name until I came across it in a signature of Sri Chamaraja Wodeyar IX in one of his paintings displayed in the old residential museum behind the main Palace in Mysore.
Yes, Mahisurapura is the ancient name for Mysore. I too wasn't aware of this name until I came across it in a signature of Sri Chamaraja Wodeyar IX in one of his paintings displayed in the old residential museum behind the main Palace in Mysore.