Are there any Sindhu Bhairavi flavors to Dhenuka? I have a strange feeling that I'm hearing Sindhu Bhairavi in one of TRS' Dhenuka kalpana swaras. Can someone check it out and let me know?
http://karnatikrunner.wordpress.com/200 ... -bhairavi/
Thanks,
Shripathi
Dhenuka, Sindhu Bhairavi
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Not at all unusual to detect phrases/flavors of Sindhu Bhairavi when listening to Dhenuka.
The two raagas differ in aarohana and avaraohana by a mere swara, the N. Orthodox Sindhu Bhairavi has the same A/A as Todi except that the notes, particularly G and N, are sung without the gamaka. SB has N2 and Dhenuka N3. In Dhenuka too the G (i.e., G2) is sung without gamaka. So the first 6 notes S R1 G2 M1 P D1 are identical. How can we NOT detect similarities from time to time ?!
In addition, it is permissible to briefly touch N3 in SIndhu Bhairavi, esp. in alapanas. Hindustani musicians such as Ali AKbar Khan did that delightfully. Phrases such as
S R1 G2 S R1 N3 S
Under these circumstances it brings it even closer to Dhenuka.
The two raagas differ in aarohana and avaraohana by a mere swara, the N. Orthodox Sindhu Bhairavi has the same A/A as Todi except that the notes, particularly G and N, are sung without the gamaka. SB has N2 and Dhenuka N3. In Dhenuka too the G (i.e., G2) is sung without gamaka. So the first 6 notes S R1 G2 M1 P D1 are identical. How can we NOT detect similarities from time to time ?!
In addition, it is permissible to briefly touch N3 in SIndhu Bhairavi, esp. in alapanas. Hindustani musicians such as Ali AKbar Khan did that delightfully. Phrases such as
S R1 G2 S R1 N3 S
Under these circumstances it brings it even closer to Dhenuka.
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Sripathi, of course. Such questions need not be asked. Information is freely given and taken but be warned about its quality .
My previous post is reliable but not the whole story, even to me. And experts may have even more to add.
For example, some other observations:
1. Although nominally the A/A of "orthodox" Sindhu Bhairavi is S R1 G2 M1 P D1 N2 , in practice the phrase N2(lower) S G2 M1 P D1 P is used a lot, which is unacceptable in Dhenuka. However, Sindhu Bhairavi allows phrases like S R1 G2 M1,, G2 M1 R1 G2 S R1 S. This latter phrase could technically occur in Dhenuka although not aesthetically.
In fast paced swaraprastharas the likelihood of overlapping phrases/flavor is higher. Quick example of some swaraprastharas (sounds bad even to my ear ) that could be applicable to both ragas:
PPDP DP,P ,P,, ,,,,
GMP, DP,P ,P,, ,,,,
MDP, MG,, SRG, RS,,
My previous post is reliable but not the whole story, even to me. And experts may have even more to add.
For example, some other observations:
1. Although nominally the A/A of "orthodox" Sindhu Bhairavi is S R1 G2 M1 P D1 N2 , in practice the phrase N2(lower) S G2 M1 P D1 P is used a lot, which is unacceptable in Dhenuka. However, Sindhu Bhairavi allows phrases like S R1 G2 M1,, G2 M1 R1 G2 S R1 S. This latter phrase could technically occur in Dhenuka although not aesthetically.
In fast paced swaraprastharas the likelihood of overlapping phrases/flavor is higher. Quick example of some swaraprastharas (sounds bad even to my ear ) that could be applicable to both ragas:
PPDP DP,P ,P,, ,,,,
GMP, DP,P ,P,, ,,,,
MDP, MG,, SRG, RS,,
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