'Bolt' Sanjay Subrahmanyan - SIMA Los Angeles, CA 24.Oct.20
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Bolt Sanjay - Varadarajan - Venkatesh.
SIMA Los Angeles, CA 24.Oct.2009
If you had watched Usain Bolt run the 100m dash in the olympics, you would have noticed that the second place holder was not even in the frame. It just tells how far ahead of the league he was. Sanjay Subrahmanyan is no different. He's the Bolt of Carnatic Music leaving everyone else out of the frame !
List of songs wouldn't do justice to the concert experience neither will the highlights. Everything from start to finish had finesse & grace.
I'll let someone post the song list. If no one does, I'll do it.
Adding Review/List:
Let me try to review the flawless concert.
Sanjay began the recital with the Nilambari Ata Thalam Varnam (Neevanti Deivamu) in two speeds. Vande Sada Padmanabham (Navarasa Kaanada) of Swati Tirunal was padded with brilliant sancharas and amazing patterns of swarams living up to the term "Kalapana" swaram"¦wow what an imagination ! By this time, the audience was left in a trance. Ritigaula ragam was presented with a coquettish touch and St.Thyagaraja's Nannu Vidachi was presented al-dente .
Sanjay then went on to court Kalyani ragam. It's difficult to say if Sanjay was presenting Kalyani or Kalyani was presenting herself via Sanjay. This splice caused exotic displacement of wavelets of the air : music extraordinaire !. Well Kalyani is not done yet"¦there's more"¦Sanjay went on to present St.Thyagaraja's "Sive Pahimam" with revetting nerevel at "Charaa Charamayi" with beguiling swarams.
There's Madhyamavati and Madhyamavati. Its the later. I wonder how anyone can try to write in words the quintessence of ragam rendering. "Saravanabhava Guhane" was presented with authentic Sanjay signature filled with "jaaru" (e.g: the line "parindaruL purindiDavidil vErevariDum muraiyiDuvEn") and "brigas". Purandaradasa's "Enna Rakshiso" in Subhapantuvarali was laden with emotion. Then came the flagship song : Oho kalame in Sahana.
Next on cards was Abheri RTP in Misra Chapu "Vellai Thamarai Poovil Iruppal Veenai Seyyum Oliyil Iruppal" with ragamalika swarams. Subrahmanya Bharathi's "Nenneye Rati enduru" was as romantic as the lyrics could convey. Thunbam Nergayil in Desh was rendered in style. Tamizh virutham in Durbari Kaanada, Mohanam followed with "Narayanai Thudipai" in Komalangi.
After all this, came the heartbreaker: Mangalam.
The review wouldn't be complete without mentioning Venkatesh & Varadarajan. Varadarajan was Sanjay's shadow. Great figures have great shadows. Varadarajan was just as good as Sanjay. The difference was just in chords : Vocal chords Vs Violin chords. Varadarajan's fast replies and ragam playing displayed a high level of skill & gnanam. Venkatesh provided the right kalapramanam for every song. It would be a gross injustice to mention just the Thaniavarthanam. He alongside, Sanjay & Varadarajan was on the go right from start to finish. His job was tougher than usual as there was no upavadyam to share the work. On the whole a BRILLIANT TEAM WORK !
There was a 5 minute STANDING OVATION for Mr.Bolt & Team !
SIMA Los Angeles, CA 24.Oct.2009
If you had watched Usain Bolt run the 100m dash in the olympics, you would have noticed that the second place holder was not even in the frame. It just tells how far ahead of the league he was. Sanjay Subrahmanyan is no different. He's the Bolt of Carnatic Music leaving everyone else out of the frame !
List of songs wouldn't do justice to the concert experience neither will the highlights. Everything from start to finish had finesse & grace.
I'll let someone post the song list. If no one does, I'll do it.
Adding Review/List:
Let me try to review the flawless concert.
Sanjay began the recital with the Nilambari Ata Thalam Varnam (Neevanti Deivamu) in two speeds. Vande Sada Padmanabham (Navarasa Kaanada) of Swati Tirunal was padded with brilliant sancharas and amazing patterns of swarams living up to the term "Kalapana" swaram"¦wow what an imagination ! By this time, the audience was left in a trance. Ritigaula ragam was presented with a coquettish touch and St.Thyagaraja's Nannu Vidachi was presented al-dente .
Sanjay then went on to court Kalyani ragam. It's difficult to say if Sanjay was presenting Kalyani or Kalyani was presenting herself via Sanjay. This splice caused exotic displacement of wavelets of the air : music extraordinaire !. Well Kalyani is not done yet"¦there's more"¦Sanjay went on to present St.Thyagaraja's "Sive Pahimam" with revetting nerevel at "Charaa Charamayi" with beguiling swarams.
There's Madhyamavati and Madhyamavati. Its the later. I wonder how anyone can try to write in words the quintessence of ragam rendering. "Saravanabhava Guhane" was presented with authentic Sanjay signature filled with "jaaru" (e.g: the line "parindaruL purindiDavidil vErevariDum muraiyiDuvEn") and "brigas". Purandaradasa's "Enna Rakshiso" in Subhapantuvarali was laden with emotion. Then came the flagship song : Oho kalame in Sahana.
Next on cards was Abheri RTP in Misra Chapu "Vellai Thamarai Poovil Iruppal Veenai Seyyum Oliyil Iruppal" with ragamalika swarams. Subrahmanya Bharathi's "Nenneye Rati enduru" was as romantic as the lyrics could convey. Thunbam Nergayil in Desh was rendered in style. Tamizh virutham in Durbari Kaanada, Mohanam followed with "Narayanai Thudipai" in Komalangi.
After all this, came the heartbreaker: Mangalam.
The review wouldn't be complete without mentioning Venkatesh & Varadarajan. Varadarajan was Sanjay's shadow. Great figures have great shadows. Varadarajan was just as good as Sanjay. The difference was just in chords : Vocal chords Vs Violin chords. Varadarajan's fast replies and ragam playing displayed a high level of skill & gnanam. Venkatesh provided the right kalapramanam for every song. It would be a gross injustice to mention just the Thaniavarthanam. He alongside, Sanjay & Varadarajan was on the go right from start to finish. His job was tougher than usual as there was no upavadyam to share the work. On the whole a BRILLIANT TEAM WORK !
There was a 5 minute STANDING OVATION for Mr.Bolt & Team !
Last edited by fiddler on 26 Oct 2009, 21:34, edited 1 time in total.
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I attended SIFA concert at San Jose. Though I am not qualified to review and I am sure there will be a separate thread, concert was superb. A full 4 hour concert with no interruptions or speech. Rageshri RTP amazing. Crowd kept him going for more, at one point Sanjay said - Antha security kathave poota nikkiran.. The security guard is waiting to shut the door
Then an organiser told him, Naraya time irukku sir. There is plenty of time! It was jam packet, they oversold the tickets. Rasikas were sitting on the dias on either sides, and balcony and ground floor was full to its capacity.
A special of the concert was his parents, both dad and mom were attending the concert in San Jose and was mentioned in the end. How the parents would have felt!

A special of the concert was his parents, both dad and mom were attending the concert in San Jose and was mentioned in the end. How the parents would have felt!
Last edited by raj-123 on 26 Oct 2009, 20:41, edited 1 time in total.
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- Joined: 25 Dec 2006, 14:14
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I have listened to two renditions of Sive Pahimam from Sanjay and am mesmerized by the Krithi. Madurai Somu's nereval seems to be in Kaverejottera teera vasini and is very good too. Have any others sung this krithi?
The nereval by Sanjay in Charachara mayi is absolutely brilliant and the energy involved reminds me of Ni pada Pankajamu in Birana Brova by SSI.
The nereval by Sanjay in Charachara mayi is absolutely brilliant and the energy involved reminds me of Ni pada Pankajamu in Birana Brova by SSI.
Last edited by Dilettante on 11 Nov 2009, 11:45, edited 1 time in total.