T M Krishna - Vani Mahal - 10 Dec 2008

hariharans · Post by **hariharans** » 11 Dec 2008, 09:27

Sri Thyaga Brahma Gana Sabha
Vani Mahal
10 Dec 2008

Sri T M Krishna - Vocal
Sri R K Sriramkumar - Violin
Sri Vellore Ramabadhran - Mridangam
Sri BS Purushotam - Kanjira
Sri Rithvik Raja and Sri Vignesh Ishwar - Tampura

01 alarulu - shankarAbharanam - Adi - annamAcharya - S
(tuned by Sri Nedunuri Krishnamurthy)
02 rAmachandrena - mAnji - rupakam - Muthuswami Dikshitar
03 sarasa sAma - kApi nArayani - Adi - Thyagaraja - N S
04 bhuvini dhasudane - sriranjani - Adi - Thyagaraja - R N S
05 kathayA kathayA - kalyAni - misrachApu - Narayana Thirtar - N
(tuned by Sri Semmangudi Srinivasa Iyer)
06 nannubrochutaku - thodi - Adi - Subbaraya Sastri - R S
07 thani Avarthanam
08 sApashyAth kausalya - jonepuri - Adi S
09 virutham - thanthai thAi - bilahari, bhairavi, kalyAni, sindhu bhairavi, karaharapriyA - ThayumAnavar
10 navasidhi petrAlum - karaharapriyA - misrachApu
11 thillAna - kAnada - Adi
12 Mangalam

prashant · Post by **prashant** » 11 Dec 2008, 09:38

Where was niraval sung for nannu brOCuTaku?

Nice to see our forum member and talented young vocalist Vignesh playing tambura in the background!

rajeshnat · Post by **rajeshnat** » 11 Dec 2008, 10:01

hariharans wrote: 03 sarasa sAma - kApi nArayani - Adi - Thyagaraja - NS
08 sApashyAth kausalya - jonepuri - Adi S

hariharans,
tirrupayanam panchapakesa sAstri is the composer of sApashyAth kausalya
When you meant NS in kAPi nArayani , is that neraval sketch or neraval and swaram

hariharans · Post by **hariharans** » 11 Dec 2008, 10:09

Prashant, mistake. There was no neraval in Thodi.
Rajeshnat, its neraval and swaram in kApi nArayani.
Rgds...

rbharath · Post by **rbharath** » 11 Dec 2008, 11:04

rajesh, there were full neraval and svarams in kApi nArayaNi.

in the tODi kriti, neraval was indeed done. it was done at 'natajana haraNa nIku...' viz the second line of the svara sAhityam passage.

rbharath · Post by **rbharath** » 11 Dec 2008, 11:44

It was a nice concert. The kritis were all rendered in a leisurely fashion. The AlApanais of srIranjani and tODi were both very elaborate and done in an effortless fashion. The neraval and svarams sung for all kritis were measured and done in a manner fitting to the mood of the kriti. The accompanists did a great job in adding to the concert effect.ate and very impressive.

rajeshnat · Post by **rajeshnat** » 11 Dec 2008, 21:39

rbharath/hariharans,
By any chance was there no neraval in shree ranjani and/or kalyAni, four neravals in a row could be just unlikely?

rbharath · Post by **rbharath** » 11 Dec 2008, 23:01

There were svarams in shankarAbaraNam, neraval and svarams at 'hitavu mATA' for kApi nArAyaNi. For srIranjani, there was an AlApanai and neraval and svarams at 'padamulE gati tyAgarAjanuta'. For kalyANi there was neraval at the anupallavi. For tODi, there was AlApanai, neraval and svarams at the line i already mentioned a couple of posts above. There were quick svarams in jaunpuri as well.

and i dont see anything odd in that!

arasi · Post by **arasi** » 12 Dec 2008, 10:08

True. With so many concerts to sing, they can vary their patterns (as neravals, svarams and so on) in whichever way theychoose to. After all, the artiste has to please himself first in his performing which in turn translates to our enjoyment...