Jhinjoti or Senjurutti
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Recently I came across the ragam - Jhinjoti. When I tried to search for some more information and example songs I did not find many references. Wait! Let me correct that. I am finding quite a few references under Hindustani and not many under Carnatic. But while googling, I find that the Senjurutti /Chenchurutti seems to have same Arohanam/Avarohanam.
So my question is Jhinjoti and Senjurutti - are they the same? If they are almost the same, but there are are some subtle differences, would someone enlighten me on those.
I will also appreciate someone sharing the clips that bring out the essence of the ragam.
Thanks in advance.
So my question is Jhinjoti and Senjurutti - are they the same? If they are almost the same, but there are are some subtle differences, would someone enlighten me on those.
I will also appreciate someone sharing the clips that bring out the essence of the ragam.
Thanks in advance.
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I don't think there's much difference from the Karnatic She~njcuruTTi vs the Hindusthani jhi~njjhoTi. save that the latter doesn't have all that much ornamentation of sangatis as the former has.
She~njcuruTTi IINM is derived from folk origins, and is quite a popular rAga evidenced by the many compositions in it. I've given a truncated list below. Maybe some kind posters can provide audio samples.
1. mA nAyakA nIdu (svarajati) - vAlAjapETTai venkaTramaNa bhAgavatar
2. vinarAdu gadarA - - do -
3. kalayE ShrI kamala nayana - svAti tirunAL
4. rAma rAma rAma - tyAgarAja
5. gajAmba nAyakO - muttusvAmi dIkshita
6. gaNESha kumAra pAhimAM - - do -
7. gangE mAmpAhi - - do -
8. ShrI jagadamba kadamba - Anai ayyA
9. gOkulatteru - UttukkADu
10. dvArakai enpatu - - do -
11. Sholla kiDaittaDE - do -
12. naDaiyaippAraDi - do -
13. viShamakkAra kaNNan - do -
14. cidambaram pOgAmal iruppEnO - GKB
15. pittam teliya - do -
16. kumara gurupara - aruNagirinAdar
17. nAdabindu kalAti namo nama - - do -
18. parama mangala mUrti - vijaya viTThala dAsa
19. kaliyugadalli hari nAmave - purandaradAsa
20. pandADinAl parama sundarar - sundarEShvara Sharma
21. dhiranA tana dhImta (tillAnA) - vINai ShEshanna
22. pazhani shaNmuga (kAvaDiccindu)
23. vaLLi kaNavan pErai (kAvaDiccindu) - ambAsamudram subbarAya svAmi
24. che~njcuruTTi - Dr. Brazil Subramaniam
25. cennikula nagarvAsan (kAvaDiccindu) - annAmalai reDDiyar
In jhi~njjhoTi:
1. kahAnke pathik kahA kInho - tulasIdAsa
She~njcuruTTi IINM is derived from folk origins, and is quite a popular rAga evidenced by the many compositions in it. I've given a truncated list below. Maybe some kind posters can provide audio samples.
1. mA nAyakA nIdu (svarajati) - vAlAjapETTai venkaTramaNa bhAgavatar
2. vinarAdu gadarA - - do -
3. kalayE ShrI kamala nayana - svAti tirunAL
4. rAma rAma rAma - tyAgarAja
5. gajAmba nAyakO - muttusvAmi dIkshita
6. gaNESha kumAra pAhimAM - - do -
7. gangE mAmpAhi - - do -
8. ShrI jagadamba kadamba - Anai ayyA
9. gOkulatteru - UttukkADu
10. dvArakai enpatu - - do -
11. Sholla kiDaittaDE - do -
12. naDaiyaippAraDi - do -
13. viShamakkAra kaNNan - do -
14. cidambaram pOgAmal iruppEnO - GKB
15. pittam teliya - do -
16. kumara gurupara - aruNagirinAdar
17. nAdabindu kalAti namo nama - - do -
18. parama mangala mUrti - vijaya viTThala dAsa
19. kaliyugadalli hari nAmave - purandaradAsa
20. pandADinAl parama sundarar - sundarEShvara Sharma
21. dhiranA tana dhImta (tillAnA) - vINai ShEshanna
22. pazhani shaNmuga (kAvaDiccindu)
23. vaLLi kaNavan pErai (kAvaDiccindu) - ambAsamudram subbarAya svAmi
24. che~njcuruTTi - Dr. Brazil Subramaniam
25. cennikula nagarvAsan (kAvaDiccindu) - annAmalai reDDiyar
In jhi~njjhoTi:
1. kahAnke pathik kahA kInho - tulasIdAsa
Last edited by kmrasika on 26 Aug 2006, 07:13, edited 1 time in total.
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Depends on how you see it..kmrasika wrote:I don't think there's much difference from the Karnatic She~njcuruTTi vs the Hindusthani jhi~njjhoTi. save that the latter doesn't have all that much ornamentation of sangatis as the former has.

Many sanchAras in hindustani jhanjhUTi are very similar to our own grand rAgas kaMbhOji and yadukula kAmbhOji.
-Ramakriya
Last edited by ramakriya on 26 Aug 2006, 09:44, edited 1 time in total.
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AFAIK, the story about 'vaLLikkaNavan peyarai' as published in the booklet that accompanies one of Amudham Inc.'s CDs (By Sudha) is that this was a chindu that was given to Smt. DKP by a police constable in Madras after one of her concerts, and all the recognition he wanted was for her to sing it. Despite all efforts, Amudham's team was not able to trace the person...has this person been identified as subburAya swAmi?
Ravi
Ravi
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Actually, DKP/DKJ also popularised another kavadi chindu with the same tune as "Valli Kanavan" - she may have even tuned it. Nithyashree renders it in her Bharathiyar Songs album - an unfortunately 'light-classical' album.
Last edited by Vocalist on 02 Sep 2006, 09:28, edited 1 time in total.
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Soulful rendition of RAmalinga Swami thiruvarutpa by KVN.
http://rapidshare.de/files/32720854/che ... y.mp3.html
http://rapidshare.de/files/32720854/che ... y.mp3.html
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Aptly said, CSS. In that respect, it is more like yadhukula kAmbhOji , which shines well in viLamba kALa.CSS wrote:Hindustani Jhinjoti is nowhere close to Senchuriti !
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Jhinjoti is infact very close to Kambhoji but it's flavour is very different. If Kambhoji can be 'robust', Jhinjoti is 'serene and calm'
-Ramakriya
Last edited by ramakriya on 11 Sep 2006, 23:24, edited 1 time in total.
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raagam: jhinjoTi
28 harikaambhOji janya
Aa: D2 S R2 G3 M1 P D2 N2
Av: D2 P M1 G3 R2 S N2 D2 P D2
I came across a composition of muthuswamy deekshitaar ,Ganesha kumara pahimaam.
I noticed the arohana and avarohana start with D2 instead of S.Is there any specific reason for this?Can anyone enlighten me on this....
Thank you
28 harikaambhOji janya
Aa: D2 S R2 G3 M1 P D2 N2
Av: D2 P M1 G3 R2 S N2 D2 P D2
I came across a composition of muthuswamy deekshitaar ,Ganesha kumara pahimaam.
I noticed the arohana and avarohana start with D2 instead of S.Is there any specific reason for this?Can anyone enlighten me on this....
Thank you
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sorry for the degression...
is this based on jhinjhoTi?
http://www.tlca.com/music/srr-tlca-6.m3u
famed telugu film music composer of yesteryears, S.Rajeswara Rao singing one of his all time hits. beautiful lyrics there, if you can understand.
is this based on jhinjhoTi?
http://www.tlca.com/music/srr-tlca-6.m3u
famed telugu film music composer of yesteryears, S.Rajeswara Rao singing one of his all time hits. beautiful lyrics there, if you can understand.
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Re: Jhinjoti or Senjurutti
hello @SrinathK ,
could you give an analysis of this ragam?
thanks in advance,
ajay simha
could you give an analysis of this ragam?
thanks in advance,
ajay simha
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Re: Jhinjoti or Senjurutti
This is an excellent resource on Jhinjoti with clips from films as well: https://www.parrikar.org/hindustani/khamaj/. Enjoy!
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Re: Jhinjoti or Senjurutti
All of you may please hold the horses. jhinjhOTi isn't even the name in CM. It is a HM rAgA quite different from senchuruTTi and as pointed out earlier, is more similar to a "dEsified kAmbhOji" than anything else. The CM name in the Dikshitar school is junjUTi and there are some differences between it and modern senchuruTTi. There are also some differences between senchuruTTi's classical and folk variants as well.
More on this after some more research.
More on this after some more research.
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Re: Jhinjoti or Senjurutti
i just got reminded of a joke from anninyan movie
where actor vivek gives various permutations of the word "kumbi pakam" like
kabim kubam - kubam kabim - kambi kumba - kumba kambi ... and etc.
in the same way i have heard/read the name of this ragam spelt as
janjuti-janjooti/ jinjuti-jinjooti/ junjuti-junjooti ... and also majourly confused with senjurutti
a few add-on's to srinath's post
janya of:
hari-kamboji
scale:
Ar: d S R G M P D N
Av: D P M G R S n p d S
range of ragam:
from lower octave pa to middle octave ni
madhyama shruthi ragam:
this ragam sounds good if sung in madhyama shruthi
allied ragams:
this ragam uses the phrase (n p d S) in the lower octave and swaram da is given a gentle gamakam
which may sound as kamboji
even the ragam tarangini aka sudha tarangini also sounds a litte similar.
raga mudra:
yeah dikshithar uses the raga mudra of janjuti
in the phrase "su-janjUTi rAga pAnaH"(in the krithi "gajAmbA nAyakO")
compositions:
amongst the popular ones:
dikshitar's: gajAmbA nAyakO and ganje mam pahi
veene sheshanna's: jathiswara and thillana
(yet to discover ...)
where actor vivek gives various permutations of the word "kumbi pakam" like
kabim kubam - kubam kabim - kambi kumba - kumba kambi ... and etc.
in the same way i have heard/read the name of this ragam spelt as
janjuti-janjooti/ jinjuti-jinjooti/ junjuti-junjooti ... and also majourly confused with senjurutti
a few add-on's to srinath's post
janya of:
hari-kamboji
scale:
Ar: d S R G M P D N
Av: D P M G R S n p d S
range of ragam:
from lower octave pa to middle octave ni
madhyama shruthi ragam:
this ragam sounds good if sung in madhyama shruthi
allied ragams:
this ragam uses the phrase (n p d S) in the lower octave and swaram da is given a gentle gamakam
which may sound as kamboji
even the ragam tarangini aka sudha tarangini also sounds a litte similar.
raga mudra:
yeah dikshithar uses the raga mudra of janjuti
in the phrase "su-janjUTi rAga pAnaH"(in the krithi "gajAmbA nAyakO")
compositions:
amongst the popular ones:
dikshitar's: gajAmbA nAyakO and ganje mam pahi
veene sheshanna's: jathiswara and thillana
(yet to discover ...)
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Re: Jhinjoti or Senjurutti
ajaysimha wrote:
What exactly did you mean when you say yet to discover?veene sheshanna's: jathiswara and thillana
(yet to discover ...)
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Re: Jhinjoti or Senjurutti
haha... i meant- i'm yet to discover the other songs in this ragam
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Re: Jhinjoti or Senjurutti
I have 456 songs listed in cenjuruTi and 18 in jhanjhUTi in my INdex.
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Re: Jhinjoti or Senjurutti
Lakshman sir, you are flying so high that where you are can't be seen from down here 

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Re: Jhinjoti or Senjurutti
Srinath: If I am flying so high, how come I can still see all the requests for notations? !!!
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Re: Jhinjoti or Senjurutti
I will refer to the CM ragam as Chenchurutti. This ragam has been the favorite of Smt.MS Subbulakshmi, right from her first disc, 'maragatha' given at the tender age of ten. , right through her singing career. nearly 70 years. She has sung full kritis in this ragam ( purandaradasa...kaliyuga , Barathy's 'mannum imayamalai'(78 rpm special),, vaasudeva kamalaasana (telugu), 'naadhabindhu kalaadhi', ) and so many of her ragamalikas ( first stanza of maalaip pozhuthinile) and a lot more ) . Enadhu uLLame another gem , I believe in this ragam.
From the points made by esteemed rasikas , it appears that jinjothi of HM is not like our Chenchurutti at all!
I have a few queries.
1) Have other famous singers in CM made use of chenchurutti as often as Smt.MS has done?
2) Is ThyagarajaSwami's 'junjoothi', the same as Chenchurutti? Is there any rendition of the kritis?
3) Have MD and Shyama Sastry given us any kriti? in this Chenchurutti?
From the points made by esteemed rasikas , it appears that jinjothi of HM is not like our Chenchurutti at all!
I have a few queries.
1) Have other famous singers in CM made use of chenchurutti as often as Smt.MS has done?
2) Is ThyagarajaSwami's 'junjoothi', the same as Chenchurutti? Is there any rendition of the kritis?
3) Have MD and Shyama Sastry given us any kriti? in this Chenchurutti?
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Re: Jhinjoti or Senjurutti
Dikshitar has three songs in jhanjuti ans Shyama Shastri has n compositions in this raga.
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Re: Jhinjoti or Senjurutti
MS has sang Gange mam pahi in Chenjuruti of Deekshitar, Pranatharthiharam of Vasudevachar as also the Veene Seshanna Tillana in the same ragam.
DKP has sung Gajamba nayako in this ragam.
Maharajapuram santhanam has sung Ganesakumara in this ragam- compostion of Deekshitar
DKP has sung Gajamba nayako in this ragam.
Maharajapuram santhanam has sung Ganesakumara in this ragam- compostion of Deekshitar
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Re: Jhinjoti or Senjurutti
@27-> Lakshman_ji and @28 -> CRama , Thank you Sirs.
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sangeethapriya - Thyagaraja kritis- site mentions two kritis.
navanIta-chOra jenjUti and rAma-rAma-rAma jenjUti
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https://youtu.be/wkCLrKwcZ7A
Dr.Panthula Rama singing Navanitha Chora- ..but the ragam is mentioned as Navroj,-
Is it correct?
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sangeethapriya - Thyagaraja kritis- site mentions two kritis.
navanIta-chOra jenjUti and rAma-rAma-rAma jenjUti
--------------------------------------------------
https://youtu.be/wkCLrKwcZ7A
Dr.Panthula Rama singing Navanitha Chora- ..but the ragam is mentioned as Navroj,-
Is it correct?
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Re: Jhinjoti or Senjurutti
RSR wrote:
Yes. She sings it in Navaroj. I am not sure where I got the song details that are posted in Karnatik.com. It may be from Kalluri Virabhadra Shastri's book.https://youtu.be/wkCLrKwcZ7A
Dr.Panthula Rama singing Navanitha Chora- ..but the ragam is mentioned as Navroj,-
Is it correct?