Sanjay Subrahmanyan's concert at Bharat kalachar on Dec 18th

kedharam · Post by **kedharam** » 24 Dec 2008, 01:10

Sanjay Subrahmanyan, Bharat kalachar, Dec 18th

Begada - varnam
Malaya MArutham - anumAne
HusEni - Enna punniyam, R
ShankarAbaranam - Rama ninnu vinA, R, N at Nannu rakshimpa, S
Poorvi kalyAni - parama pAvanA
thani
dEva manOhari - innamum thAmadamEn swAmy
SAramathi - RTP
Pallavi text: kandhanai vandhanai sei manamE thandhayAi thAyAi vandharulum
Kanta jhati triputa, 2 kalai
swararagamAlika in nAttakurinji, bilahari, patdeep
behAg - ennamum oru thalam
kulam tharum selvam thandhidum in komalAngi follwed by nArAyananai thudhippAi
mangalam

SanjayÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s breezy start with the BegadA varnam, in vilamba and durita kaalams was followed by an energetic AnumAne.
HusEni alApanA in the mandhava sthaiyi was passionate and intensely moving with delicate sketches and picturized graciousness depicting the raga in all its beauty invoking the raga bhavam followed by Enna punniyam conceptualizing the underlined beauty of the sahithyamÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s sublimity.

He breathed life into shankarAbharanam with majestic grace and singular gamaka nuances with measured silences between sancharas. The alapana had an organic evolution through upper and lower sancharas with splendid karvais. The neraval at nannu rakshimpa norula gAna brimmed with poetic intensity followed by a brilliant swaraprasthara.
Innamum thAmadamEn swAmy in devamanOhari was rendered with pedantic overtones.

The unfolding of the evening melody poorvi kalyani raaga alapana took off gallantly missing no curve or contour. Parama pAvanA was dainty with its lively Chittaswaram and melodically pleasing kalpanaswara sequences, meticulous in laya with verve and vigor that had the listeners tapping to its trills.

SAramathi was the tour de force of the evening. He built up the edifice of SAramathi for the RTP without ambiguity, projecting the compound nuances of the melody with clarity bearing the unmistakable stamp of my fav master of yesteryears. His interpretation of this rare raga reverberated with resonance in his thAnam. The appeal of the poetic diction of the pallavi text "kandhanai vandhanai sei manamE thanthayAi thAyAi vandharulum"

bilahari · Post by **bilahari** » 24 Dec 2008, 10:39

Saramathi! I feel like abandoning my meticulously prepared concert schedule and just attending all of Sanjay's concerts. Lucky you, kedharam! And thanks for the report.

kedharam · Post by **kedharam** » 24 Dec 2008, 18:30

Yes, SAramathi was a pleasant surprise!

revanthv552 · Post by **revanthv552** » 28 Dec 2008, 14:24

Komalangi...??

Can someone give more info about this ragam??

kedharam · Post by **kedharam** » 28 Dec 2008, 16:46

Ragam KomalAngi is the janya of CharukEsi.
The notes are :
Aro: S R G M P N S
AVR: S N P M G R S

Ragjay · Post by **Ragjay** » 14 Jan 2009, 14:23

HI wHO ARE THE ACCOMPANYING ARTISTS FOR THIS CONCERT? RYE RAGJAY

Svaapana · Post by **Svaapana** » 14 Jan 2009, 17:49

Ragjay,

M. R. Gopinath - Violin
Tiruvidaimarudur S Radhakrishnan - Mrudangam
N. Govindarajan - Ghatam

CHELLAM · Post by **CHELLAM** » 14 Jan 2009, 18:36

Can some one help me with the lyrics and audio for "hanumane" in ragam malayamarutham

tks in advance

sridrect · Post by **sridrect** » 16 Jan 2009, 17:47

CHELLAM wrote:Can some one help me with the lyrics and audio for "hanumane" in ragam malayamarutham

tks in advance

There is a Sanjay clipping on You Tube of this song, which he had sung as a part of the MMU - Jaya TV duing the year 2007.