Akshay Padmanabhan - M Vijay - N C Bharadwaj
Music Club IIT Madras
4 Jan 09. 10 am
srI rAja mAtangi - suddha danyAsi - Adi - HMB
ElA nI daya rAdu - aTANA - Adi - T (short sketch)
gurulEkha eTuvaNTi - gauri manOhari - kaNDa cApu - T (RS)
natajana pAlini - naLinakAnti - Adi - TSI (RS)
srI kAnta nIyaDa - bhavapriyA - Adi - T
unnai allAl - kalyANi - Adi - PS (RNST)
RTP - simmEndra madhyamam - kaNDa tripuTA (1/2 eDuppu, 5 akshara aridi)
nI padamulE gatiyani nammiti srI rAmachandrA
rAgamAlikA svarams in srI rAgam, valaji, dEsh
Ala mAmaratin - viruttam in senjuruTTi, nAdanAmakriyA, sindhu bhairavi, mAND
ranga bArO - mAND - Adi - PD
tillAnA - darbAri kAnaDA - misra cApu - Tanjavur S Kalyanaraman
nI nAma rUpamulaku - saurAshTram - Adi - T
The kriti renditions were good. The manOdarmam parts were very creative. There were lots of innovative phrases which gave new looks to the rAgams. The accompanists were good.
Akshay Padmanabhan, Music Club IIT Madras
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srikant1987
- Posts: 2246
- Joined: 10 Jun 2007, 12:23
The gauri manohari was OK. Nalina kanti began well, but sounded too much like desh in between. kalyANi seemed to have some hindustani inputs. The svarams for that were good, and involved some calculations.
It was good to see gauri manohari taken up for an elaboration. Nalina kanti for an alapanai might have been a good choice, but not an alapanai that long. Maybe its duration could've been swapped with aThANA.
It was good to see gauri manohari taken up for an elaboration. Nalina kanti for an alapanai might have been a good choice, but not an alapanai that long. Maybe its duration could've been swapped with aThANA.
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srikant1987
- Posts: 2246
- Joined: 10 Jun 2007, 12:23