Today is Muthuswami Dikshitar's Birth Anniversary
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My all time favs: SrI kAnthimathim and meenAkshi mEmUdham, where MD has exploited divine beauty to the core"¦As one senior vidvAn recently told in all humility: "The great vAggeyakArAs eppadi pAdanumnu kAmichuttu pOita. Engalukku ethula vElai onnum kedaiAdhu. KannA pinnA pAdAma irundhA pOrum. (as long as we render them with integrity to the poetic element treating the sAhithyams with reverence to the composesr who have infused the literary-melodic-rhythmic entities with all the musical wisdom it was intended to have). A sort of the first compass I guess. Go MD!
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Some time ago there was a thread about your "last song" - If you had just enough time to listen to one last song before you died, which would you choose?
Hearing Nithyashree sing Ekambresha Nayike made me think "this would be it". How beautiful her voice is, and how beautifully she has sung! I had not heard anyone sing with such bhAva in a long time.
Hearing Nithyashree sing Ekambresha Nayike made me think "this would be it". How beautiful her voice is, and how beautifully she has sung! I had not heard anyone sing with such bhAva in a long time.
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http://www.geocities.com/vienna/strasse ... tarbio.htm
The year was 1834. In the month of Aswija, on the Chaturdashi preceding Deepavali, Muthuswamy Dikshitar woke up in the early hours, as was his practice, and after yogic practices went to take his bath. He had a vision of Kasi Annapoorneswari. Even as he was gazing on it, the vision vanished. Dikshitar remembered what Chidambara yogi had told him at Kasi: "She will give you not merely feed in this life but 'moksha' thereafter".
Dikshitar felt his end was nearing. He performed Navavarna pooja to the Devi and sang the kriti Ehi Annapoorne. After the pooja, Dikshitar moved on to the drawing room where his disciples had assembled. "Today is Chaturdashi, a day sacred to the Devi. May you all sing kirtanas in her praise," said Dikshitar to disciples. They began singing Meenakshi me mudam dehi in raga Gamakakriya.
"It looks as though the Devi is liberating me from the bonds of this world. Sing the kirtana again," said Dikshitar. They did so. Even as they were singing the sahitya of the anupallavi Meena lochani Pasha mochani, he cast off his mortal coils.
The music is over; but the song is on.
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The renowned sanskRt scholar and Dikshitar authority Prof. V Raghavan has composed a mahakAvya or epic poem on MD's life.ragam-talam wrote:Are there any kritis composed in praise of Dikshitar?
Raghavan, V. 1964. Muttuswami Dikshitar Charitra. Journal of the Music Academy, Madras, Vol. XXXV. pp: 228-237
Excerpts of this poem are often rendered in a kAmbhOji viruttam by Prof SRJ in his MD lec-dems.
I'm not sure if the entire poem is available online, though. Fellow rasika Vidya might know...
Last edited by vainika on 25 Mar 2009, 12:53, edited 1 time in total.
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Heads-up on a Dikshitar Jayanti concert at Naada Inbam on Monday March 30th, 6 pm. The program will feature renditions of some rare kRtis, with significance of selected lyrics explained by a sanskRt scholar Dr. Sivashree Gopalakrishnan, who has written her dissertation on the sAhitya of MD kRtis.
Kalpakam Swaminathan and L Ramakrishnan - Veena
Vasumathi Desikan, Vijaya, and Sivashree Gopalakrishnan - Vocal
Amritha Murali - Violin
Tanjavur Kumar - Mrudangam
Venue: Raga Sudha Hall, 85/2, Luz Avenue, Luz, Mylapore, Chennai
Kalpakam Swaminathan and L Ramakrishnan - Veena
Vasumathi Desikan, Vijaya, and Sivashree Gopalakrishnan - Vocal
Amritha Murali - Violin
Tanjavur Kumar - Mrudangam
Venue: Raga Sudha Hall, 85/2, Luz Avenue, Luz, Mylapore, Chennai
Last edited by vainika on 26 Mar 2009, 19:13, edited 1 time in total.
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Not withstanding the MA's decision to celebrate 1975 as the birth anniversary , there isn't much of a consensus on what the English date of Dikshitar's Birth Anniversary is (24,25,26 - 1776 and some still use 1775). For this reason, I prefer to use the Panguni kRtika referencer which falls on March 30th and also believe that the correct English date to be 26.3.1776 which I think matches the panguni kRtika and manmatha year.
On this occasion Dr.PPN and I are happy to release to the public domain another work The Dikshitar Kirtana prakashika of Shri.Tiruppamburam Natarajasundaram Pillai. The mirrored locations are:
http://guruguha.org/dkp_p.pdf
http://www.ibiblio.org/guruguha/dkp_p.pdf
For those of you who do download a copy, let us know of any typos / errors.
Vainika,
What Prof.SRJ sings is a kAmbhOji shabdam not a viruttam. A shabdam is a dance composition that is a different genre than the viruttam It goes thus (quoting from memory):
guruguhanugrahIta mApura dhanya janma makhIshvara
tiruttaNI sthala labda madhumaya kavitA vaibhava
kRtibhiradbhuta rAga mUrtiH akila harihara dEvatA
nutibhiramara yashasprakIrtiH tyaga kamalA bhakta namOstutE
Dr.Raghavan's (whose birth centenary was last year - see dedication in the DKP) kavya is not available online. I believe a copy of it may be available via Dr.V.Raghavan center for performing Arts.
Ragam-thalam,
http://guruguha.org/mdsongs.php
On this occasion Dr.PPN and I are happy to release to the public domain another work The Dikshitar Kirtana prakashika of Shri.Tiruppamburam Natarajasundaram Pillai. The mirrored locations are:
http://guruguha.org/dkp_p.pdf
http://www.ibiblio.org/guruguha/dkp_p.pdf
For those of you who do download a copy, let us know of any typos / errors.
Vainika,
What Prof.SRJ sings is a kAmbhOji shabdam not a viruttam. A shabdam is a dance composition that is a different genre than the viruttam It goes thus (quoting from memory):
guruguhanugrahIta mApura dhanya janma makhIshvara
tiruttaNI sthala labda madhumaya kavitA vaibhava
kRtibhiradbhuta rAga mUrtiH akila harihara dEvatA
nutibhiramara yashasprakIrtiH tyaga kamalA bhakta namOstutE
Dr.Raghavan's (whose birth centenary was last year - see dedication in the DKP) kavya is not available online. I believe a copy of it may be available via Dr.V.Raghavan center for performing Arts.
Ragam-thalam,
http://guruguha.org/mdsongs.php
Last edited by vidya on 30 Mar 2009, 08:50, edited 1 time in total.
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Thanks Dr. PPN and Vidya for helping bring this work to light! I quickly scanned some of the notations (chEtas, bRhannAyakI) and they appear similar to the SSP, except that the o instead of , signifying duration of note takes some getting used to.
Last edited by vainika on 30 Mar 2009, 02:45, edited 1 time in total.
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Thanks.
Rshankar,
All I know is that these four lines of this shabdam are sung by him as a concert opener. Since the fourth line ends with a namOstutE and shabdams are supposed to end with a salutation, I assumed this was all that it had. Not sure if there are more stanzas or not. I am not aware of the stipulations of the average length of a shabdam - Are there any? I am guessing that may be Smt.Nandini Ramani or Smt.Priyamvada Sankar - (Dr.Raghavan's daughters) may have choreographed this.
Rshankar,
All I know is that these four lines of this shabdam are sung by him as a concert opener. Since the fourth line ends with a namOstutE and shabdams are supposed to end with a salutation, I assumed this was all that it had. Not sure if there are more stanzas or not. I am not aware of the stipulations of the average length of a shabdam - Are there any? I am guessing that may be Smt.Nandini Ramani or Smt.Priyamvada Sankar - (Dr.Raghavan's daughters) may have choreographed this.
Last edited by vidya on 30 Mar 2009, 08:54, edited 1 time in total.
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And in line with MD tradition, the kriti has rAga mudre, and use of both gOpucchayati, and SrOtOvAhayati.baboosh wrote:In 1975 MA season was dedicated to Dikshitar being his Bi centenary year.Then I heard MBK composed a Krithi beginning with Chintayami santatam Sri Muddusvami dikshitam.ragam-talam wrote:Are there any kritis composed in praise of Dikshitar?