I think that well-formed praises like "shabash" and "bale" and "besh" are voluntary, therefore we expect them only from big vidwans. But "aaha", "mmm", "aa" are all involuntary and anyone who is totally awed by the music will naturally say that.
Last edited by srikant1987 on 24 Jul 2008, 15:16, edited 1 time in total.
VK,
I thought it was a long drawn yarn on appreciative (?) words in a music concert. I would not have guessed it was a svAmiji who spoke, had Gopalk not mentioned it. To me, discerning though a rasikA can be, he also can appreciate the music he listens to in such a way that these expressions of appreciation are mostly spontaneous expressions of being moved.
Perhaps the svAmi was going to illustrate some point in his discourse by way of this example which we are not privy to...
Speaking of Shabash, Bale, and Besh...can someone educate me on the etymology of these words? My cursory probing reveals they originated from ancient Persia (and even Arabia) and I suspect, over the Moghul period, the Carnatic aficionados adopted them (much as the fashionistas adopted "Ciao!" and "Tschuss!"...). If that's anywhere near the mark (and here why I have doubts about it) then what explains the absence of those words of appreciation in Hindustani music circles which is a nearer cousin to Persian/Arab music?
Do these exclamations have Tamil or Sanskrit or other roots? We rarely hear them outside music circles after all.