MSG Trio at the Cleveland Aradhana
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Accompanied by Shri Gurvayoor Dorai (Mridangam)
TV Vasan (Ghatam)
I arrived for the 7:15 concert way ahead of time with very high hopes. My mistake. The concert started at 8:10 and from the onset the concert was a runaway freight train. The highlight and the one person who single handedly held the trio together was Narmada Gopalakrishnan.
The trio began with Khambhoji Ata Tala Varnam in two speeds. The sub main and main piece were Begada and Panthuvarali ragams. The RTP was in thodi.
What not to do in a kutcheri was exemplified by Sri Suresh. The begada ragam was clearly butchered at all the soulful places specifically in the upper Sadjam. Every note was out of place and the violin if it had a mouth would have clearly said STOP. Even nature has a tendency of leaving behind the weak. Suresh was definitely the weakeat link in this ensemble.
Pantuvarali on the other hand was dealt with grace and aplomb. Every note played by Narmada was perfect and the raga bhava just flowed in its entirety as was evidenced by the applause that she received throughout the concert.
After a beautiful rendition of Nalinakanthi, came the Thodi RTP. I decided to attend to nature's call at this time. I wanted to be back for the unfolding of this ragam. To my dismay when I got back, no more than 3 minutes the ragam was over and the artistes were close to wrapping up the tanam. I was thoroughly disgusted. The pallavi although had several ragams in the ragamalika, my interest had weaned. For having travelled this far to enjoy SHri MSG, it was a major let down.
Gurvayoor Dorai and Sri Vasan did a extra ordinary job and bought the whole ensemble together with their technique and dexterity.
I will post the complete concert list after I get it together from memory. I apologize in advance if I have spoken to harshly. I just spoke my mind.
TV Vasan (Ghatam)
I arrived for the 7:15 concert way ahead of time with very high hopes. My mistake. The concert started at 8:10 and from the onset the concert was a runaway freight train. The highlight and the one person who single handedly held the trio together was Narmada Gopalakrishnan.
The trio began with Khambhoji Ata Tala Varnam in two speeds. The sub main and main piece were Begada and Panthuvarali ragams. The RTP was in thodi.
What not to do in a kutcheri was exemplified by Sri Suresh. The begada ragam was clearly butchered at all the soulful places specifically in the upper Sadjam. Every note was out of place and the violin if it had a mouth would have clearly said STOP. Even nature has a tendency of leaving behind the weak. Suresh was definitely the weakeat link in this ensemble.
Pantuvarali on the other hand was dealt with grace and aplomb. Every note played by Narmada was perfect and the raga bhava just flowed in its entirety as was evidenced by the applause that she received throughout the concert.
After a beautiful rendition of Nalinakanthi, came the Thodi RTP. I decided to attend to nature's call at this time. I wanted to be back for the unfolding of this ragam. To my dismay when I got back, no more than 3 minutes the ragam was over and the artistes were close to wrapping up the tanam. I was thoroughly disgusted. The pallavi although had several ragams in the ragamalika, my interest had weaned. For having travelled this far to enjoy SHri MSG, it was a major let down.
Gurvayoor Dorai and Sri Vasan did a extra ordinary job and bought the whole ensemble together with their technique and dexterity.
I will post the complete concert list after I get it together from memory. I apologize in advance if I have spoken to harshly. I just spoke my mind.
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- Joined: 03 Feb 2010, 09:02
Honesty is the best policy, appu! Thank you for the review and look forward to more coverage of the Cleveland Aradhana from you.
A small consolation for you--an RTP in thOdi by MSG:
http://www.sendspace.com/file/dyvcvl
A small consolation for you--an RTP in thOdi by MSG:
http://www.sendspace.com/file/dyvcvl
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- Joined: 28 Sep 2008, 23:07
I perfectly agree with appu’s sentiments. So far no concert was soul stirring for me. The best performances were by the children, Wesleyan Students and Mrs. Narmada Gopalakrishnan’s brilliant artistry. Don’t know much abt Natya, hence don’t want to venture"¦With no internet connection, had a ball stars gazing (Smt. parasala ponnammal, Sri. T.K. Govinda Rao, Sri. Ramani, Smt. Radha, Sri. Dorai ...) hopping between CD shops, meeting friends and enjoying Rascal house pizza. Chevikku Unavu illAdha pOdhu chiridhu vayitrinnukum iyyapadum!
Last edited by kedharam on 14 Apr 2009, 02:07, edited 1 time in total.
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I was there for both the concerts. Both sang well. Nisha had to cut short her program because the earlier program (Sudha's) was delayed and also her concert went way beyond the allotted time.
Here are the songlists:
Kannakudi Balamuralikrishna.
karuNimpa-shahAnA varNa-Vinai Kuppier
jAnaki ramaNa-shuddhasImantini-Tyagaraja-S
suguNamulE-cakravAka-Tyagaraja-sketch, S
O jagadamba-Anandabhairavi-Shyama Shastri
mAmava mInAkSi-varALi-Dikshitar-A,N,S,tani
RTP kAmbhOji (I think)-shrI rAjagOpAlam bhajE shritajana pAlam-c/jhampa tALA, khaNDanaDai
vagalADi bOdhanalku-behAg jAvaLi-Tirupati Narayanasami
tillAna-khamAs-Patnam
Nisha Rajagopal:
valaci vacci-navargamAlikA varNa-Patnam
ranganAthuDE-saurASTra-Ponniah Pillai-S
paralOka bhayamu-mandAri-Tyagaraja-sketch
mInalOcani brOva-dhanyAsi-Shyama Shastri0-A,S
mOhanAkAra muttukumAra-nItimati-Kotishvara Iyer
rAmA nIyeDA-kharaharapriyA-Tyagaraja-A,N,S,tani
karpUram nArumO-khamAs-Andal tiruppAvai
Here are the songlists:
Kannakudi Balamuralikrishna.
karuNimpa-shahAnA varNa-Vinai Kuppier
jAnaki ramaNa-shuddhasImantini-Tyagaraja-S
suguNamulE-cakravAka-Tyagaraja-sketch, S
O jagadamba-Anandabhairavi-Shyama Shastri
mAmava mInAkSi-varALi-Dikshitar-A,N,S,tani
RTP kAmbhOji (I think)-shrI rAjagOpAlam bhajE shritajana pAlam-c/jhampa tALA, khaNDanaDai
vagalADi bOdhanalku-behAg jAvaLi-Tirupati Narayanasami
tillAna-khamAs-Patnam
Nisha Rajagopal:
valaci vacci-navargamAlikA varNa-Patnam
ranganAthuDE-saurASTra-Ponniah Pillai-S
paralOka bhayamu-mandAri-Tyagaraja-sketch
mInalOcani brOva-dhanyAsi-Shyama Shastri0-A,S
mOhanAkAra muttukumAra-nItimati-Kotishvara Iyer
rAmA nIyeDA-kharaharapriyA-Tyagaraja-A,N,S,tani
karpUram nArumO-khamAs-Andal tiruppAvai
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OMG OMG OMG OMG OMGA small consolation for you--an RTP in thOdi by MSG:
http://www.sendspace.com/file/dyvcvl
Is this guy a genius or what?
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- Joined: 15 Jan 2009, 10:17
I am not surprised. I my earlier review of MSG-Narmadha concertappu wrote:
Pantuvarali on the other hand was dealt with grace and aplomb. Every note played by Narmada was perfect and the raga bhava just flowed in its entirety as was evidenced by the applause that she received throughout the concert.
http://rasikas.org/forums/viewtopic.php? ... f-msg.html
I had mentioned briefly about Narmadha's capabilities and Sri MSG's constraints. And definitely Narmadha is the strongest link and the torchbearer of Parur style. I heard that during a concert of MSG-Narmadha-Suresh (2008 music season ) , Sri MSG asked Suresh to stop putting thalam as it was not in sync with the song. Perhaps Sri MSG should not include him in the trio till he attains some profiency
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Here is the song list
1. Khambhoji Ata Tala Varnam
2. Do not remember. I believe a kriti in ragam Sindhu Mandhari and it was not Karunil Chutakine
3 Natam Tanu Manu Sam Chitaranjani, Adi Talam
4. Ragam elaboration in Begada by Suresh, followed by a kriti which I tuned out completely
5. Siva Siva Pantuvarali ragam, Neraval swarams (By far the best piece)
6. Manavyalakinchara Nalinakanti ragam with swarams
7. Thodi RTP with ragamalika in Kannada, Mohanam, Atana, Saveri, Behag, Kapi and Thodi
8. Chinan Chiru Kileya
9. Dhanashri Thillana
10. A thirupavai in Vasantha ragam
11. Mangalam
If any one remembers song 2 and 4 please add.
1. Khambhoji Ata Tala Varnam
2. Do not remember. I believe a kriti in ragam Sindhu Mandhari and it was not Karunil Chutakine
3 Natam Tanu Manu Sam Chitaranjani, Adi Talam
4. Ragam elaboration in Begada by Suresh, followed by a kriti which I tuned out completely
5. Siva Siva Pantuvarali ragam, Neraval swarams (By far the best piece)
6. Manavyalakinchara Nalinakanti ragam with swarams
7. Thodi RTP with ragamalika in Kannada, Mohanam, Atana, Saveri, Behag, Kapi and Thodi
8. Chinan Chiru Kileya
9. Dhanashri Thillana
10. A thirupavai in Vasantha ragam
11. Mangalam
If any one remembers song 2 and 4 please add.
Last edited by appu on 16 Apr 2009, 08:46, edited 1 time in total.
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Thiruppugazh hymns are by Arunagirinathar and are in praise of Lord Muruga. These are usually rendered towards the end of a concert (though there are exceptions at times). Andal's Thiruppavai hymns are in praise of Lord Vishnu. One can usually listen to a lot of Thiruppavais during the season concerts (Margazhi).
Sathej
Sathej
Last edited by Sathej on 17 Apr 2009, 00:56, edited 1 time in total.