Smt. Parassala Ponnammal at Shanmukhananda Sabha -Mumbai
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- Joined: 12 Apr 2009, 23:14
Vocal-Smt.Parassala Ponnammal
Vocal Support:Bhama K
Vioin-K.Sivakumar
Mridangam-Rajesh Srinivasan
Kanjira-disciple of Rajesh Srinivasan-(did not catch his name-would be grateful to any rasika who could supply his name)
It was a great experience seeing the very graceful,dignified.veteran on the stage and listening to her very satisfying,peace-exuding concert.She defined the word 'classical'.
List of songs:
Varnam-NAttakuranji-Ata
Siddhi VinAyakam-Chamaram-Dikshitar-R,S
sAmOdaM cintayAmi-Suddha Dhanyasi-M.Chapu-Swati Tirunal-R,N,S
lOkavana chatura-Begada-Tyagaraja
Rave-Thodi swarajati-Syama Sastri-Todi alapana was beautiful with lovely touches-the entire essence of Todi was brought out without any frills and flourishes.
SudhAmayi-Amritavarshini-Rupakam-HMB
ShankarAcaryam - Shankarabharanam- Subbarama Dikshitar-RNS-Shankarabharanam in all its grandeur;Neraval at parama..& swarams indicated her vidwat.-Tani by Rajesh & his student was very good-
TyagarajaswAmi-Atana-
Satatam-Nilambari-Swati Tirunal
sAnandaM kamalAmanohari-ragamalika-Swati Tirunal
ParulannamAta-kapi javali-Dharmapuri Subbarayar
Viruttam-sAyankAle-Ananda bhairavi(wonderful)Mohanam,Dhanyasi,Surutti foll.by
NIlavanna pAhimAm-Surutti-IrayamAnthambi
Tillana-Dhanasri-Swati Tirunal
BhujagashAyinO- Yadukulakambodi-(mangalam)
Smt.Bhama K.'s solid vocal support,the chaste,restrained violin accompaniment by Sri K. Sivakumar & the deft,soft strokes on the mridangam and kanjira added to the overall impact of the concert. It was amazing to see her singing with such a full-throated voice continuosly for 3 full hours,at this age-it was sad that people did not come in large numbers for this very rare kucheri-the loss is entirely theirs!
Vocal Support:Bhama K
Vioin-K.Sivakumar
Mridangam-Rajesh Srinivasan
Kanjira-disciple of Rajesh Srinivasan-(did not catch his name-would be grateful to any rasika who could supply his name)
It was a great experience seeing the very graceful,dignified.veteran on the stage and listening to her very satisfying,peace-exuding concert.She defined the word 'classical'.
List of songs:
Varnam-NAttakuranji-Ata
Siddhi VinAyakam-Chamaram-Dikshitar-R,S
sAmOdaM cintayAmi-Suddha Dhanyasi-M.Chapu-Swati Tirunal-R,N,S
lOkavana chatura-Begada-Tyagaraja
Rave-Thodi swarajati-Syama Sastri-Todi alapana was beautiful with lovely touches-the entire essence of Todi was brought out without any frills and flourishes.
SudhAmayi-Amritavarshini-Rupakam-HMB
ShankarAcaryam - Shankarabharanam- Subbarama Dikshitar-RNS-Shankarabharanam in all its grandeur;Neraval at parama..& swarams indicated her vidwat.-Tani by Rajesh & his student was very good-
TyagarajaswAmi-Atana-
Satatam-Nilambari-Swati Tirunal
sAnandaM kamalAmanohari-ragamalika-Swati Tirunal
ParulannamAta-kapi javali-Dharmapuri Subbarayar
Viruttam-sAyankAle-Ananda bhairavi(wonderful)Mohanam,Dhanyasi,Surutti foll.by
NIlavanna pAhimAm-Surutti-IrayamAnthambi
Tillana-Dhanasri-Swati Tirunal
BhujagashAyinO- Yadukulakambodi-(mangalam)
Smt.Bhama K.'s solid vocal support,the chaste,restrained violin accompaniment by Sri K. Sivakumar & the deft,soft strokes on the mridangam and kanjira added to the overall impact of the concert. It was amazing to see her singing with such a full-throated voice continuosly for 3 full hours,at this age-it was sad that people did not come in large numbers for this very rare kucheri-the loss is entirely theirs!
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- Joined: 06 Feb 2010, 05:42
The kanjira player was Shri Easwar.
Yes ,it was such a wonderful experience listening to this veteran, seeing her and be part of the whole proceedings.Indeed we were all blessed to have been there.
I hope Prince Rama varma uploads some video clippings for the listening /seeing pleasure of all the rasikas.
We will savour this experience for days to come- like
asi pODuvadu'.
The song on ThyAgarja in aTANA was very good.
My pick of the day was 'rAvE himagiri kumAri'-it was rendered very beautifully.
Altogether a very very satisfying concert.
Our praNAms to the veteran and our prayers for her long,healthy and music filled life.
Yes ,it was such a wonderful experience listening to this veteran, seeing her and be part of the whole proceedings.Indeed we were all blessed to have been there.
I hope Prince Rama varma uploads some video clippings for the listening /seeing pleasure of all the rasikas.
We will savour this experience for days to come- like
asi pODuvadu'.
The song on ThyAgarja in aTANA was very good.
My pick of the day was 'rAvE himagiri kumAri'-it was rendered very beautifully.
Altogether a very very satisfying concert.
Our praNAms to the veteran and our prayers for her long,healthy and music filled life.
Last edited by PUNARVASU on 18 May 2009, 07:34, edited 1 time in total.
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Hari,
Thanks for pointing it out. How did I miss it? Of course, her other song on T is 'pAnam Seyya vArIr!' in simhEndra madhyamam.
Jeyar,
I merely asked Punarvasu if Prashant was there. He would have been there unless he was out of town. Wish I were there too, but to cross the ocean once is far enough, let alone a few
Thanks for pointing it out. How did I miss it? Of course, her other song on T is 'pAnam Seyya vArIr!' in simhEndra madhyamam.
Jeyar,
I merely asked Punarvasu if Prashant was there. He would have been there unless he was out of town. Wish I were there too, but to cross the ocean once is far enough, let alone a few

Last edited by arasi on 18 May 2009, 08:14, edited 1 time in total.
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sAmini vEgamE rammanavE. rAgA: nATakuranji. k/aTa tALA. Composer: Patnama Subramania Iyer.
P: sAmini vEgamE rammanavE sArasAkSirO I vELa
A: shrI mAnyuDaina shrI venkaTEshvaruni shelvamunu dalaci marulaitini
(alt A): shrImantuDaina shrI koTTasAmi bhUpAluni cennu dalacitini
(muktAyisvara sAhitya)
nammika gala celi nIvani ninu nammitinamma komma nimmaLa mukha baliki
marmamu telusu karammipuDu bommu samayamura mA tanayuDEyu virisharamulu
karamUlanguriyucu nA yUramuna tagilidura muganu nADiccanakA migula noccitini teliyi
C: dayajEsi nannElu kommanavE nApai
P: sAmini vEgamE rammanavE sArasAkSirO I vELa
A: shrI mAnyuDaina shrI venkaTEshvaruni shelvamunu dalaci marulaitini
(alt A): shrImantuDaina shrI koTTasAmi bhUpAluni cennu dalacitini
(muktAyisvara sAhitya)
nammika gala celi nIvani ninu nammitinamma komma nimmaLa mukha baliki
marmamu telusu karammipuDu bommu samayamura mA tanayuDEyu virisharamulu
karamUlanguriyucu nA yUramuna tagilidura muganu nADiccanakA migula noccitini teliyi
C: dayajEsi nannElu kommanavE nApai
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- Joined: 12 Apr 2009, 23:14
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- Joined: 05 Oct 2008, 07:43
My impressions on concert by PP (I hope that acronym is not taken?!). I rather think she wanted to sing a little Begada alapana, but she was probably distracted by some loud audience chatter and retreated to Lokavana Chatura (which I am hearing for the first time). Fine song.
Violin was good, especially in swaram reply, but the shadowing in the alapanas was more than necessary and intrusive and PP kept colliding with the last phrase of the violin trying to duplicate everything of the previous phrase (you get what I mean), so it was very edgy and only in Sankarabharanam, PP could get the flow going.
Even in well worn Siddhivinayakam, PP presented some neat flourishes and overall, her assurance in neraval especially and in controlling the pace of the concert was noteworthy. Todi swarajathi was good, except that I wish she had sung only in the lower octave as in the song. A few lower octave rendering of high lines were also there in some of the other songs, which I don't mind so much. Raave Himagiri has
powerful lower octave lines and PP's voice and chosen sruthi did permit full justice to it, actually.
Apart from these minor complaints, I enjoyed the concert a lot. Very strong song renderings and solid raga music.
Violin was good, especially in swaram reply, but the shadowing in the alapanas was more than necessary and intrusive and PP kept colliding with the last phrase of the violin trying to duplicate everything of the previous phrase (you get what I mean), so it was very edgy and only in Sankarabharanam, PP could get the flow going.
Even in well worn Siddhivinayakam, PP presented some neat flourishes and overall, her assurance in neraval especially and in controlling the pace of the concert was noteworthy. Todi swarajathi was good, except that I wish she had sung only in the lower octave as in the song. A few lower octave rendering of high lines were also there in some of the other songs, which I don't mind so much. Raave Himagiri has
powerful lower octave lines and PP's voice and chosen sruthi did permit full justice to it, actually.
Apart from these minor complaints, I enjoyed the concert a lot. Very strong song renderings and solid raga music.
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- Joined: 12 Oct 2008, 14:10
There is a thodi/sindhu bhairavi tillana attributed to both patnam and sheShaNNa which has the words ugra pandya bhupala..ksrimech wrote:
Did paTnam subrahmanyayyar sing about his benefactors too? In other words, did he do nara stuti? Any other references Lji?
I think patnam S.ayyar felt deeply sad, about having to do narastuti and refers to this often..
in the Kannada piece, intakanTE he says, "poTTa sakute panigA.. nalugurilO nadu guTTu bayalu jaesitivI.."
"That I have taken to these mean resorts, to fill my stomach; you have made this public knowledge and shamed me.."
In the keeravani varamulosagi, he says - UdarapOShaNArthamai norula manasu karagabalkinadi"
To nourish my stomach, I melted strangers' hearts, with speech/music..
Last edited by keerthi on 21 May 2009, 11:08, edited 1 time in total.