delete
-
- Posts: 1013
- Joined: 30 Nov 2008, 07:46
-
- Posts: 2808
- Joined: 03 Feb 2010, 16:52
While I don't particularly like this practice, it does happen for a few krithis where the charanam is sung in a faster tempo or kAlapramAnam to the previous sections. For example I have heard it done for "raghuvamsa sudha" (kadanakuthuhalam), marivere (shanmukhapriya), ninnuvinna (navarasa kannada) and sadhinchine.
For the group rendition you mentioned, I guess the group had decided with the mrudangam player for him (or her) to increase the tempo so that the whole group can sing the charanam in a consistent (faster) tempo. For a solo concert, this is just done by the vocalist (or lead instrumentalist) and the accompanists just follow.
For the group rendition you mentioned, I guess the group had decided with the mrudangam player for him (or her) to increase the tempo so that the whole group can sing the charanam in a consistent (faster) tempo. For a solo concert, this is just done by the vocalist (or lead instrumentalist) and the accompanists just follow.
Last edited by mohan on 21 May 2009, 11:19, edited 1 time in total.