Why no reviews of NSG's concerts?
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I have been noticing that, there is only one review of Vidyaarthi's concert so far. I had gone for 2 of his concerts - one at narada gana sabha, and the other day before at asthika samajam (wherein karaikudi Mani accompanioed him for the first time.)
Despite his daring selection of BNiroshta for the main at NGS (he sang Raja raja , the audience turnout was evidently less.
If I remember right he sang Nidhichalasukhama in tisra triputa in Astika samajam
Not only for him, i see that the number of reviews have come down a lot generally
Despite his daring selection of BNiroshta for the main at NGS (he sang Raja raja , the audience turnout was evidently less.
If I remember right he sang Nidhichalasukhama in tisra triputa in Astika samajam
Not only for him, i see that the number of reviews have come down a lot generally
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I regret not being able to attend his concerts this time. I find his music absorbing even when he has trouble with his voice....several veterans have voices that are no longer in their prime...it is our loss if we can't look beyond that.
Nedunuri's monumental Mohanam brought the house down at the Academy in 2007. Yet even his most ardent fans would concede that his voice has become very frail...
Nedunuri's monumental Mohanam brought the house down at the Academy in 2007. Yet even his most ardent fans would concede that his voice has become very frail...
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Vijay,
How right you are! NSG's Parthasarathy Sabha concert was an absorbing one. His singing that day, especially the BrindAvana SAranga RTP was so moving, I was at the verge of tears. I can get tired listening to sweet voices in succession, voices which do not have much else to convey. I can close my eyes and listen to our vidyaarthi's music and his musical phrases delivered in tranquility and it is worth my time and money. The cascading of his music has a soothing effect on me. His musical experience is something I am in awe of and when I get a glimpse into it in a concert, I am transported.
How right you are! NSG's Parthasarathy Sabha concert was an absorbing one. His singing that day, especially the BrindAvana SAranga RTP was so moving, I was at the verge of tears. I can get tired listening to sweet voices in succession, voices which do not have much else to convey. I can close my eyes and listen to our vidyaarthi's music and his musical phrases delivered in tranquility and it is worth my time and money. The cascading of his music has a soothing effect on me. His musical experience is something I am in awe of and when I get a glimpse into it in a concert, I am transported.
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I attended one concert of NSG and I wish I had not attended it! He seemed to have little interest in the concert and didn't appear to have come with any plan. He started asking a a few rasikas who had turned up for the concert as to what song he should sing and started singinging them randomly. And suddenly for one of those songs which audience requested, he asked mrdangist to play the Thani. There was no raga or swaram rendition for that song. Overall a big disappointment.
Last edited by music_is_life on 17 Jan 2010, 22:12, edited 1 time in total.
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When there is audience participation (by way of requests) it can be refreshing. On the other hand, it can also throw the performers off--with the inundation of requests, and distracting cross-talk. Neyveli, though he runs TV pograms in which he interacts very well, is a meditative singer on stage. Perhaps that was the reason the format of the concert (Carnatica's?) didn't appeal to you in this case.
In popular music TV programs, interaction is the mantra. May not work that well in CM, especially when it comes to someone like NSG. What I like in CM concerts is the concentrated effort put forth by vidvAns and vidUShis. The variety factor in CM comes from your listening to different performers who bring their own flavor of music to us.
In popular music TV programs, interaction is the mantra. May not work that well in CM, especially when it comes to someone like NSG. What I like in CM concerts is the concentrated effort put forth by vidvAns and vidUShis. The variety factor in CM comes from your listening to different performers who bring their own flavor of music to us.
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So, that bhairavi (yArO ivar yArO?), that subha pantuvarALi (sri Satya NArAyaNam) , that saraguNa pAlimpa and to top it all, that RTP in brindAvana sArangA that I was listening to in rapt attention were all the result of my run away imagination?
I haven't heard T.K. Govinda Rao in a while. I have no idea how he sings now. Comparing vidvAns (for that matter vidUshis) is not a very nice thing to do either, I think.
I haven't heard T.K. Govinda Rao in a while. I have no idea how he sings now. Comparing vidvAns (for that matter vidUshis) is not a very nice thing to do either, I think.
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Men/Women may come and Men/Women may go.. but CM goes on for ever...
The musical demise of a performing vidwan occurs much earlier than physical demise. For some it is difficult to accept, but then they should realize that our (Rasika's) respect for them does not go down when their voice declines. They should gracefully pass the torch to their sishyas in the best interest of the art form....
The musical demise of a performing vidwan occurs much earlier than physical demise. For some it is difficult to accept, but then they should realize that our (Rasika's) respect for them does not go down when their voice declines. They should gracefully pass the torch to their sishyas in the best interest of the art form....
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I agree, Bilahari. Let the artistes thrive, and rasikAs too. RasikAs can pick and choose their performers and let the performers sing merrily to the gathering of those who favor them. Others can stay away and not comment by going to their concerts or worse-- criticize them without even listening to them.
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>>Others can stay away and not comment by going to their concerts or worse-- criticize them without even listening to them.<<
I completely agree. If voice is the only criteria for enjoying carnatic music, I am afraid you are grossly mistaken. Without going into names, let me say this - we would not have had some of the greatest maestro's in our midst if voice was the only criteria.
Gurus/vidwans like Sri NSG are truly seeking to spread the joy of music and let us do our bit by not belittling their efforts. We should appreciate his efforts to give out the best despite his recent handicap.
Peace!
I completely agree. If voice is the only criteria for enjoying carnatic music, I am afraid you are grossly mistaken. Without going into names, let me say this - we would not have had some of the greatest maestro's in our midst if voice was the only criteria.
Gurus/vidwans like Sri NSG are truly seeking to spread the joy of music and let us do our bit by not belittling their efforts. We should appreciate his efforts to give out the best despite his recent handicap.
Peace!