T S Krishnamurthy - Violin
A Renuka Prasad - Mridanga
S N Narayanamurthy - Ghata
1. vanajakshi - mandari varnam
2. mamavathu sri saraswathi - hindolam
3. bhajana seya radha - dharamavathi- alapana, neraval and swaram
4. karuninchi nannu - navarasa kannada
5. palukavademira - devamanohari
6. brocheva - Khamas - alapana, swaram , tani
7. rtp hamsanandhi - srimadhaadi thyagaraja guruvaram namamyaham -
ragamalika swaram in kedaragowla and durbari
8. gokula nilaya - bheemplas
9. Mangalam Kosalendraya
A late evening at work, the famous Traffic Jams of Bangalore ensured that I walked in during the middle of Brocheva! SuryaPrakash did a superb Neraval in Seethapathe.
The tani by Renuka Prasad and Narayanamurthy was extremely absorbing.
Suryaprakash excels in Hindustani Ragas (the last time he had sung Megh Malhar) The Hamsanandi (I noticed that Suryaprakash had shifted to Madhyama Sruthi) , had a Sohini(sh) touch to it. Surya uses "ri" and "hari" to good effect in Raga endings . The Pallavi was crisp and short due to time constraints. Support by T S Krishnamurthy was good.
Met Arasi who had to leave after Tani.
I regret missing Mandhari Varnam and Bhajana Seya Radha
