Can we ban Aussie musicians from coming into India?

[harimau]

This was in "The Hindu" some time back.

Do we really need the didgeridoo in Indian music?

The least the Quarantine Department of Indian Customs can do is to impound the didgeridoo to check it for termites and fumigate it for weeks and return it to the owner as he leaves the country!

Blow it like Barton

William Barton brings alive the sounds of the Australian bush and Aboriginal legends with his didgeridoo


William Barton doesn't just play the didgeridoo; he makes it sing like the kookaburra, he makes it hop like a kangaroo, he makes it dance like a hip-hop artiste, he makes it scratch like it was a DJ's turntable.
The talented young didgeridoo player — considered one of Australia's finest — was in Chennai recently for a special concert, ‘Songlines of Australia', as part of his tour of India (including a performance at the Hockey World Cup in Delhi), organised by the Australia-India Council.
The concert might have been in the plush environs of the Asiana Hotel, but for an all-too-brief half-an-hour, Barton transported the audience to the rugged Australian bush, conjuring a vivid soundscape of its bird songs and of the wind rustling through its trees.
“The didgeridoo captures the raw resonance of the Australian outback through its deep tones,” he said during an interview earlier in the evening (there was plenty of time to spare since the concert started nearly two hours late). “It's the branch of a tree that comes alive when you put your breath into it.”
The instrument has been an integral part of ceremonies of the native tribes of Australia for centuries, accompanying the ‘song man' as he sang the ‘dream-time story', the Aboriginal legends of the seasons and rituals. Barton carried on this storytelling tradition of the instrument during the performance, telling tales through the didgeridoo, and of the didgeridoo.
He told old-world stories by recreating the sounds of dingo dogs and kookaburras and of ‘papa, mama and baby joey kangaroos' hopping (his free hand ‘animating' the sounds with lively finger actions). And then, he segued seamlessly into very contemporary stories of hip-hop dancers (his fingers doing a little dance on the side) and an amazingly-creative piece on a ‘Hitchhiker's Nightmare', where the didgeridoo mimics the sound of vehicles whizzing by the hapless hitchhiker as he walks on and on and on…
“Songlines (the song-style of a particular family group) interconnected the different tribes in the old days; in the modern context, these songlines can connect us to the Western world,” said Barton, who has collaborated with jazz, heavy metal, hip hop, rock ‘n roll artistes as well as a number of the world's leading philharmonic orchestras, and performed at the opening ceremony of the Beijing Olympics. “I'm passionate about connecting the world through the universal language of music.”
His own musical influences growing up in Mount Isa, Queensland, included everything from opera (his mother was a self-taught singer) to AC/DC (like any other head-banging teenage Aussie boy). But the greatest influence was his uncle, an elder of the Waanyi, Lardil and Kalkadunga tribes, who taught him to play the didgeridoo at the age of seven. He died when Barton was just 11, but his legacy lives on with the young man in his music, and in the 60-year-old didgeridoo that he keeps with him.
“In traditional law, when an elder passes away, his didgeridoo is broken up, but they let me keep it as a special case,” Barton said. “I don't usually travel with it because it's getting old, but I take it to special gigs — out on the Australian bush, to Carnegie Hall, the London Philharmonic, and now to India — so the history is captured in it.”
He told other traditional stories too — of how he learnt to make his own didgeridoo from his father, for instance: “The didgeridoo is hollowed out naturally by termites, so you go out into the bush, find the tree you need, cut it, remove the bark, then make a mouthpiece from beeswax — after tapping out the termites first, of course!”
And his music said the rest, as he played on the electric guitar (his ‘second musical voice') and the didgeridoo simultaneously, heavy metal riffs and soulful intros somehow merging perfectly with the deep-throated percussive notes of the didgeridoo. Fusion with Indian music is up next on his to-do list, but we'll have to wait until next time to hear him tell those stories.

DIVYA KUMAR

[gn.sn42]

Sigh-

The didgeridoo is a wonderful instrument, India makes lots of didges, and if you look around, you'll see some interesting experiments.

There are a few on YouTube:
http://www.youtube.com/watch?v=y5BA7M-_6wM
http://www.youtube.com/watch?v=yvjY292SRkU
http://www.youtube.com/watch?v=Cv6sHHAiTyE
http://www.youtube.com/watch?v=aFDY0CQs5TI
http://www.youtube.com/watch?v=EBZn7mYRdq4
http://www.youtube.com/watch?v=W7yc-_kW-ZI
http://www.youtube.com/watch?v=44eOD46Et6s

(These will probably provoke more kicking and screaming.)

[VK RAMAN]

What is wrong in using "didgeridoo"?

[karthikbala]

My first exposure to the didgeridoo was while attending a citizenship ceremony in Australia a few years ago. Much like our nagaswaram is nowadays used perfunctorily to kick off ceremonies, the artiste was playing away, and nobody was really listening. I admit after the first minute or two I began to find it a bit monotonous. My two-year old son really loved it and refers to it as "Aussie nagaswaram"
It does have a unique and interesting sound...

[Nick H]

Before we know where we are, people will be complaining about the violin!

[rshankar]

Before we know where we are, people will be complaining about the violin!

Yes, Nick - I am surprised our 'nationalistic' forces have been so remarkably silent on an instrument that was imported from 'those enslaving English'!!

[Nick H]

Possibly because it was imported by the also-enslaved Irish!

[arasi]

Where does this leave the Welsh who would give up the harp and the Italians and other Europeans who picked up the dinky instrument?
Now for the story when nAradA abandoned the violin which he used to play (deciding that it was a pitiful little thing for his super image) and picked up the majestic tambUra. Don't we all know that India was the birth place of the violin though it fell into oblivion after the sage's rejection of it?
Ravi, you are the purANAs expert. Educate us

[VK RAMAN]

Nationalism Vs Internationalism - fanatical Vs liberal - who are we rasikAs?

[rshankar]

Now for the story when nAradA abandoned the violin which he used to play (deciding that it was a pitiful little thing for his super image) and picked up the majestic tambUra. Don't we all know that India was the birth place of the violin though it fell into oblivion after the sage's rejection of it?

nAradar vishayamellAm namakku vENDAmE!

[Nick H]

Nationalism Vs Internationalism - fanatical Vs liberal - who are we rasikAs?

It's often said that there is no fanatic like a convert, and certainly I generally do not take to fusion music very well, but, believe it or not, this thread has given me a desire to hear what a didgeridoo would add to carnatic music!

[arasi]

Oh dear!
Sometimes, a message 'boomerangs', bringing with it a reaction opposite to what it intended to convey

[Nick H]

Imagine a morsing tuned a couple of octaves lower than usual. The sound might have a vaguely similar quality. I do not think it would be unpleasant, as long as the tuning issues were dealt with correctly.

I have a morsing that, by adding weight to the spring, I tuned to low 5 --- one day I will demonstrate to you and you might see how it could work.