Vidushi Prema vivek - violin
Vid. Sudarshan chakravarthi - mridhangam
Vidushi Bhagyalakshmi - morsing
Date - 24 Apr 2010, Sunday, 6.45pm
Venue - Sahakarnagar, Bangalore
Theme - vaghayakara's rama vaibhavam
compered by Sai Lakshmi
1. jaya jaya - nattai - kanda chapu - purandara dasa ( short alapana, swaram @ jaya jaya)
2. evarani - devamurthavarshini - adi - thyagaraja
3. entamuddo - bindumalini - adi - thyagaraja (short alapana)
4. sri ramachandro - sri ranjani - misra chapu - muthuswami dikshitar (ragam, swaram @ sri ramachandro)
5. neerada sama neela krishna ehi - jayantha sri - adi tisra nadai - Othukadu venkata kavi
6. rA rA rAjEva lOchana - mOhanam - adi 2 kalai - mysore vasudevacharya (alapana, neraval & swaram @ nEvE nA ripudani niratamu ni pAdamula nera nammidi and tani avarthanam)
7. ramakrishna manage bandaru - tilang - adi tisra nadai - purandara dasa
8. deenanAnu sarvalOkake - viruttam in bagEshri, followed by enendu kondAdi stutisuvEnO dEvA - bAgeshri - kanda chapu - purandara dasa
9. tuma bhina mEri kaun - meera bhajan
10. sri ramachandranakE subha mangalam - mangalam in surati
This was a thematic concerts on compositions on rAmA by different vaggeyakaras. Concert started in a bright note with jaya jaya in nattai, followed by evarani. bindumalini alapana was short, but brought out ragha bhava sufficiently. Both evaranai and entamuddo was rendered in nice and enjoyable kalapramanam true to bhava of the song. During charanam of evarani, kalapramanam was increased little bit, providing nice effect.
Sri ranjani alapana was just awsome covering complete aspects of this raga, with some dhatu prayoga, janta prayoga, thanam like phrases etc. With right gamakas in gandharam and nishadam, and with with phrases ending in Ri, Ma and dha, it is was a treat to listen. Vidushi covered from mandhara madhyamam (ndm in mandhara stayi) to tara stayi madhyamam (sangathi like rgmg-r). The fast phrases like dnddnd... and srgrs in tara stayi deserve special mention. The violin response was not upto mark, and didn't have enough azhuttam, some screetchy and some phrases repetitive. The keerthana followed was a new one, and was nice one. Kalpana swaras were also interesting as alapana, with specific korvais while ending swara prastharams in each round. Both violin and percussion artists provided good support.
After brief alapana in jayantha shri, neerada sama neela krishna was sung. (Was the composition sung in kanda chapu? atleast comperer announced so, but charanam was sung in adi tisra nadai?)
Mohanam alapana was enjoyable also, developed step by step, covering from mandara panchamam to tara panchamam. few more sancharams in mandara stayi would have been more satisfactory. Niraval was brief, covering both kalams. Tani avarthana was enjoyable. The concert ended with few devarnamas and mangalam in surutti.
The concert was scheduled at 6pm, but started only around 6.50pm, not sure of reasons even though artists arrived on time. So, the concert was limitted to 2 to 2.15 hours. I am sure vidushi prepared few more items, due to lack of time wouldn't have performed them. I would have personally loved to see one composition from swathi thirunaal, papanasam sivan, bhadrachala ramadasa and annamacharya, apart from a nice viruttam/slokam.
