Smt. Kalpakam Swaminathan - Veenai
Smt. Janaki Srinivasan - Veenai Support
Sri M R Gopinath - Fiddle
Thanjavur Sri R Kumar - Mrudangam
Saraswathi Vaggeyakkara Trust
Vadhya Lahari Series
NGS Mini Hall. 24 June 10. 6:30 pm
sAmi daya jUDa - kEdAragauLa - Adi
srI mahA gaNapati - gauLa - misra cApu - MD
kAmAkshI - bhairavi - misra cApu - SS (sketch)
sankari nIvE - begaDa - rUpakam - Subbaraya Sastri (RNS)
paripAlaya mAm kOdaNDapANE - darbAr - misra cApu - T (RS)
vara nArada - vijaya srI - Adi - T
brOcEvArevarurA - khamAs - Adi - MV (short sketch)
marivEre dikkevarayya rAmA - shanmukhapriyA - Adi - PSI (RNS)
tani
charaNu charaNu - senjuruTTi - rUpakam - Anai Ayya
rAmacandra prabhU - sindhubhairavi - Adi - ST
tillAnA - paras - Adi - RSI
vAzhiya senthamizh - madhyamAvati
It was a wonderful concert. The pieces chosen were interesting and it was an interesting combination of rAgams, composers, tALams. Each piece was rendered with a lot of bhavam and traditional ferver. The manOdarmam was wonderfully displayed as well. All the AlApanais were shared by the two vainikas, to be followed by the violinst. All the neraval and svarams were exchanged by the three of them.
Smt. Kalpakam Swaminathan's presentations were a class above and had many traditional phrases that were rendered with the appropriate stresses, that they demand. The kritis were all rendered with beautiful sangatis and fitting manOdarmam parts.
Smt. Janaki Srinivasan did a good job in accompanying her guru and supported her ably. Her presentations were neat. She also played a rAgamAlikA tAnam in sahAnA, aTANA and srI during the main tAnam.
Sri Gopinath followed the main artist like a shadow and did very good in his replies. Sri Kumar played with very good anticipation and in accordance to the krits. His short tani was nice as well.
bharath
Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
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Re: Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
A beautiful array of kritis with apt succession of ragas.
Is it not rare to have a fiddle accompaniment for a veena concert ?
Is it not rare to have a fiddle accompaniment for a veena concert ?
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Re: Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
I have seen TNS using violin support in his veena concerts
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Re: Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
Lovely list! I sometimes miss some of the "common" ragams, and, you know, non-Dikshithar kritis in Smt Kalpakam Swaminathan's concerts. Would have loved to be able to attend the concert.
kssr,
To each vainika his (or her) own! But usually KS is accompanied by rather younger violinists than Sri MR Gopinath.
kssr,
To each vainika his (or her) own! But usually KS is accompanied by rather younger violinists than Sri MR Gopinath.
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Re: Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
A beautiful list again! I have not heard the (Sri tyAgarAja) kRti in darbAr...
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Re: Kalpakam Swaminathan, Saraswathi Vaggeyakkara Trust
ganeshkant, Smt. Kalpakam Swaminathan does prefer a fiddle accompaniment in recent times. She feels it is an extra support she gets on stage, along side her disciple and gives a few extra seconds of rest for every line of manodarmam that she plays.
In yesteryears, i m told it is not unknown for vainikas to have fiddle accompanists.
rshankar, i hadn't even heard off the darbAr kriti till Kalpakam Mami told me after the concert. indeed a treasure house that she is, not necessarily of MD kritis alone, but of Traditional Carnatic Music in totality.
In yesteryears, i m told it is not unknown for vainikas to have fiddle accompanists.
rshankar, i hadn't even heard off the darbAr kriti till Kalpakam Mami told me after the concert. indeed a treasure house that she is, not necessarily of MD kritis alone, but of Traditional Carnatic Music in totality.