

And message understood, time for mangalam indeed.
Have *I* missed some posts???arasi wrote: Coming to CML, if we frown on his behavior even after he takes back his words, it somewhat cancels out all that he's been to the forum. A couple of indiscreet (but not at all malicious) statements shouldn't make us take him to task unnecessarily--as while happily welcoming one of his friends back.
MK's post gave me the idea to lighten up the mood a bit. I requested my friend who knows Sanskrit to compose a set of sanskrit lines based on the theme I gave him. Here is what he came up with... I will let CML translate and I can provide some vyAkyAnam based on what my friend told me, if needed.mahakavi wrote:... mankuthimma mankuthimma mankuthimma mankuthimma There I typed it four times in a row without mistake. You can practice an imposition by writing it 100 times in a slate with a balappam. After that scan it and post it here. I'll promote you to 2nd grade.
arasi:arasi wrote:Mahesh,
The man from COzha nADu has just indicated--in good humorthe answer to your question in his post just now.
That is nice! I don't like "manku" prefix anyway. When I was in India (NIlagiri--for a brief period) I had a colleague by name Thimma Gouda. He sold me ( a "manku") an insurance policy (which I let lapse when I left India after paying premiums for 8 years) for which he got a hefty commission. So I guess I couldn't call him "manku" Thimma. Can I?mankuthimma wrote:You can call me Thimma.It is a very endearing name too.
Isn't that an advice that should be sculpted into every Indian heart?Love for your own mother tongue is great . Use that Love to enrich others . But don't fill yourself up to an extent that you cannot take in more ,, from outside.
It's not so much hero worshipping as it's a repayment of debt, at least for some. I have personally benefitted a lot from Coolji but haven't found a good way to repay him. Most of the music I listen to has been influenced to a large extent by him. TRS, SK, etc. All those tireless uploads. I read this whole thread with MMI's Intha Sowkhya running in the background. Felt like the perfect raga for this thread.ragam-talam wrote:Why all this hullabulla? Personally, I am not much for this level of hero-worshipping.
But that's just me.
Vasu
Though I am not a regular participant of this forum, my wife is, and she directed me to this thread. My own love affair with carnatic music began in rather unusual circumstances.
Two years ago I was diagnosed with testicular cancer and then began long periods of treatment, chemotherapy and what not, along with lengthy bouts of weakness, deppression,etc. The support of my family notwithstanding, I yearned for something more, something which would bring me solace. It was then that I plunged headlong into carnatic music. My wife would bring cassettes, which I would play on my bedside recorder. Altough my knowledge of musical theory was pretty primitive (I dont like getting into the nuances of bhairavi-mukari-manji), somehow I began soaking in the melody, the words, the voices. The relief and the hope it brought me is indescribable. It was as though I was reaching out to the immortality of music in an attempt to mask my own mortality. I began listening as though there was no tommorrow (which seemeed a distinct possibilty then).
When the going got tough, I would seek refuge in 'Devi brova- Chintamani' (OST) , 'Brova vamma- MAnji' (DKP), O Jagadamba -Ananda Bhairavi (TMKrishna) . When I was upbeat, it would be 'Sri Subramanyaya Namaste', (Sanjay) O Ranga sayee (MSS) Swara Raga Sudha, etc . I listened to just about everyone- Sanjay, Sowmya, Unnikrishnan, TM Krishna. Some how, I am more attracted to the current generation (probably because I am a recent convert) and also because they are about my own age and are able to produce such divine music. To my mind, dedicating oneself to such a great art form seemed far superior than earning degree after degree and finally landing as an obscure s/w pro.
Since then there has been no looking back. Both my wife and I will be eternally grateful to many here for bringing the voices of the great masters of the past alive.