-----------------------------------------------------------------------------------------------------
Vocal : mallAdi SuribAbu
Violin : Balu raghurAman
Mrudangam : Arjun kumar
SabhA/Day : Carnatica /Friday
In 2011 , as I opened the hindu I saw an archive writeup from GNB. Atleast one phrase had a very impactful and everlasting truth . That phrase by Shri GNB was "Unless an artiste is endowed with a good voice, his scholarship would be of little avail."
Flash back one year back |( , I attended a concert of mallAdi suribAbu for the first time . There is indeed a living example for that phrase, that was this veteran mallAdi suribAbu. If you like vOleti , you can find the near close sonorous voice of voleti in suribAbu. Incidentally suribAbu is the father of mallAdi Ravi kumar.
This was the second concert that I attended after hearing a 2 hr concert of vasudha keshav, suribAbu also started with the same vanajAkshghearO ]

He went on with reetigowlai with a rare vasudEvacharya krithi and he sang beautifully, the sAveri of T was just haunting ,when sAveri has a sonorous and filling voice it adds a high sense of sereneness and with that T (not ST) krithi tulasijagathjaNaNi it was really very aesthetic .
The next was bit of a spin , when he was singing the alApana atleast for the first half the touch of hameerkalyAni was more but some how ended like a kannada. MD's shree mAthrubhUTam in kannada was sung very well , his diction is really clean and he sang swaras for the first time there .
I heard a fairly elaborate chandrajyothi alApana and I had to leave the hall at that time when he winded up very well .There is a touch of tadepalli lokanAtha sharma (another rare singer from andhra ), particularly for most of the time they close their eyes and just lift their hands . I guess for all budding singers that will help a lot as the hall size does not matter whether it is 1200 + Narada gAna sabhA or 120 + arkay convention hall.
The violinist balu rAghuram played well , especially I thought it was a bit of tough catch to play the kannada alapana, but his bowing was very nice with a high shruthi suddham.
I am listening to this ArjunkumAr for the first time and he played well. I had to leave at the beginning of perhaps main, AC and margazhi weather is a dampener ]

1. vanaJAkshirO (R) - kalyAni - poochi
raga alapana for 3 mins
2. mama hridayE - reetigowlai - MV
3. tulasi jagathjanani - sAveri -T
4 mins alapana and 3 mins violin return
4. shree mAthrubhUtam (S) - kannada - MD
5. chandrajyothi alapana
.... possibly the only bhAganayya
....
...