
Another great krithi is of course the evergreen pAhimAm sri rAjarAjESwari of mahA vaidyanAtha Sivan which has a lovely CiTTa swaram and the rAgA mudra incorporated in the krithi. HMB's krithi on Lord Ganesha [ganapatE suguNanidhE] is nice and Sri TNS renders it frequently with a very interesting CiTTa swaram. Not too familiar with the output of more recent composers, but IIRC Sri MDR has composed a krithi [pAda yugamu?] in this.
Janaranani retains a distinct melodic individuality from pUrNaCandrikA due to the SDPM in the avarOhaNA as well as the PDPNS in the ArOhaNA. It also seems to lend itself a trifle more to slower tempo exploration as compared to pUrNaCandrika, nADADina mATa being a case in point. It also seems to have been explored more in terms of AlApanA in recent times; Sanjay renders it frequently and TMK has sung a nice RTP suite. While Semmangudi Iyerval used to render smaraNE sukhamu, I haven't heard an AlApanA. Somehow this would seem to be right up Ramnad Krishnan's alley - perhaps someone will show me the path?

Some questions:
1. Have the composers who followed tyAgarAjA [pUCi, paTnam, walahjapET etc] handled this rAgA?
2. Are there 2-kaLai chaukam compositions in this?
A difficult rAgA requiring good creativity both in terms of ideas and 'cohesiveness' to pull together an AlApanA without being too repetitive; kind of a diamond in the rough, if I may. Would love to see more discussion on janaranjani.