lyrics for Karpaga nAyakan-nATa-Rukmani Ramani

[bkishore]

pl post the lyrics for

lyrics for Karpaga nAyakan-nATa-Rukmani Ramani

A composition of Dr Rukmani Ramani - Sri Kapaleeswara Pancharatna Kriti

[Lakshman]

nAyakan vinAyakan. rAgA: nATa. Adi tALA.

P: nAyakan vinAyakan vaLLi nAyakan phaNi Ishvaran karpaka
A: mAyavan madhusUdanan uyar brahmanum dEvargaLum sura gaNangaL tudi
C1: kapAlIshan enru nAmam koNDE viLangum
2: mei anbar kUTTamum mei urugi pADi bhajikkum
3: pala kOTi uyirgaLODu alai mOdum kaDalgaLuDanE bhuviyilE paDaitta
4: paghalum iravum mAri mAri varuvadu pOl janana maraNa piravi tarum shiva
5: pApa puNyam arindu tirundi vAzhndiDa kOpa tApam arupaghaigaLum azhittiDa
6: nIlakaNThanE tirumaghaL ulaviDum kalaimaghaL unilaittiDum tirumayilai tanilE
mayilAga vandu kayilEshan unnai kalandu magizha anudinamum tavam sheyyum
7: shaDai muDi tanilE shala shala gangaiyum paDam viri nAgamum pirai matiyum tulanga
tatOm tadhimi taka dundubi nAdamum mAn mazhu EndiyE oru padam tUkki
ulagamellAm kANa unaiyavaL nANa AnandamAghavE naTanam puri

[rshankar]

Some quick corrections:
pallavi....it should be paNi, and not phaNi
c7: umaiyavaL, and not unaiyavaL

In c6 two words need to me checked...unilaittiDum....I think it should be kalaimagaLum nilaittiDum
The other is unnai ..... I think it should be kayilEshan uDan kalandu

[smala]

Pleas post a translation, rshankar.

[rshankar]

Sure...

[Lakshman]

rshankar: Thanks for the corrections. The pallavi line word and the c7 word are OK. In the book, in C6, the printed words are: kalaimagaL nilaittiDum and kayilEshan unnai kalaindu. Are these printing errors?

[rshankar]

pallavi
nAyakan vinAyakan vaLLi nAyakan paNi Ishvaran karpaka
The husband (nAyakan) of karpagAmbA (karpaka), the lord (ISvaran) who is worshipped by (paNi) gaNESa (vinAyakan) and the husband (nAyakan) of vaLLi!

anupallavi
mAyavan madhusUdanan uyar brahmanum dEvargaLum sura gaNangaL tudi (nAyakan…)
(The lord) who is praised (tudi) by vishNu (mAyavan madhusUdanan), the mighty (uyra) brahmA, the gods (dEvargaLum) and gaNas (sura gaNangaL)

caraNam 1
kapAlIshan enru nAmam koNDE viLangum (nAyakan...)
(The lord) who, taking (koNDE) the name (nAmam) of kapAlI (kapAlISan), is renowned (viLangum)

caraNam 2
mei anbar kUTTamum mei urugi pADi bhajikkum (nAyakan...)
(The lord) whom hordes (kUTTamum) of true (mei) devotees (anbar) sing (pADi) and worship (bhajikkum) with melting (urugi) hearts (mei)…

caraNam 3
pala kOTi uyirgaLODu alai mOdum kaDalgaLuDanE bhuviyilE paDaitta (nAyakan…)
(The lord) who created (paDaitta) upon this earth (bhuviyilE) countless (pala kODi – several crores) lives (uyirgaL) and (ODu) seas (kaDalgaL) with churning waves (alai modum)…

caraNam 4
pagalum iravum mAri mAri varuvadu pOl janana maraNa piravi tarum shiva (nAyakan...)
Siva, (the lord) who allows/grants (tarum) the migration of the soul between lives (piRavi) in the incessant cycles of birth (janana) and death (maraNa) that come/occur (varuvadu) relentlessly like (pOl) the day (pagalum) following a night (iravum) alternately (mAri mAri)…

caraNam 5
pApa puNyam arindu tirundi vAzhndiDa kOpa tApam arupagaigaLum azhittiDa (nAyakan...)
(The lord) who will destroy the six (aRu) deadly enemies (pagaigaLum) [1] of man, including anger (kOpa) and distress (tApam), so that one may correct (tirundi) the course of one's life and live (vAzhndiDa) by understanding (aRindu) the concepts of sin (pApa) and virtue (puNyam)….

caraNam 6
nIlakaNThanE tirumagaL ulaviDum kalaimagaL nilaittiDum tirumayilai tanilE
mayilAga vandu kayilEshan unnai kalandu magizha anudinamum tavam sheyyum (nAyakan...)
Oh blue (nIla) throated one (kaNThanE)! ) (pArvati) performs (Seiyyum) penance (tavam) everyday (anudinamum) in (tanilE) the divine (tiru) place of mylApUr (mayilai) where lakshmI (tirumagaL) parades (ulaviDum) and sarasvati (kalaimagaL) is established (nilaittiDum), having appeared (vandu) as a peahen (mayilAga) in order to unite (kalandu) with you (unnai), the lord (ISan) of kailAS (kayilai) and delight (magizha) to her heart's content…

caraNam 7
shaDai muDi tanilE shala shala gangaiyum paDam viri nAgamum pirai matiyum tulanga
tatOm tadhimi taka dundubhi nAdamum mAn mazhu EndiyE oru padam tUkki
ulagamellAm kANa umaiyavaL nANa AnandamAgavE naTanam puri (nAyakan...)
(The lord) who, holding (EndiyE) a deer (mAn) and a battle-axe (mazhu), dances (naTam puri) with gay abandon (AnandamAgavE), lifting (tUkki) one (oru) foot (padam) for the world (ulagamellAm) to see (kANa), as the sounds/music (nAdam) 'tatOm tadhimi taka' emanate from the divine drum, dundubhi, the river gangA (gangaiyum) cascades (SalaSala) in (tanilE) his matted (SaDai) locks (muDi), a snake (nAgamum) with a spread (viri) hood (paDam) and the crescent (pirai) moon (madiyum) shine (tulangum), even as pAravti (umaiyavaL) hesitates/is embarrassed (nANa) [2]…

FOOTNOTES
[1] the six deadly enemies are states of mind or emotions that are deadly to one's peace of mind, viz., lust, anger, avarice, delusion, intoxication or passion, and jealousy
[2] I assume this refers to the dance competition between Siva and pArvati – when pArvati matches him move for move, Siva resorts to lifting his leg up, which pAravti couldn't/wouldn't duplicate out of modesty…

[rshankar]

Lji - does this composition have ciTTasvarams between the caraNams?

[bkishore]

It is with swara sahityas. If available pl post.....

[Lakshman]

The book does not show any ciTTasvarAs.

[Kpri]

Can you kindly send me the notation of this [email protected]

[Lakshman]

It is sent.