Gayathri Venkataraghavan @ MFAC Hall, Chennai (07 Nov 2006)

ram · Post by **ram** » 07 Nov 2006, 23:42

Venue: Mylapore Fine Arts Club (MFAC) Hall, Musiri Subramanya Iyer Road, Mylapore, Chennai

Date: 07 Nov 2006

Organizer: Mylapore Arts Academy

Vocal: Smt. Gayathri Venkataraghavan

Violin: Kum. Akkarai Subhalakshmi

Mridangam: Sri Neyveli Narayanan

Khanjira: Sri B.S. Purushottam

List of songs:

1) karuNimpa (varnam) - sahAnA - Adi - tiruvOtriyUr tyAgayyer

2) pAhi srIpathE - hamsadwani - Adi - swAti tiruNAL (S)

3) srI lakshmI varAham - AbhOgi - Adi - muthuswAmi dIkshitar (S)

4) gAnarasamuDan nin - bEgaDa - rUpakam - pApanAsam sivan (AS)

5) dEvi brOva - chintAmaNi - Adi - syAma sAstri

6) chAla kallalADu - Arabhi - Adi - thyAgarAja (S)

7) nI pAdamulE - bhairavi - Adi - patnam subramaNya iyer (?) (ANST)

8 ) sAramaina (jAvaLi) - behAg - rUpakam - swAti tiruNAL

9) kandavarkku kanavilum - kuntalavarALi - Adi - swarna venkatEsa dIkshitar

10) viruttam - madhyamAvati

karpagamE kaN pArAi - madhyamAvati - Adi - pApanAsam sivan

11) mangaLam kOsalEndrAya - madhyamAvati

(Key: A=raga alapana; N=neraval; S=kalpana swaram; T=taniavartanam)

Smt. Gayathri Venkatraghavan has a powerful, booming voice which she uses to her advantage very well. I entered the concert venue when she was almost finishing the sahAnA varnam. A fast paced Sri Swati Tirunal composition in hamswadhwani and Sri Muthuswami Dikshitar's sri lakshmi varAham were followed by a gem of a bEgaDa alapana. The syAma sAstri composition dEvi brOva in chintAmaNi was sung beautifully. Smt. Gayathri was a picture of involvement especially when singing this song and she used her strong voice along with modulations at suitable places to add a lot of beauty to her rendition. I simply love hearing slow compositions sung by her, especially Sri Syama Sastri's or Sri Muthuswami Dikshitar's kritis.

Neraval and kalpana swarams in the main kriti, nI pAdamulE, were sung at the pallavi line nI pAdamulE gatiyani nammiti itself. When singing kandavarkku kanavilum, Smt. Gayathri took her lower panchamam as shadjam, which was a bit strange. The madhyamam in this song coincided exactly with her normal (madhya sthaayi) shadjam. It made the kuntalavarALi raga also sound a bit strange.

The concert was overall a very good one and it gave a very satisfying experience. The sad part however was that there were very few people inside the huge MFAC hall listening to it. The artists on stage however didn't seem to mind it at all and gave a superb performance. Akkarai Subhalakshmi on the violin was again very impressive. Sri Neyveli Narayanan and Sri B.S. Purushottam also played a good taniavartanam which included a brief chatusra nadai portion, an elaborate tisra nadai and a short kuraippu in the misra nadai followed by a normal chatusra nadai kuraippu.

http://ramsabode.wordpress.com/2006/11/ ... l-chennai/

rbharath · Post by **rbharath** » 08 Nov 2006, 10:50

isnt karpagamE kaN pArAi a composition in madhyamAvati. Did she sing it in srI rAgam?

and nI padamulE is indeed a composition of paTNam

ram · Post by **ram** » 08 Nov 2006, 11:59

Thanks bharath for pointing it out.

She sang it in madhyamavathi .... have made the correction.

ram · Post by **ram** » 08 Nov 2006, 13:59

I think there is a controversy over whether nI pAdamulE is indeed a composition of patnam subramanya iyer which is why I put a question mark there. Many sources attribute it to patnam subramanya iyer but I remember reading/hearing somewhere long back that many people believe it was authored by Manmbuchavadi Venkatasubbayyer, who incidentally happens to be his guru. I cannot recollect where I read this or heard about this though. Another related fact is that his usual mudra "venkatesha" or "venkateshwara" doesn't appear in this song.

hindolam · Post by **hindolam** » 08 Nov 2006, 21:42

Yes indeed as Ram said it was a very fine concert indeed. And about her voice-wow -it is something to cherish--so clear and lovely and melodious!

Lakshman · Post by **Lakshman** » 08 Nov 2006, 22:44

ram wrote:

Many sources attribute it to patnam subramanya iyer but I remember reading/hearing somewhere long back that many people believe it was authored by Manmbuchavadi Venkatasubbayyer

Indeed. Many people, including Smt. Vedavalli's guru Mudicondan Venkatarama Iyer considered the AbhOgi varNa Era nApai to be the composition of Kottavasal Venkatarama Iyer.
Unfortunately both guru and shisya used the Venkatesha mudra compounding the confusion.