Charumathi Raghuraman - violin, B Ganapathiraman - Mridangam, H Prasanna - Ghatam
viribOni - bhairavi - K ata - pachimiraiam adippaiah
chandrasEkaram sadA bhajEham - mArgahindOLam - Adi - MD
dhanyudevvarO - malayamArutam - Adi - PSI (R, S@varamaddaLa)
aruL seyya vEndum - rasikapriya - Adi - KI (R, S@pallavi)
mAyamma yaninE - Ahiri - Adi - SS
rAga ratna mALika - rItigowlai - rUpakam - T (R, NS@bhAgavadhOttamulu kUdi)
virutham (ArAdha aruLamudham) followed by rangapura vihArA - brindAvana saranga - rUpakam - MD
evvari mAta vinnAvo - kAmbhOji - Adi - T (R, NS@parama bhakta parAdinudanu, tani)
patti viduvarAdu - manjari - Adi - T
RTP (EzhumalaiyAnE emperumAnE unnai Ezhu swarangaLAl thuthippEnE gOvindanE) - simmEndra machyamam - m cApu (4 kalai t triputai?) - rAgamalikai swarams in Arabhi, AbhOgi, Ranjani?, ?, mOhanam, aTAnA, kalyani each one round and final one round in the reverse order in one stretch
bArO krishnayya -
had to leave when she started this and it was already 4 hours.
+ voice, next best after GV. very pliant voice and obeys her command and she was mostly in the middle and upper octaves. not much into lower one. not much observable coarseness/stress except a little on the kAmbhOji upper reaches
+ all alapanai's were grand affairs and rItigowlai was the pick of them, especially in upper octave.
+ team, have to applaud for sitting down on the stage first and foremost for 4 hours

- no parivAdini