A memorable concert was presented by Sri Rama Lalitha Kala Mandira in Bangalore today, featuring
Despite several other concerts taking place all over the city, and the intransigence of the local paper DH (in carrying Carnatic concert announcements in general) , a goodish crowd sat through a 3 hour concert of pure vintage classic Carnatic music.Vid Sumitra Vasudev -vocal
Vid. Ashwin Anand- Veena
Vid. K. Arun Prakash - Mridangam
Song List:
1. Sriraga Varnam
2. Sri Shankaraguruvaram - Nagaswarali- Mahavaidyanatha Sivan
3. Ninuvina Marigalada - Abheri - Shyama Shastri
4. Seetapathe- Khamach-Thyagaraja
5. Sri Rajagopala- Saveri-M Dikshitar
6. Tani
7. Sri Kalahastisha- Huseni- M Dikshitar
8. Kalyani RTP (Tanam raga changes Sama, Shanmukhapriya, Athana) in Mishra Triputa
Pallavi words: Rama Sri Rama Lokabhirama Pahi Sita-
9. Shloka (Sivananda Lahari) in ragas Kambhoji, Keeravani, Sama, Kapi, Hamsanandi
10. Nadapriya Shiva- Vachana by Basaveshvara tuned by Dr Vedavalli in Hamsanandi
11. Mangalam
The songs in Abheri and Huseni were stand-out experiences, delivered with wonderful raga bhava, clear sahitya, and a majestic laya. The two songs were enough to carry the stamp of the Vedavalli school in terms of classicism and manodharma. The Abheri used by Shyama Shastri in this song is the old school (lower Dha) unlike the modern Abheri with its higher Dha. I had never heard the Dikshitar song Sri Kalahastisha before.
Arun Prakash has been winning over artistes and audiences with his accompaniment, which can be described as "mridu-anga". He embellishes the music in his unique, unobtrusive, and elegant way. Today was no exception.
In the Khamach and Kalyani raga alapanas, one could clearly see the synergy between the voice and veena. It helped that both musicians are students of Dr. Vedavalli, and could collaborate in manodharma well. Ashwin's veena had a beautiful, sweet, sound and complemented the soft vocal delivery of Sumitra. In Kalyani, she left it to Ashwin to explore the higher octave and move into Tanam. Sumitra's Kalyani and Khamach raga explorations were highly emotive and drew much applause.
The tanam with raga changes gave a colourful experience to the audience and showed how the tana raga malika has now become de rigueur.
The pallavi was set out in a very good tempo and Sumitra did anuloma, pratiloma and stressed the words and raga bhava very competently throughout. The team got a well-deserved applause.
The shloka of Adi Shankara and the Basaveshwara vachana were rendered again with very good sahitya enunciation. Obviously,
Sumitra is a highly competent artiste with a good mastery over the pure classical idiom and her delivery is totally free from the melodrama we have come to associate with Carnatic music these days.
Rasikas.org had a very impactful presence ( please excuse any omissions here): Nageswaran, Nick, Suresh from Chennai! and KV Chellappa, HN Bhagavan, Gardabhagana and self from Bangalore.
I was glad to hear that Sumitra, Ashwin and Arun Prakash are performing together again in Chennai in the near future. My best wishes to this team!