NickH wrote:
You might have observed, and probably experienced, that people in a given culture grow up with the idea that the prevalent religion is, using the word loosely, "truth." Differences in comparative religion and the mindsets that they encourage might be interesting, and, no doubt is a subject of study to researchers, but the setting of one religion against another is a futile exercise. I am not saying that you are doing this...
To you may be that is "loosely" usage of the word truth. Not to them. And I respect that. If they engage me, I would like them to respect (not just tolerate) my version of it and that throws up its own issues.
But if I am pitting anybody against anybody - certainly I am doing that between dancers who are raised with a sense of sacred who are being asked to keep that private (separation of church and state concept), against people like the New York Times critic who refuse to critique their performance because of the dancer's claim of sacredness or divinity , when there is no evidence within the tradition that , artistic or technical excellence was compromised because of claims of sacredness or a bias introduced using that to sell mediocrity. The critic is well within their right to call out any such mediocrity. But if they alter the discourse to be in their terms, especially by making demands based on their experience with Abrahamic faiths , and not having respect for ( note: no demand to accept ) sacredness as a qualifier of objectivity, that is to be opposed, given the nature of our heritage.
The critic owes the artiste some basic research on the back ground of the art at least as a respect of the artiste's sAdhana.
As regards dancers, they should invite other critics (if that is allowed by the system) who don't insist on this criteria. If artistes are asked to build their art on deeper experiences (lets say for e.g with material truths like suffering of Chilean artistes under certain totalitarian regime), in the same speech Smt. Anita Ratnam is asking to keep their sense of divinity/sacredness imbibed all along under their Guru, a long deep experience I would say, private!!! If there is something called artistic truth ( loosely? lets say) then where is it here?
I think as much as they introspect and toil to create art, they can also introspect and toil to create a narrative on sacredness that is communicable to other cultures, without harping on it too much .
If an artiste truly ( loosely or not loosely) wants to reject imbibed sense of sacredness from their heritage - I think they should be forthright with it - not just do it because a certain critic is setting the terms of discourse. The latter is an abdication of any truth in their artistry.
As regards comparative religion and researchers, you asking me to leave such topics to them, is like telling me accept the power and privilege of such gate keepers of knowledge production and I should not talk back?
When such calls are being made in the arena of cherished heritage like KGS, I have even more duty and responsibility to respond!
In short I am game to fight against secularism that exists based on discourse with Abrahamic faiths mostly, that does not respect eastern traditions. I don't want them to have any seat at the table, in discourses outside of governance (which excludes spaces funded by Government like cultural spaces) , when they have so far denied a seat at the table for eastern traditional scholars, especially Hindus.
People who call themselves atheists are fine, as long as they respect others to have a different view. Theism itself is not the same in eastern traditions which have room for atheism.