- Parvathi Pathim Pranaumi Satatam- Hamsadhwani
Thyagaraja Yoga Vaibhavam – Ananda Bhairavi
Sobhillu Saptaswara – Jaganmohini
Siva Siva Siva Anarada – Pantuvarali
Dattatreya Trimurti Rupa – Ranjani
Swara Raga Sudha – Sankarabharanam
Shiva Darushana Namagayithu – Madhyamavathi
Thillana – Mohanakalyani
Mangalam – Sourashtram
Thyagaraja Yoga Vaibhavam is one of the remarkable compositions of Muttuswamy Deekshitaar, which is set to chouka kala (Vilambit) Rupaka Talam. The Gopuchcham and Srotaavaham experimentations in Pallavi and Madhyamakala Sahityam are always a treat to listen to! Thanks to Dr. SrinivasaRaghavan who threw some light on these aspects of the composition. A very brief aalapana of Ananda Bhairavi by HKV led to a wonderful rendition of this composition. A unison of three melody instruments Violin, Veena and Flute performing in a great synchrony was a delight – add to it Mani Sir's Mridangam and Guruprasanna’s wonderful shadowing of him with his Khanjira!
Brisk Sobhillu Saptaswara, a great composition of Saint Thyagaraja was a filler before the sub-main composition. Ashwin presented a detailed exploration of Pantuvarali. Being Sivaratri season, the krithi Siva Siva Siva Anarada, a composition of Saint Thyagaraja was expected. Grand Niraval on Agamamula Nutiyinchi by all three on VVV explored multiple dimensions of the wonderful ragam.
Ravikiran presented a nice Ranjani aalapana. The krithi that followed was Dattatreya Trimurthi Rupa,a composition by Sachchidananda Swamy ji.
A very soothing Sankarabharanam aalapana from HKV exploring the majestic ragam to the core, made the audience spellbound! Saint Thyagaraja’s immortal composition Swara Raga Sudha followed as the grand main piece of the evening. An exquisite round of kalpana swaras followed by the most awaited Tani Avarthanam by the Maestro Mani Sir. What a delightful Avarthanam it was, ably complemented by Guruprasanna!! A Thunderous applause almost at the end of every cycle from audience said it all!
Mani Sir took the mic to speak a few words after the mandatory vote of thanks from the organizers. He talked about the Mridanga Saileswari Temple in Kannur, a few words about HKV and his music. He recollected that the last VVV concert he played was for the legendary Maestros Lalgudi Jayaraman – N Ramani – Venkatraman trio, about 4 decades before.
A memorable concert ended with Purandara Dasa’s composition Shiva Darushana Namagayithu in Madhyamavathi, Lalgudi Jayaraman’s Thillana in MohanaKalyani, which is one of the all-time favorite compositions for most musicians and a traditional Mangalam in Sourashtram.
Original post - https://kausalmalladi.wordpress.com/201 ... y-26-2017/