PAPANASAN SIVAN - AADIYA PAADATHAI

[klassicalrhythms]

Namasthe,

Can someone help me with the word to word translation for this kriti please

AADIYA PAADATHAI KRITI

Ragam : Kaamavardhini Talam : Adi Composer: Paapanaasam Shivan
Language: Tamil

pallavi

ADiya pAdattai darishikka vENumenr Aval onrE uLLam niaindadE aiyan


P: ADiya pAdattai darishikka vENumenr-Aval onrE uLLam niaindadE aiyan
A: pADiya bhaktargaL harOm harOm ena bhajikka
pAda shilambugaL galIr galIr ena olikka
c: shen shaDADaviyilE gangaiyenum deiva nadi tOyumAm
shIrum aravum adil neLiyumAm oru shiTram puliyum pAyumAm
nanjaNindha nIlakanThamAm veNNIr aLainda tirumEniyin oLiyAm
naTarAja mUrti ayanmAlum pOTRum shivakAmi nEshan ponnambalam tanil

[rshankar]

Here you go:

pallavi
ADiya pAdattai darisikka vENumenR-Aval onRE uLLam niaindadE aiyan
My lord (aiyan)! My mind/heart (uLLam) has but one (onRE) thought (ninaindadE) – an overwhelming desire (Aval) to witness/behold/see (darisikka vENumenRu) the foot/feet (pAdattai) that danced (ADiya).

anupallavi
pADiya bhaktargaL harOm harOm ena bhajikka pAda silambugaL galIr galIr ena olikka (ADiya pAdattai darisikka…)
(My lord! My mind/heart has but one thought – an overwhelming desire to witness/behold/see the foot/feet that danced), as the hordes of singing (pADiya) devotees chant (bhajikka) “hara [1] OM, hara OM” (harOm, harOm ena), and as the bells in the anklets (silambugaL) around (your) feet ring (olikka) loudly (galIr, galIr ena) [2].

caraNam
sen SaDADaviyilE gangaiyenum deiva nadi tOyumAm
sIRum aravum adil neLiyumAm oru cITRam puliyum pAyumAm
nanjaNinda nIlakanThamAm veNNIr aLainda tirumEniyin oLiyAm
naTarAja mUrti ayan mAlum pOTRum SivakAmi nEsan ponnambalam tanil (ADiya padattai darisikka…)
The caraNam describes more of the details that the composer knows will be there to behold, in addition to the feet, such as: 1) in the forest (aDaviyilE) of red (sen) matted locks (SaDai), a divine (deiva) river (nadi) called (ennum) gangA (gangai) will flow (tOyumAm), 2) a hissing (sIRum) snake (aravum) will slither around (neLiyumAm) in there (adil), 3) an angry (cIRRam) tiger (puliyum) will leap out (pAyumAm), 4) (your) throat (kaNThamAm) will be blue (nIla) from the poison (nanju), hAlAhalam it holds/wears (aNinda) 5) (your) divine (tiru) complexion (mEniyum) will be bright (oLiyAm) from the vibhUti (veNNIr) you wear (aLainda). (My lord! My mind/heart has but one thought – an overwhelming desire to witness/behold/see the foot/feet) of naTarAja (naTarAja mUrti), the beloved (nEsan) [3] of SivakAmi, praised (pOTRum) by brahmA (ayan) and vishNu (mAlum), (that danced), in (tanil) the golden (pon) hall/theater/temple (ambalam) [4].

FOOTNOTES
[1] hara = Siva – harOM is another form on namaSivAya
[2] galIr is an onomatopoeic word to describe the sound made by bells
[3] nEsan literally means lover
[4] cidambaram/tillai is the ponambalam, both a temple, as well as an assembly (sabhai) where naTarAja dances, to provide energy for the universe

[klassicalrhythms]

Thank you so much sir