Hello - would appreciate the word to word meaning of this Oothukaadu song. Thank you.
nAda murali. rAgA : hamIrkalyANi. Adi tALA.
P: nAda murali gAna vilOlA kalyANa krSNA nArada muni sannuta varabAla gOpAla
A: mAdhava madhusUdanA harE mukundA mangaLa varadAyaka prabhO giridhara gOpAla (nAda)
(madhyamakAlam)
tAkiTTaka taritakajhuNu tAm tattadhIm tai pA ma ma mA ma mA ri ri sa ni tAkiTTaka taritakajhuNu tAm tattadhIm
tai tai taitya kAla tAkiTTaka taritakajhuNu tAm tattadhIm mA ga pA ma ga ma pa dha ni sA tAkiTTaka taritakajhaNu
tadingiNatOm tAkiTTaka taritakajhaNu tadingiNatOm tAkiTTaka taritakajhaNu tadingiNatOm
C: manda gamana jita vAraNE bhava bandha bhaya haraNa nivAraNE ati sundara manmata rUpiNE mukha mandahAsadyuti dhAriNE bhuvi-kAranE giridhAriNE taka dhImta dhImta taka dhImta dhImta taka tAm tadingiNatOm tAm tadingiNatOm tAm tadingiNatOm tAm pa ma ma ri ri sa sA sa pa pA ma dha dhA dha pa dha pa pa ma mA ga pa pA ma ga ma pa dha niI sA NagaNagaNAm NigiNigiNIm vara nupura kankaNa kinkiNi shalanga shabdha vicitram tAm kiTataka tarikiTatOm tarikiTa takajhaNu kitataka tarikiTa tOm tarikiTa takajhaNu kiTataka tarikiTa tOm tarikiTa takajhaNu
Translations/Meaning of Nada Murali Gana
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shreelatasuresh
- Posts: 60
- Joined: 19 Feb 2016, 00:11
Re: Translations/Meaning of Nada Murali Gana
Could someone help with this?
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Rajani
- Posts: 1229
- Joined: 04 Feb 2010, 19:52
Re: Translations/Meaning of Nada Murali Gana
The Pallavi and Anupallavi are simple names of Krishna in Sambodhana (addressing him)
I've picked out the Sahitya part of the Charanam. Instead of continuing in Sambodhana , these are in the Fourth case (Chaturthi Vibhakti), so it is required to add a "namah" somewhere to make meaning correctly. The first phrase here "manda gamana jita vAraNE" is the seventh case, which cannot be. So I take it as "manda gamana jita vAraNa" (again addressing him)
manda gamana jita vAraNa - O One surpassing an elephant with (the beauty of) your slow gait !
namah - Salutations (This has to included somewhere for the rest of the phrases to be appropriate)
bhava bandha bhaya haraNa nivAriNE - to the one who removes and prevents the fear of worldly bondages
ati sundara manmata rUpiNE - to the one whose form as lovely as Manmatha's,
mukha mandahAsadyuti dhAriNE - who bears the radiance of a smile on his face,
bhuvi-kArinE - to the creator of the world,
giridhAriNE - to the one holding a mountain!
vara nupura kankaNa kinkiNi shalanga shabdha vicitram - Wondrous is the sound of the superior anklets, bracelets and their jingling bells.
PS : Apart from vAraNE changed to vAraNa, nivAriNE and kArinE changed to align with other fourth case phrases. Currently they are in seventh case (Saptami) and cannot fit here.
I've picked out the Sahitya part of the Charanam. Instead of continuing in Sambodhana , these are in the Fourth case (Chaturthi Vibhakti), so it is required to add a "namah" somewhere to make meaning correctly. The first phrase here "manda gamana jita vAraNE" is the seventh case, which cannot be. So I take it as "manda gamana jita vAraNa" (again addressing him)
manda gamana jita vAraNa - O One surpassing an elephant with (the beauty of) your slow gait !
namah - Salutations (This has to included somewhere for the rest of the phrases to be appropriate)
bhava bandha bhaya haraNa nivAriNE - to the one who removes and prevents the fear of worldly bondages
ati sundara manmata rUpiNE - to the one whose form as lovely as Manmatha's,
mukha mandahAsadyuti dhAriNE - who bears the radiance of a smile on his face,
bhuvi-kArinE - to the creator of the world,
giridhAriNE - to the one holding a mountain!
vara nupura kankaNa kinkiNi shalanga shabdha vicitram - Wondrous is the sound of the superior anklets, bracelets and their jingling bells.
PS : Apart from vAraNE changed to vAraNa, nivAriNE and kArinE changed to align with other fourth case phrases. Currently they are in seventh case (Saptami) and cannot fit here.