TM Krishna, Mysore Nagaraj & Umayalpuram Sivaraman at Sydney

Review the latest concerts you have listened to.
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mohan
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Post by mohan »

TM Krishna – vocal
Mysore Nagaraj – violin
Umayalpuram K. Sivaraman – mrudangam

Image

Saturday 3rd March 2007 – 6.30pm to 10pm
Ryde Civic Hall (Sydney, Australia)
Concert organised by Pallavi (www.pallavi.org)

1. vanajakshi (varnam), kalyani, khanda jathi ata, pallavi gopala iyer
2. sujana jeevana, khamas, rupaka, thyagaraja (a, s)
3. enta veduko, saraswati manohari, adi, thyagaraja
4. janani, rithigowla, misra chapu, subbaraya sastri (a)
5. santana ramaswaminam, hindolavasantam, adi, muthuswami dikshitar
6. koluvaiyunnude, bhairavi, adi, thyagaraja (a, n, s, t)
7. rtp, saveri, tisra triputa (2-kalai) “karimora vina leda, hare krishnaâ€
Last edited by mohan on 05 Mar 2007, 18:13, edited 1 time in total.

rshankar
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Post by rshankar »

Thanks Mohan...
What does karimora mean?

arunk
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Post by arunk »

based on the telugu dictionary http://dsal.uchicago.edu/dictionaries/brown/

kari: elephant
mora: cry

so i guess the interpreted translation could be something like "didnt the elephant cry and call (you)? O Krishna!" or "didnt you come to the aid of the elephant that cried out and called you O Krishna!"

Of course my knowledge of telugu is zilch - but if I am right, i owe it all to the online dictionary!

Arun
Last edited by arunk on 04 Mar 2007, 21:20, edited 1 time in total.

vijay
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Post by vijay »

I've heard Alathur Brothers sing this Pallavi....

vijay
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Post by vijay »

Aha, a description of Gajendra Moksham....

arunsri
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Post by arunsri »

The varnam is attributed to pallavi gOpAlayyar (actually mUlaivIDu rangaswAmi naTTuvanAr)
kANavEnDAmO is by pApanAsam sivan

sankirnam
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Post by sankirnam »

Mohan, any chance of you posting a review of UKS's upcoming talavadya kutcheri in Sydney as well? Thanks

nevermind, I just saw that that concert was actually before this one! Any reviews?
Last edited by sankirnam on 05 Mar 2007, 03:00, edited 1 time in total.

mohan
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Post by mohan »

vijay wrote:I've heard Alathur Brothers sing this Pallavi....
Yes - you can hear this version at http://www.ecse.rpi.edu/Homepages/shivk ... ur-c02.mp3

Alathur Bros have sung it in 4-kalai though. Krishna sang the faster 2-kalai version.

mohan
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Post by mohan »

arunsri wrote:The varnam is attributed to pallavi gOpAlayyar (actually mUlaivIDu rangaswAmi naTTuvanAr)
kANavEnDAmO is by pApanAsam sivan
thanks - have edited the post

Lakshman
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Post by Lakshman »

arunsri wrote:
The varnam is attributed to pallavi gOpAlayyar (actually mUlaivIDu rangaswAmi naTTuvanAr)
Did you mean to say that Pallavi Gopala Iyer and Rangasami Nattuvanar are one and the same or that this varNa is by the latter?

mohan
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Post by mohan »

sankirnam wrote:Mohan, any chance of you posting a review of UKS's upcoming talavadya kutcheri in Sydney as well? Thanks

nevermind, I just saw that that concert was actually before this one! Any reviews?
The Rhythm Spectrum concert was at the famous Sydney Opera House (Utzon Room). The format was

1. Percussion solo by Sri Umayalpuram Sivaraman in Tisra Eka tala (2 kalai) 30 mins
2. Konnakol and mrudangam interaction by Sridhar Chari (disciple of Sri Sivaraman) and Sri Umayalpuram Sivaraman 10 mins
3. Violin duet by Mysore Nagaraj & Dr Mysore Manjunath with Sri UKS 40 mins
Abogi varnam
ra ra ma inti daka - asaveri
nannu palimpa - mohanam
jagadhodharana - kapi

interval

4. TM Krishna with Mysore Manjunath and Sri UKS 45 mins
RTP in Thodi, Adi talam with kalpana swaram in Sahana, Surutti
+ 1 other piece and mangalam

I think a review will be coming on kutcheribuzz.

vasanthakokilam
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Post by vasanthakokilam »

It is great that a CM concert is organized at a top tier auditorium. Is this commonly done in Sydney and in other major cities in Australia?

mohan
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Post by mohan »

vasanthakokilam wrote:It is great that a CM concert is organized at a top tier auditorium. Is this commonly done in Sydney and in other major cities in Australia?
No, it is not that common here. Unless there is a major sponsor involved it is alomost impossible to break even on such a concert. Also our Carnatic patrons often complain about the high ticket prices + high cost of parking at such venues. We had 120 in attendance at the Opera House and around 450 at the other concert at a community hall!

meena
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Post by meena »

mohan

pallavi.org is the site down?

mohan
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Post by mohan »

meena - it just is taking a while to load but it did load for me when I tried a minute ago.

rasam
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Post by rasam »

Looks like it must have been a great concert ...

I find it amazing that the kalyani varnam is the only prati-madhyamam piece even including RTP ragamalika swaras and the ragamalika virutham!!

arunsri
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Post by arunsri »

Lakshman Sir

What I meant was, most books attribute it to Pallavi Gopallayar. However, I think the one by William Jackson (I think) mentions it as a varnam by the naTTuvanAr. He also says it is wrongly attributed to Gopalayyar.

I would like to agree a little, since the mudra rangasAmi is the mudra of the naTTuvanAr. It is not seen in any varnam of pallavi gOpAlayyar.
Last edited by arunsri on 05 Mar 2007, 11:25, edited 1 time in total.

mohan
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Post by mohan »

Wasn't Pallavi Gopala Iyer the student of Pacchimiriyam Adiyappayya? I have read about how the latter accepted the former as a student.

During a long train journey Gopala Iyer approached Adiyappayya (composer of the Viriboni Bhairavi varnam) to become his student. Adiyappayya asked him to compose a varnam by the end of the journey. Gopala Iyer took up the challenge and the result was Vanajakshi Ata tala varnam in Kalyani. Needless to say, Gopala Iyer passed the test and was allowed to be a student of the great Adiyappayya.
Last edited by mohan on 05 Mar 2007, 14:03, edited 1 time in total.

rbharath
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Post by rbharath »

how on earth can gopalayyar and rangaswami nattuvanaar be the same person? i am confused.

I am told, that The vanajakshi varnam is a composition of Rangaswami Nattuvanaar and it bears the mudra 'rangasAmi' in the anupallavi.

rbharath
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Post by rbharath »

train journey? in the days of Adiyappaya???

trains came to madras presidency in 1850s. That too between Royapuram and Arcot.

drshrikaanth
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Post by drshrikaanth »

The story of the train journey is of vINe SEShaNNa and maisUru vAsudEvAcAr. And the test for MV was not to compose a varNa but to learn one by the end of journey with being taught the bits only once.

vijay
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Post by vijay »

Kalyani Ata tala varnam, if it had indeed been composed during a journey (railway or otherwise), the mind boggles at the genius of the composer (Nattuvanar or Gopalayyer)...one of the most slippery compositions in carnatic music...

mohan
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Post by mohan »

rbharath wrote:train journey? in the days of Adiyappaya???

trains came to madras presidency in 1850s. That too between Royapuram and Arcot.
haha -- i didn't think I'd get away with that one :)

mohan
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Post by mohan »

Have added a photo to the initial post.

mahesh33
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Post by mahesh33 »

For the record, the brilliant Mysore Nagaraj accompanies :)!
Last edited by mahesh33 on 05 Mar 2007, 21:48, edited 1 time in total.

rasam
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Post by rasam »

Whoever the composer is, the varnam is simply too good ... especially the charanam "chiru navvu ..." which is easy to sing in swarams but the akaram gets pretty challenging to sing in one breath ... I get the goosebumps when TNS adds some of his own sangatis to this charanam

rbharath
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Post by rbharath »

The varNam is indeed a composition of srIrangam mUlaivITTu rangasAmi naTTuvanAr.

mohan, please edit your opening post again.

mohan
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Post by mohan »

I'm not totally convinced. The sources I checked say Pallavi Gopala Iyer only. Sri Lakshman can you shed more light on this? Also, what are the known compositions of rangasami nattuvanar?

sr_iyer
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Post by sr_iyer »

One of the caraNa (ciTTa) svaram-s notated in Sangeeta Sampradaya Pradarshini starts as ndd, mgrr, mgrndpm is rarely sung. (The remaining 5 are sung commonly.) I have heard this svara passage being played by Smt Kalpakam Swaminathan and Sri MSG.

Subbarama Dikshitar in his Sangeeta Sampradaya Pradarshini in 1904 has attributed this to Pallavi Gopala Iyer. The other varNams attributed to Pallavi Gopala Iyer are kanakAngi (tODi aTa tALa) and inta calamu (kAmbhOji aTa tALa). I would be interested in knowing the period of Rangaswami Nattuvanar (the composer of varNa calamEla in nATTakkurinji).

sr_iyer
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Post by sr_iyer »

A tidbit: Sri BM Sundaram, in an article in his book on varNams, identifies various mudras of (pre-trinity) Pallavi Gopala Iyer used in his varNams and kR.ti-s and uses the vanajAkshi aTa tALa varNam to point to the mudra kastUriranga. (However, he questions the attribution of the tODi varNam kanakAngi!). (I do not have Sri BMS book handy as I write this.) This is just an additional piece of info I wanted to add...

mohan
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Post by mohan »

Pallavi Gopalayyar is the author of three classical Varnas in Ata tala: Vanjakshi (Kalyani), Kanagangi nee chelimi (Todi and Inta Chalamu (Kambhoji) ...

The story goes that when Gopalayyar composed his Varna in Kalyani raga and sang it before his guru, Adiyappayya for his opinion, the latter remarked that it was just a 'school boy's composition'. It was not Adiyappayya's intention to snub his distinguished disciple. He offered the remark just to prevent his puil from being unduly proud of his attainments. Subsequently, he encouraged his pupil to direct his genius to the composition of more Varnas. The reference to Kasturi Rangaswami in the anupallavi of the Varna is only to Vishnu, the father of Manmatha.
Prof. P Sambamoorthy (reprinted from The Hindu19-4-1970 in B. Dayananda Rao (1995), Carnatic Music Composers, The Triveni Foundation, Hyderabad, p.88.

rasam
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Post by rasam »

The story goes that when Gopalayyar composed his Varna in Kalyani raga and sang it before his guru, Adiyappayya for his opinion, the latter remarked that it was just a 'school boy's composition'
Thats some attitude! Does someone have a list of Adiyappayya's compositions? Viriboni is the only composition of his that I know of, and if thats all he has composed, he had no business to deride other people's compositions :)
Last edited by rasam on 07 Mar 2007, 04:18, edited 1 time in total.

gn.sn42
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Post by gn.sn42 »

arunsri wrote:the mudra rangasAmi is the mudra of the naTTuvanAr.
Could you provide more information on the naTTuvanAr?

mohan
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Post by mohan »

rasam wrote:Does someone have a list of Adiyappayya's compositions? Viriboni is the only composition of his that I know of, and if thats all he has composed, he had no business to deride other people's compositions :)
There is a separate thread about Adiyappayya at http://rasikas.org/forums/viewtopic.php?pid=32739

More than being a composer he was a famous musician of the Tanjore Court. He is mentioned as a guru of Shyama Sastri as well.

mri_fan
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Post by mri_fan »

One of these days we'll need a thread about Sri Nagaraj...he's an excellent yet humble musician. Whenever him and his brother perform he doesn't do the speaking before each piece, but he makes his violin speak beautifully

vijay
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Post by vijay »

rasam wrote:
The story goes that when Gopalayyar composed his Varna in Kalyani raga and sang it before his guru, Adiyappayya for his opinion, the latter remarked that it was just a 'school boy's composition'
Thats some attitude! Does someone have a list of Adiyappayya's compositions? Viriboni is the only composition of his that I know of, and if thats all he has composed, he had no business to deride other people's compositions :)
Just the one composition Rasam, but singularly brilliant! However, if that was really his opinion of the Kalyani Varnam, I must differ - it does not have the elegance of Viribhoni but as I have observed earlier, one of the most complex compositions in CM. Very far from a school boy's work...

drshrikaanth
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Post by drshrikaanth »

There is also Adippayya's varNa in rAmakriya/kAmavardhini.

jayaram
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Post by jayaram »

Thats some attitude! Does someone have a list of Adiyappayya's compositions? Viriboni is the only composition of his that I know of, and if thats all he has composed, he had no business to deride other people's compositions
Perhaps you didn't read the second part of the article?
It was not Adiyappayya's intention to snub his distinguished disciple. He offered the remark just to prevent his puil from being unduly proud of his attainments.
That's been the style adopted by several gurus from time immemorial. In fact, they reserve it for their best students.
Last edited by jayaram on 07 Mar 2007, 14:14, edited 1 time in total.

ksrimech
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Post by ksrimech »

drshrikaanth wrote:There is also Adippayya's varNa in rAmakriya/kAmavardhini.
Was it the one made popular by DKP and DKJ? Or was the popular one SaTkAla narasayyA's?
Last edited by ksrimech on 08 Mar 2007, 02:10, edited 1 time in total.

drshrikaanth
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Post by drshrikaanth »

DKP- sang the Adi tALa varNa which is ShaTkAla narasayya's. Adiyappayya's is in aTa tALa.

Lakshman
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Post by Lakshman »

madavAti nIpai. rAga: kAmavardhani. k/aTa tALA. Composer: Pachchimiriam AdiappaiyA

P: madavAti nIpai cAla marulukonnAdirA
A: sadayUDau dakSiNa dvAraka cakkani shrI rAjagOpAla
C: dharalOna nIvE daya galavAdani

ksrimech
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Post by ksrimech »

Wow thank you DRSji and Lakshmanji. Beautiful lyics yet again on SrIrAjagOpAlan. I have never heard this one. Does anyone have a recording?

meena
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Post by meena »


rbharath
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Post by rbharath »

rbharath wrote:The varNam is indeed a composition of srIrangam mUlaivITTu rangasAmi naTTuvanAr.

mohan, please edit your opening post again.
i guess i have to go back on my statement earlier..

Pradrashini also lists this kalyANi varNam as a composition of Pallavi Gopalayyar.
Last edited by rbharath on 15 Mar 2007, 16:17, edited 1 time in total.

mohan
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Post by mohan »

Review of the Opera House concert - http://kutcheribuzz.com/features/column ... ahouse.asp

rshankar
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Post by rshankar »

VERY nice Mohan!

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