1.nera nammiti (varnam) - KAnadA - Poochi Srinivasa Iyengar
2.gAnamUrtE(R,S) - gAnamUrti - T
3.suryamoorthE - sowrAshtram - MD
4. shrIpatE(R) - nAgaswarAvaLi - T
5. rAmanAtham bhajEham (R N S) - pantuvarAli - MD
neraval in "kumAra guruguha vibhitam"
6. bhOgeendra sAyinAm - kuntalavArAli - ST
7A.naDaci naDaci (R N S T)- kharaharapriyA - T
neraval in " puDamisuta sahAyuDai celangE pUrNuni "
7B.tani
8. smara sundarAnguni - parAs - Dharmapuri subbarAyar
9A. viruththam "thillaiyai kandabOthE thElindhadhu uLLamELLAm" - KApi - GKB
9B. thillAi enrAL piravi illai - KApi- GKB
10. pavamAna
My first concert experience of hearing this vidushi. Her first varnam in KAnadA was just good , and continued with gAnamUrthi her rendition of the krithi was very good with her swaras just good , felt possibly she needed to add more weight there. The next suryamoorthE was very good . Her start of nAgaswarAli wasa fairly long alApana, perhaps indicating that krithi would be a sub main, her finish just with krithi appeared not that great to me with her voice showing bit of strain.
Her voice considerably cleared , her pantuvarAli was tad slower than what one usually hears nevertheless her rendition was very good throught out. KuntavArAli appeared as a very attention capturing filler . Liked her alApana of kharaharapriyA it was very detailed went for 11 minutes, she sang naDaci naDaci excellently during krithi and swaras, I felt her neraval in between was bit short .
Every musician works very hard to bring newer compositions nowadays, to me Amritha brought 2 new flavours of emotive kApi

The accompanist padmA shankar was very good , there was always a pleasant nAdham emanating from her violin. Both the accompanists were just mediocre. Overall a good to very good concert