Identification of tillana needed
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I downloaded its full version here, hope you will be able to help....
http://www.turboupload.com/download/Gjx ... khamAs.mp3
http://www.turboupload.com/download/Gjx ... khamAs.mp3
Last edited by apsara on 24 Mar 2008, 16:07, edited 1 time in total.
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The music is from the film
Dance Like A Man
Featured Artist(s): Shobana, Arif Zakaria, Anoushka Shankar, Samir Soni And Mohan Agashe-
Dance Like a Man is a beautiful soundtrack bearing testimony to violin maestros Ganesh & Kumaresh' excellence as music composers. The film has recently received the National Award for this year's "Best Feature Film in English". Directed by Pamela Rooks of "Train to Pakistan" fame, the film stars Arif Zakaria, South Indian Superstar Shobana along with Anoushka Shankar and Samir Soni. Composers Ganesh and Kumaresh have worked with traditional music and merged it with more contemporary elements to create a unique soundtrack. The music blends in with the story and is an integral part of the storyline. A movie worth watching with a soundtrack to match.
Track's name was "The Dance Of Joy (thillana)", no name of the singer.
Dance Like A Man
Featured Artist(s): Shobana, Arif Zakaria, Anoushka Shankar, Samir Soni And Mohan Agashe-
Dance Like a Man is a beautiful soundtrack bearing testimony to violin maestros Ganesh & Kumaresh' excellence as music composers. The film has recently received the National Award for this year's "Best Feature Film in English". Directed by Pamela Rooks of "Train to Pakistan" fame, the film stars Arif Zakaria, South Indian Superstar Shobana along with Anoushka Shankar and Samir Soni. Composers Ganesh and Kumaresh have worked with traditional music and merged it with more contemporary elements to create a unique soundtrack. The music blends in with the story and is an integral part of the storyline. A movie worth watching with a soundtrack to match.
Track's name was "The Dance Of Joy (thillana)", no name of the singer.
Last edited by apsara on 20 Mar 2008, 16:18, edited 1 time in total.
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The (female) singer in the tracks is Smt. Radha Bhadri (she sings for many dancers), and the (male) singer in the other tracks is Sri Ganesh (of the Ganesh Kumaresh duo, who scored the music).
This is a short clip of how the tillAnA was pictured in the movie: - the dancer is the sitarist, Ms. Anoushka Shankar
http://www.youtube.com/watch?v=2vlsVQy1Wag
This is a short clip of how the tillAnA was pictured in the movie: - the dancer is the sitarist, Ms. Anoushka Shankar
http://www.youtube.com/watch?v=2vlsVQy1Wag
Last edited by rshankar on 20 Mar 2008, 18:20, edited 1 time in total.
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Here is my attampt. Corrections welcome:
tAm tajhaNu taka tom (tillAnA). rAgA: khamAs. Adi tALA.
P: tAm tajhaNu taka tom tananana dhiranA takatAm tatikiTatom
tom tom takajham jham taka tattAmta dhImdhImta tOm tOmta tatikiTa
A: dhrikiTa tikiTa tomkiTa nakiTa tAm tAm dhIm dhIm tom tOm tananana
dhrikiTa tikiTa tomkiTa nakiTa tAm tAm dhIm dhIm tom tOm tananana
jhaNuta jhaNuta kiTatAm taka jhaNuta jhaNuta kiTatAm
jhaNuta jhaNuta kiTatAm taddhImta jhaNuta jhaNuta kiTatAm
taddhImta jhaNuta jhaNuta kiTa tAm tAm tAm jhaNuta jhaNuta kiTa dhIm dhIm dhIm jhaNuta jhaNuta kiTatAm tadingiNatOm
jhaNuta jhaNuta kiTatAm taka takata jham taka takata jham taka takata jham
kiTa takajham kiTa takajham kiTa takajham jhaNuta tAm dhIm tOm tarikiTataka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTa takajham kiTa takajham kiTa takajham jhaNuta tAm dhIm tOm tarikiTataka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTataka tarikiTatOm kiTataka tarikiTatOm kiTa tarikiTatOm jhaNuta tAm
dharikiTa taka dharikiTa taka dharikiTa taka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTataka tarikiTatOm kiTataka tarikiTatOm kiTa tarikiTatOm
dharikiTa taka tAm dharikiTa taka dharikiTa taka dharikiTa taka
C: takiTa tAm tattAm tatam enru ADinEn ma dha ma pA ga ma dhA dha ni
enru pADinEn uyirum uDalum un padamAnadE en uLLam urugum paravashamAgudE hara hara sadara shiva shivA enru un nAmamE
en nAdinil isaittiDavum unai ninaindu enai marandu takiTa tAm takatAm tatAm
takiTa tAm takatAm tatAm tarikiTa jhaNu dhimita ma ga sA pa ga mA
takiTatOm takanana tillAnA
takiTa tAm takatAm tatAm tarikiTa jhaNu dhimita ma ga sA pa ga mA
takiTatOm takanana tillAnA
dha ni sa ri nidhini pa dha ni jhaNu jhaNu ma pa dha dhimi kiTatOm
dha ni sa dharikiTa pa dha ni takajhaNu ma pa dha dhimitaka tOm
dha ni sa dharikiTa takajhaNu pa dha ni dharikiTa takajhaNu
ma pa dha dharikiTa takajhaNu tAm tarikiTa dhIm tarikiTa tOm tarikiTa tAm
dhIm tOm taka takiTa taka takiTa taka takiTa tadingiNatOm tadingiNatOm
tadingiNatOm tadhittaLAngu tadhittaLAngu tadhittaLAngu
tAm tajhaNu taka tom (tillAnA). rAgA: khamAs. Adi tALA.
P: tAm tajhaNu taka tom tananana dhiranA takatAm tatikiTatom
tom tom takajham jham taka tattAmta dhImdhImta tOm tOmta tatikiTa
A: dhrikiTa tikiTa tomkiTa nakiTa tAm tAm dhIm dhIm tom tOm tananana
dhrikiTa tikiTa tomkiTa nakiTa tAm tAm dhIm dhIm tom tOm tananana
jhaNuta jhaNuta kiTatAm taka jhaNuta jhaNuta kiTatAm
jhaNuta jhaNuta kiTatAm taddhImta jhaNuta jhaNuta kiTatAm
taddhImta jhaNuta jhaNuta kiTa tAm tAm tAm jhaNuta jhaNuta kiTa dhIm dhIm dhIm jhaNuta jhaNuta kiTatAm tadingiNatOm
jhaNuta jhaNuta kiTatAm taka takata jham taka takata jham taka takata jham
kiTa takajham kiTa takajham kiTa takajham jhaNuta tAm dhIm tOm tarikiTataka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTa takajham kiTa takajham kiTa takajham jhaNuta tAm dhIm tOm tarikiTataka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTataka tarikiTatOm kiTataka tarikiTatOm kiTa tarikiTatOm jhaNuta tAm
dharikiTa taka dharikiTa taka dharikiTa taka
tAm tajhaNu taka tom tananana dhiranA
taka takata jham taka takata jham taka takata jham
kiTataka tarikiTatOm kiTataka tarikiTatOm kiTa tarikiTatOm
dharikiTa taka tAm dharikiTa taka dharikiTa taka dharikiTa taka
C: takiTa tAm tattAm tatam enru ADinEn ma dha ma pA ga ma dhA dha ni
enru pADinEn uyirum uDalum un padamAnadE en uLLam urugum paravashamAgudE hara hara sadara shiva shivA enru un nAmamE
en nAdinil isaittiDavum unai ninaindu enai marandu takiTa tAm takatAm tatAm
takiTa tAm takatAm tatAm tarikiTa jhaNu dhimita ma ga sA pa ga mA
takiTatOm takanana tillAnA
takiTa tAm takatAm tatAm tarikiTa jhaNu dhimita ma ga sA pa ga mA
takiTatOm takanana tillAnA
dha ni sa ri nidhini pa dha ni jhaNu jhaNu ma pa dha dhimi kiTatOm
dha ni sa dharikiTa pa dha ni takajhaNu ma pa dha dhimitaka tOm
dha ni sa dharikiTa takajhaNu pa dha ni dharikiTa takajhaNu
ma pa dha dharikiTa takajhaNu tAm tarikiTa dhIm tarikiTa tOm tarikiTa tAm
dhIm tOm taka takiTa taka takiTa taka takiTa tadingiNatOm tadingiNatOm
tadingiNatOm tadhittaLAngu tadhittaLAngu tadhittaLAngu
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Grand thanks for the lyrics!!!
Could anyone translate the charanam, please?
enru ADinEn
enru pADinEn uyirum uDalum un padamAnadE en uLLam urugum paravashamAgudE hara hara sadara shiva shivA enru un nAmamE en nAdinil isaittiDavum unai ninaindu enai marandu
Could anyone translate the charanam, please?
enru ADinEn
enru pADinEn uyirum uDalum un padamAnadE en uLLam urugum paravashamAgudE hara hara sadara shiva shivA enru un nAmamE en nAdinil isaittiDavum unai ninaindu enai marandu
Last edited by apsara on 24 Mar 2008, 16:15, edited 1 time in total.
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I have doubts about these words
1) unpadamAnadE- or is it -unvasamAnadE?
2)uLLam urugum paravasahamAgudE--somehow the combination doesnt sound correct
3)hara hara sadara- 'sadara'-Iam unable to comprehend
4) en nAdinil- is it en nAvinil'?
Since I am unable to hear the clipping, Iam asking for these clarifications
1) unpadamAnadE- or is it -unvasamAnadE?
2)uLLam urugum paravasahamAgudE--somehow the combination doesnt sound correct
3)hara hara sadara- 'sadara'-Iam unable to comprehend
4) en nAdinil- is it en nAvinil'?
Since I am unable to hear the clipping, Iam asking for these clarifications
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- Posts: 81
- Joined: 26 May 2006, 17:41
Charanam:
http://www.turboupload.com/download/ONf ... khamAs.mp3
Perhaps it is "Shankara" instead of "sadara"?
http://www.turboupload.com/download/ONf ... khamAs.mp3
Perhaps it is "Shankara" instead of "sadara"?
Last edited by apsara on 24 Mar 2008, 16:14, edited 1 time in total.
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Punarvasu,
Here is my attempt at clarifying doubts, and possibly helping Apsara choreograph it: I think your instinctive corrections were on the money.
ta kiTa tAm ta tAm ta tam enru ADinEn
ma ga ma pA ga ma dhA dha nI enru pADinEn
uyirum uDalum un vaSamAnadE en uLLam urugum paravashamAgudE
hara hara Sankara Siva SivA enru un nAmamE en nAvinil isaittiDavum
unai ninaindu enai marandu ta kiTa tAm taka tAm ta tAm
In order that only your (un) names (nAmamE) like (enru) hara hara, SankarA, and Siva SivA issue forth/sound (iSaittiDavE) from/in my (en) tongue (nAvinil), I forgot (marandu) myself (enai) and thought (ninaindu) only of you (unai) as I danced (ADinEn) to the SorkaTTu that goes (enru) 'ta kiTa tAm ta tAm ta tAm', and sang (pADinEn) the notes that go (enru) 'ma ga ma pA ga ma dhA dha nI'. And as I did so, I realize that my life (uyirum) and body (uDalum) are no longer under my control, but have become/come under (AnadE) your (un) subordination/power/custody (vaSam), and my heart (uLLam) has melted (urugum) and I experience (AgudE) joyous ecstacy (paravaSam) [1].
[1] There is a remarkable use of 'un/en vaSam' (meaning your/my control) and para vaSam (meaning 'control of someone else') in this caraNa sAhityam that encapsulates the underlying basic tenet of Hindu philosophy: when ego dissolves (concepts of 'I/my/you', 'our/my control' etc), and surrender to the almighty is absolute, that transfer/relinquishing of control leads to supreme bliss (paravaSam)!
Here is my attempt at clarifying doubts, and possibly helping Apsara choreograph it: I think your instinctive corrections were on the money.
ta kiTa tAm ta tAm ta tam enru ADinEn
ma ga ma pA ga ma dhA dha nI enru pADinEn
uyirum uDalum un vaSamAnadE en uLLam urugum paravashamAgudE
hara hara Sankara Siva SivA enru un nAmamE en nAvinil isaittiDavum
unai ninaindu enai marandu ta kiTa tAm taka tAm ta tAm
In order that only your (un) names (nAmamE) like (enru) hara hara, SankarA, and Siva SivA issue forth/sound (iSaittiDavE) from/in my (en) tongue (nAvinil), I forgot (marandu) myself (enai) and thought (ninaindu) only of you (unai) as I danced (ADinEn) to the SorkaTTu that goes (enru) 'ta kiTa tAm ta tAm ta tAm', and sang (pADinEn) the notes that go (enru) 'ma ga ma pA ga ma dhA dha nI'. And as I did so, I realize that my life (uyirum) and body (uDalum) are no longer under my control, but have become/come under (AnadE) your (un) subordination/power/custody (vaSam), and my heart (uLLam) has melted (urugum) and I experience (AgudE) joyous ecstacy (paravaSam) [1].
[1] There is a remarkable use of 'un/en vaSam' (meaning your/my control) and para vaSam (meaning 'control of someone else') in this caraNa sAhityam that encapsulates the underlying basic tenet of Hindu philosophy: when ego dissolves (concepts of 'I/my/you', 'our/my control' etc), and surrender to the almighty is absolute, that transfer/relinquishing of control leads to supreme bliss (paravaSam)!
Last edited by rshankar on 24 Mar 2008, 19:10, edited 1 time in total.