Kalpagam Swaminathan - House concert held in New Jersey on M
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House concert held in New Jersey on March 30, 2008
Kalpagam Swaminathan (Veena)
Palghat Rajamani (Mridangam)
Viriboni - Bhairavi - Adiappa - Usi thalam
Panchmathanga - Malahari - Dikshitar (S)
Yochana - Durbar - Thyagaraja (R)
Thyagarajaya Namasthe - Begada - Dikshitar (R, S)
Purahara Nandana - HameerKalyani - Dikshitar (R)
Inkevarunnaru - Sahana - Annaswamy Sastri (R, S, followed by Thani)
Meenakshi Memudham - Poorvikalyani - Dikshitar (R, T)
Sree Subramanyo - Thodi - Dikshitar (R)
Viswanathena - Samantha - Dikshitar (R, S)
Sree Venugopala - Kuranji - Dikshitar
Pranatharthi Haram Aham - Chenjuruti - Mysore Vasudevachar (R)
Ambara Chidambara - Surati - Gopalakrishna Bharathi (R)
When Dikshitar composed “Veena Pusthaka Dhariniâ€
Kalpagam Swaminathan (Veena)
Palghat Rajamani (Mridangam)
Viriboni - Bhairavi - Adiappa - Usi thalam
Panchmathanga - Malahari - Dikshitar (S)
Yochana - Durbar - Thyagaraja (R)
Thyagarajaya Namasthe - Begada - Dikshitar (R, S)
Purahara Nandana - HameerKalyani - Dikshitar (R)
Inkevarunnaru - Sahana - Annaswamy Sastri (R, S, followed by Thani)
Meenakshi Memudham - Poorvikalyani - Dikshitar (R, T)
Sree Subramanyo - Thodi - Dikshitar (R)
Viswanathena - Samantha - Dikshitar (R, S)
Sree Venugopala - Kuranji - Dikshitar
Pranatharthi Haram Aham - Chenjuruti - Mysore Vasudevachar (R)
Ambara Chidambara - Surati - Gopalakrishna Bharathi (R)
When Dikshitar composed “Veena Pusthaka Dhariniâ€
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Ramaprasad
Great Song List and wonderful review. Kalpagam Mami is without doubt a Colossus in the field of Veena. Lucky are those who managed to see and enjoy the divine music. And with Palghat Rajamani , what a fantastic combination.
Look forward to the photographs.
Great Song List and wonderful review. Kalpagam Mami is without doubt a Colossus in the field of Veena. Lucky are those who managed to see and enjoy the divine music. And with Palghat Rajamani , what a fantastic combination.
Look forward to the photographs.
Last edited by cienu on 04 Apr 2008, 10:42, edited 1 time in total.
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Ramaprasad,
Thanks for the review.
I feel all the worse for missing this concert though I came to know of it a little too late.
You can use http://tinypic.com/ to upload, procure a link and use the img tag like this.
Alternatively, you can upload to a photo sharing service like Flickr and post a link.
Thanks for the review.
I feel all the worse for missing this concert though I came to know of it a little too late.
You can use http://tinypic.com/ to upload, procure a link and use the img tag like this.

Alternatively, you can upload to a photo sharing service like Flickr and post a link.
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Sounds like a fabulous concert - I thought Mami had to cut short her tour to the US. She was supposed to perform in Boston on April 7th...this was cancelled. A loss for Boston rasikas....
Rajamani sir style of accompaniment very closely resembles his father Palghat Mani Iyer's style. The stamp is inimitable. Great following for songs and I'm sure the combination would have been fantastic. Any possibility of a recording?
Pravin
Rajamani sir style of accompaniment very closely resembles his father Palghat Mani Iyer's style. The stamp is inimitable. Great following for songs and I'm sure the combination would have been fantastic. Any possibility of a recording?
Pravin
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the rendition of thodi had such grandeur! the thanam-playing for thodi was simply out of the world, with excursions into the mandara and tara sthayi using shadja-panchama varja prayogas... the grand finale for the thanam was a flat-note climb all the way up the scale and back, very pleasing indeed!
there were deft touches throughout the concert, in all her raga essays... IIRC, she played atleast a brief sketch before every kriti... hamir kalyani was 24 karat.
to interact with Kalpagam mami after the concert was a blessing... she sang a few snatches of Annapurne, showcasing a facet of Sama that I have never seen before.
totally fruitful weekend!!
there were deft touches throughout the concert, in all her raga essays... IIRC, she played atleast a brief sketch before every kriti... hamir kalyani was 24 karat.
to interact with Kalpagam mami after the concert was a blessing... she sang a few snatches of Annapurne, showcasing a facet of Sama that I have never seen before.
totally fruitful weekend!!
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Ramaprasad wrote:House concert held in New Jersey on March 30, 2008
Viriboni - Bhairavi - Adiappa - Usi thalam
It is aTa tAlam. Usi tAl/nam as I understand(corrections welcome) is merely a technique akin to a syncopated beat and not a tAlam per se.Pravin Sitaram wrote:Pardon my ignorance - what is USI Thalam?
ie Smt.Kalpakam Swaminathan played all the swarapassages with atIta eduppu. This results in an additional twang of the tAla string which adds an element of aesthetics in a veena rendition. She added that it was after Mysore Vasudevachar's suggestion that she started playing it this way. Old timers may remember that this was the subject of a long-drawn discussion on the erstwhile sangeetham bboard where a wide range of digressions ranging from jazz and analogies to a syncopated beat were discussed at length on this Usi tAlam topic.

Last edited by vidya on 04 Apr 2008, 09:50, edited 1 time in total.
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I found this link via a Rasika Member posting: This one is Hamir Kalyani ; If you search the site you will get some more - at least one more "Sahana conversations"
http://www.archive.org/details/Smt.Kalp ... aranandana
Does any one have Shri Kuppuswamiah's heart stirring HK krithi audio (Raada naa meeda dayaleda)
http://www.archive.org/details/Smt.Kalp ... aranandana
Does any one have Shri Kuppuswamiah's heart stirring HK krithi audio (Raada naa meeda dayaleda)
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Thank you Vidya for your detailed explanation.vidya wrote:Ramaprasad wrote:House concert held in New Jersey on March 30, 2008
Viriboni - Bhairavi - Adiappa - Usi thalamIt is aTa tAlam. Usi tAl/nam as I understand(corrections welcome) is merely a technique akin to a syncopated beat and not a tAlam per se.Pravin Sitaram wrote:Pardon my ignorance - what is USI Thalam?
ie Smt.Kalpakam Swaminathan played all the swarapassages with atIta eduppu. This results in an additional twang of the tAla string which adds an element of aesthetics in a veena rendition. She added that it was after Mysore Vasudevachar's suggestion that she started playing it this way. Old timers may remember that this was the subject of a long-drawn discussion on the erstwhile sangeetham bboard where a wide range of digressions ranging from jazz and analogies to a syncopated beat were discussed at length on this Usi tAlam topic.
Pravin
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Dear CML Sir,
Thank you so much for "cleaning up" my amateur attempt. The lady behind Mami is Dr. Bhavani Rao, who is a doctor by profession, but is also a musician (She is a vocalist, plays the flute and the Veena !). No, I am not in any of the pictures. I think the person 'peeking in' is Mr. Vidyashankar, the husband of Kiranavali. It was a pleasure talking to him here.
Ramaprasad
Thank you so much for "cleaning up" my amateur attempt. The lady behind Mami is Dr. Bhavani Rao, who is a doctor by profession, but is also a musician (She is a vocalist, plays the flute and the Veena !). No, I am not in any of the pictures. I think the person 'peeking in' is Mr. Vidyashankar, the husband of Kiranavali. It was a pleasure talking to him here.
Ramaprasad
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Last year, I bought a 2 CD album of Kalpagam Swaminathan with many rare DIkshitar krithis - a collector's item.
Kamalamba Navavarna krithi - in Bhairavi
Sree Matha Sivavamanke Sree Chakraroopa Thadanke - Begada - on Goddess Akilandeswari of Tiruvanaikaval
Saraswathi Hithe - Manji
Soundararajam - Brindavana Saranga
....
Kamalamba Navavarna krithi - in Bhairavi
Sree Matha Sivavamanke Sree Chakraroopa Thadanke - Begada - on Goddess Akilandeswari of Tiruvanaikaval
Saraswathi Hithe - Manji
Soundararajam - Brindavana Saranga
....
Last edited by annamalai on 20 Apr 2008, 06:25, edited 1 time in total.