Meaning for Pranavakaram - Arabhi
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Can someone give me a translation of the first half of the charanam of this kriti:
praNavAkAram
rAgam: Arabhi tALam: Adi
shrI UttukkADu veN^kaTakavi viracita
pallavi
praNavAkaraM siddhivinAyakam
prasannasmitavadanamanubhAvaye
anupallavi
madhyamakAla sahityam
gaNanAyakaM akhilabhuvanamaN^gaLavarapradAyakam
maNigaNakiraNa nAnAvidhikalpataraNaM lokakAraNam
caraNam
madhyamakAla sahityam
abhisaMv.rtashivagaNa suragaNa mahadAnandanaTanam
sundubhi DiNDima m.rdaMga damaruka
dhrumita dhrumitat samalasacaraNam
karuNArasavarShaNamukhakamalaM
kAtyayanIvrataphaladaM nanda
kumAralabdavaraprasAdaM
atishayalambodaravikaTarAjaM amalam
praNavAkAram
rAgam: Arabhi tALam: Adi
shrI UttukkADu veN^kaTakavi viracita
pallavi
praNavAkaraM siddhivinAyakam
prasannasmitavadanamanubhAvaye
anupallavi
madhyamakAla sahityam
gaNanAyakaM akhilabhuvanamaN^gaLavarapradAyakam
maNigaNakiraNa nAnAvidhikalpataraNaM lokakAraNam
caraNam
madhyamakAla sahityam
abhisaMv.rtashivagaNa suragaNa mahadAnandanaTanam
sundubhi DiNDima m.rdaMga damaruka
dhrumita dhrumitat samalasacaraNam
karuNArasavarShaNamukhakamalaM
kAtyayanIvrataphaladaM nanda
kumAralabdavaraprasAdaM
atishayalambodaravikaTarAjaM amalam
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Behold(anubhAvaya) the primordial cause of the Universe (praNavAkAra) ShRI siddhivinAyakA, who grants our wishes Who has a very handsome smiling face...(prasanna smita vadanam)
Lord of the gaNAs(gaNAnAyakam), Who grants auspiciousness to the world (akhila bhuvana mangala varadAyakam) and wears the many splendors of the kalpAs, Who is the very cause of the Universe(lOka kAraNam).
With great restraint (ati samvṛta)He performs His magnificent Dance (mahattAnanda naTanam) with movements by His feet (sancala caraNam) with the accompaniment of sounds (rava)instruments like the dundubhi, Dindima & mridanga played by the hordes of Siva and the dEvAs.
Whose Lotus-like face is overflowing with karuNA (mercy), Who gives boons to dEvI, (don't see any connection between Krishna and Ganesa except for dEvI being hari's sister) eminent pot-bellied(lambOdara), having a gargantuan size(vikaTarAja), Who is stainless/pure(amala).
Lord of the gaNAs(gaNAnAyakam), Who grants auspiciousness to the world (akhila bhuvana mangala varadAyakam) and wears the many splendors of the kalpAs, Who is the very cause of the Universe(lOka kAraNam).
With great restraint (ati samvṛta)He performs His magnificent Dance (mahattAnanda naTanam) with movements by His feet (sancala caraNam) with the accompaniment of sounds (rava)instruments like the dundubhi, Dindima & mridanga played by the hordes of Siva and the dEvAs.
Whose Lotus-like face is overflowing with karuNA (mercy), Who gives boons to dEvI, (don't see any connection between Krishna and Ganesa except for dEvI being hari's sister) eminent pot-bellied(lambOdara), having a gargantuan size(vikaTarAja), Who is stainless/pure(amala).
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mohan
the txt i have reads 'ati samvrta' .
P: praNavAkAram siddhi vinAyakam prasanna smita vadanam anubhAvayE
A: gaNanAyakam nikhila bhuvana mangaLa varadAyakam
maNigaNa kiraNa nAnavidha kalpa dharaNam lOka kAraNam
C1: ati samvrta shiva gaNa sura gaNa mahatAnanda naTanam dundubi
DiNDima mridanga Damaruha rava dhrimita dhrimita sanacala caraNam
2: karuNArasa varSaNa mukha kamalam kAtyAyani phalapradam
nandakumAra laptiva sampradam atishaya lambOdara vikaTarAjam amalam
the txt i have reads 'ati samvrta' .
P: praNavAkAram siddhi vinAyakam prasanna smita vadanam anubhAvayE
A: gaNanAyakam nikhila bhuvana mangaLa varadAyakam
maNigaNa kiraNa nAnavidha kalpa dharaNam lOka kAraNam
C1: ati samvrta shiva gaNa sura gaNa mahatAnanda naTanam dundubi
DiNDima mridanga Damaruha rava dhrimita dhrimita sanacala caraNam
2: karuNArasa varSaNa mukha kamalam kAtyAyani phalapradam
nandakumAra laptiva sampradam atishaya lambOdara vikaTarAjam amalam
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This part is interpretted incorrectly - the refernce here is to the story of ganESa helping krishNa (nandakumArA) obtain (labtiva) the fruits (phalapradam) of performing the kAtyAyini vrat(am) on the banks of the yamunA.meena wrote:Whose Lotus-like face is overflowing with karuNA (mercy), Who gives boons to dEvI, (don't see any connection between Krishna and Ganesa except for dEvI being hari's sister) eminent pot-bellied(lambOdara), having a gargantuan size(vikaTarAja), Who is stainless/pure(amala).
Sri Ravikiran uses this as an example to illustrate Sri OVK's phenomenal knowledge of the SAstrAs, myths, and little-known facts. Even small details seem to have been captured by him. Another example he quotes is that of SrIrangam, usually described as 'Aru iraNDum kAvEri, adu naDuvE SrIrangam': described by Sri OVK as an isalnd between kAvEri and dakshiNa mandAkini (the long-forgotten name of the other branch of the split kAvEri).
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Some minor additions:
praNava means "Om". Since Ganesha's face, with the trunk bent to the right, resembles the sanskrit letter om, he is "praNava-Akara"(Akara=form). Means the same as MD's "praNava-swarUpa-vakratunDam" in Vatapi-ganapatim.
According to Bhagavatam, the gopikas observed Katyayanivrata and prayed to the goddess to obtain Nandakumara as their husband. Ganesa is said here to have given them the (phalam) fruit of their Katyayani vratam, by giving them the boon (varaprasadam) of attaining(labdhi) Nandakumara. I think it is only in the general sense, that he removes obstacles in worshipping other gods/goddesses too.
Corrections welcome.
praNava means "Om". Since Ganesha's face, with the trunk bent to the right, resembles the sanskrit letter om, he is "praNava-Akara"(Akara=form). Means the same as MD's "praNava-swarUpa-vakratunDam" in Vatapi-ganapatim.
According to Bhagavatam, the gopikas observed Katyayanivrata and prayed to the goddess to obtain Nandakumara as their husband. Ganesa is said here to have given them the (phalam) fruit of their Katyayani vratam, by giving them the boon (varaprasadam) of attaining(labdhi) Nandakumara. I think it is only in the general sense, that he removes obstacles in worshipping other gods/goddesses too.
Corrections welcome.
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Isnt it well known that the other river is koLLiDam? Is dakshiNa mandAkini another name for it? Are there other such references? But googling reveals a direct usage as: mangaLakara nishkalanka dakshiNa mandAkini kAvEri madhyastam (ref: http://www.rramakrishnan.com/Articles/M ... hukadu.pdf) - interpreted as Lord Ranganatha resides between the two rivers kaveri and dakshina mandakini.rshankar wrote:Another example he quotes is that of SrIrangam, usually described as 'Aru iraNDum kAvEri, adu naDuvE SrIrangam': described by Sri OVK as an isalnd between kAvEri and dakshiNa mandAkini (the long-forgotten name of the other branch of the split kAvEri).
But isnt mandakini sometimes used as a generic name/qualfier for a river that is like Ganga i.e. full-flowing (read somewhere)? So could it be a qualifier for kaveri here i.e. dakshina mandakini kAveri => kAveri, the ganga-like river in the South? Otherwise, it would make a tributary taken on a lofty qualifier than itself kaveri (?).
But if "dakhina mandakini kaveri" implies only kaveri, then with madhastam it would mean "in the middle of kaveri"? Not sure if that would make sense either.
Arun
Last edited by arunk on 11 Apr 2008, 20:32, edited 1 time in total.
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Is this what Purandaradasa refers to in his songrshankar wrote:Another example he quotes is that of SrIrangam, usually described as 'Aru iraNDum kAvEri, adu naDuvE SrIrangam': described by Sri OVK as an isalnd between kAvEri and dakshiNa mandAkini (the long-forgotten name of the other branch of the split kAvEri).
'Ksheerabdhi kannike shri mahalakshmi yaarige vaduvAguvE' wherein he sings-'ubhaya kAveri ranga pattaNadarasagE'?